‘We play from the heart and soul and after every show I can throw my stage clothes against the wall and they stick there!’
Originally formed in 1979 in the West Midlands, UK, New Wave of British Heavy Metal band Cloven Hoof went on to record 5 studio album’s including this year’s release on High Roller Records ‘Who Mourns for the Morning Star’. To support the album they have lined up 3 gig’s starting on August 25th in Belgium supporting USA hard rock legends Riot. I got in touch with Cloven Hoof bassist Lee Payne as he was preparing for the gig’s…‘A lot of logistics need sorting out with Hoof as the line up is Anglo-American. We are always mindful of one another’s commitments before committing to anything. We usually plan 6 month ahead to avoid problems, that way gigs are hand picked and we only do the ones we really feel enthusiastic about. 100% commitment and dedication is demanded by all band members and a lot of effort goes in by all concerned to make it work – especially as we have a continent to divide us. The good side to this of course is we can play in America and Europe easily because we have a base camp in both territories’.
‘All the band meet up about a week before a show in England and go into 7 days solid rehearsal. We practise 12 hours a day continuous to get the set slick. In truth we have it down in about a day but use the rest if the time to work out fine details and stagecraft’.
‘No one has ever forgotten their passport so far thank goodness, but we have a fair share of scares along the way with touring. Once due to fog in Milan we had to take 6 flights to get home to England due to rescheduling. You have to be super dedicated to your craft to take these things in your stride. Endless hotels waiting around and travelling is the biggest drag in any musicians experience. We all live for the time on stage when we can kick ass and get off on the music along with the fans. It makes all the hassle seem worthwhile’.
After the Belgium gig the Hoof go to Germany where you are headlining the Trveheim Festival. Have you played any of these gigs before ? ’We normally try to break new ground and play new venues and territories to keep things interesting. On occasions some festivals are so prestigious that you feel you should perform at them more than once. Sweden Rock Festival was incredible last time so we would play it again in a heartbeat. The same for Keep it True, Headbangers Open Air, Bang your Head, Sword Brothers and Up the Hammers. They are institutions these days so we would be silly not to play at these festivals when asked. In fact I think we will play Sword Brothers again next year as a point in question. America will be our prime target 2018 so it will be very exciting to play there at long last. Brazil and South America is another place we are eager to tour to help promote the re-releases on the Classic Metal label’.
For the third gig the band travel to France for the British Steel Festival on 7th October playing on a bill with Tytan, Satan’s Empire and headliners Oliver/Dawson Saxon. How do the band write the set list, decide what songs are in/out and is tempo important to the set order ? ’The set list is tricky because we have so many songs to choose from these days. We always exclude someone’s favourite song unfortunately but it can’t be helped. There are only so many songs you can fit into a set. 90 minutes is our longest set time because any longer and we run out of energy. We like to keep up a high tempo set and it takes it out of you burning up the stage. The fans tell us what they want to hear via the website so we are governed by them what to include in part at least’.
‘We always start off with a fast song either Inquisitor or Astral Rider that everyone knows because we have the fans attention right from the start. Then we introduce a new number early on before the usual stage favourites. A show has to be structured and flow so the audience can interact with you at the right pace. We let the singer suggest the order songs are in to protect his voice. We always finish with Laying down the Law because it is a famous audience participation song and an old classic. You have to balance the back catalogue and tracks from new albums seamlessly. At least that is our aim, something for everyone in fact. Old fans and new can come to our shows assured we will all rock out together and they will hear at least something they are familiar with’.
What kind of ages are in the audience and do you see familiar faces ? ‘We are lucky enough to have whole families attending our shows these days. Some have been fans for over 40 years and have followed us right from The Opening Ritual up to the present day. We do see a lot of familiar faces but lately we have seen a lot more young kids on the front row. It seems there is a revival in NWOBHM that is very encouraging and it bodes well for the future. Music can defy age limit or nationality and that is what is fantastic about metal. Young kids get off on our energy level, it is still high octane from start to finish. Not many bands out there can match our drive, power and stagecraft’.
Is there any difference from coming of stage now to when Cloven Hoof played their first gigs ? ‘Definitely! In the old days I would come off stage and still be full of energy to run a marathon. It would take me hours to come down I was so pumped up with adrenaline. Now I am totally shattered! lol. But I am quietly pleased I can still rock out with the best of them. As long as I can run about the stage like a crazy man and deliver the goods then I will do it till I drop. I give the fans everything, all the guys in this band and the audience knows that. We play from the heart and soul and after every show I can throw my stage clothes against the wall and they stick there! If they didn’t then you are not working hard enough, the audience deserve and demand your very best… and when they see Cloven Hoof that is what they get in spades!’
For more info, merchandise, photo’s and tour dates visit the official website at clovenhoof.net
An earlier post April 20th ’Shine On’ features an interview with Lee Payne.
Interview by Gary Alikivi August 2017.