Gaurdian Sound Studio’s were based in a small village called Pity Me in County Durham, North East UK. There are various theories on the origin of the unusual name of the village – a desolate area, exposed and difficult to cultivate or a place where monks sang ‘Pity me o God’ as they were chased by the Vikings.
Whatever is behind the name it was what happened in two terraced houses over 30 years ago that is the focus of this blog.
They were home to a well known recording studio. From 1978 some of the bands who recorded there: Neon, Deep Freeze and Mike Mason & the Little People. A year later The Pirahna Brothers recorded a 7” single.
1979 saw an E.P from Mythra and releases in 1980 from Hollow Ground, Hellanbach and a compilation album, Roksnax.
From 1982 to 85 bands including Red Alert, Toy Dolls, Prefab Sprout, Satan, Battleaxe and Spartan Warrior made singles or albums. I caught up with a number of musicians who have memories of recording in Guardian…
Dave Wilkinson (vocals): ‘Spartan Warrior recorded at Guardian Studio in 1983/1984. My abiding memory of recording there is that the studio was said to be haunted and that made for a lot of winding up. There were occasions when although we’d been booked into the studio during the day time Terry Gavaghan, the producer of Spartan Warrior’s first two albums, would often have us recording throughout the evening and into the early hours of the following morning… that was just his way of working.
In fact it wasn’t uncommon for us to arrive for a midday start on a Saturday and be finishing up at 5:00am on the Sunday! Needless to say that a lot of the overnight sessions involved a lot of ghost story telling by Terry.
The control room had a large glass window next to the mixing desk and and from there you could see into the room in which the band was set up to record. It was quite dark in that room and I think it was only dimly lit with a red light.
I found myself in situations where there would be a couple of hours spent with Terry in the control room and he’d tell us about the various sightings of the ghost of a little girl and there had been occasions when peoples headphones had inexplicably flown off across the room during a take.
We’d all be sitting there listening and making light of it and then in the early hours Terry would send me into the other room to do a vocal in the dimly lit room while the rest of the band stayed in the control room. To say that I was apprehensive would be an understatement!
‘On one occasion we were in there recording a track called Witchfinder for the Steel n’ Chains album and Terry thought that it would be cool for the five of us to record a Satanic Chant at the opening of the track.
So after a lot of the usual ghostly tales we all went around the vocal microphone while Terry remained in the control room with a lad who I think might have been a neighbour of his who was helping him in the studio that day. We had a few runs through this chant and it was an unrehearsed shambles but he called us back in to the control room to have a listen.
Terry set the analogue recordings running and we listened back… then the tape machine just ground to a halt and he pointed at the digital clock which measured the length of the track and it came up as six minutes and sixty six seconds… 666… just like that. Terry looked really worried and said you can’t have a clock showing 666 seconds and he was telling us something sinister was at work probably brought on by the Satanic Chant.
He said that we ought to abandon the idea before anything horrendous happened… he said the Chant could bring about terrible things if blood was spilled… I think he actually said “all you need is blood”.
Then the lad got up to go into the kitchen to make us all a cup of tea and he banged his head off one of the monitors and split his head open… that was it… blood was spilled and we were all terrified.
It was almost certainly a wind up. I’m pretty sure Terry could have done something to make the clock show 666 but the lad did actually split his head open. The Chant never made the album!
This needs to be confirmed by a visit down to Pity Me, but a quick search of 26-28 Front Street on google maps reveals a well known supermarket where the two terraced houses were. I wonder if customers buying their tins of beans and bananas know the rich musical history that Gaurdian Studios contributed to recording in the North East. The Tap & Spile is just next door, is that the pub where many of the bands went for refreshment ? If anyone has information or recorded in Guardian studios it’ll be appreciated if can you get in touch.
Interviews by Gary Alikivi.
Lou Taylor SATAN/BLIND FURY: Rock the Knight, 26th February & 5th March 2017.
Steve Dawson SARACEN/THE ANIMALS: Long Live Rock n Roll, 2nd April 2017.
Martin Metcalfe HOLLOW GROUND: Hungry for Rock, 18th June 2017.
Kev Charlton HELLANBACH: The Entertainer, 23rd June 2017.
Steve Thompson (NEAT Producer) Godfather of NWOBHM, 27th June 2017.
Richard Laws TYGERS OF PAN TANG: Tyger Bay 24th August 2017.
Neil Wil Kinson SPARTAN WARRIOR: Invader from the North 21st September 2017.
1980: The Year Metal was Forged on Tyneside, 11th February 2018.
ROKSNAX: Metal on the Menu, 9th March 2018.