In 2019 The Toy Dolls will celebrate 40 years of being in the business but back in 82 The Dolls played in the foyer of live British tv music show The Tube, broadcast from Tyne Tees Studio in Newcastle.
While ripping through ‘She Goes to Finos’ behind the band was a huge yellow backdrop and bank of tv screens.
Presenter Muriel Gray said “That incredibly energetic and slightly mad bunch are The Toy Dolls. A Sunderland based band. They were signed with EMI but unfortunately EMI let the contract lapse after only 12 month and one single. But happily a two man Newcastle based recording company called Volume snatched them back from impending obscurity. Well hope they are favouring(?) any damage done in the foyer”.
When did the music bug hit you Olga ?
‘I got into playing music after watching Suzi Quatro on Top of the Pops. I knew from that moment what I was gonna do! Be a bass player.
I saved up for a bass guitar for a year by doing a paper round, but when I went to buy it, it had gone up by £1! So I just bought a guitar instead’.
Early influences for Olga were Dr Feelgood, Status Quo, The Pirates…
’Also listened to Slade, Suzi Quatro, The Sweet, Eddie & the Hot Rods and most of the early Punk bands, The Jam/Clash/Pistols’.
Since ’79 many drummers have been and gone, plus a few bassists, but the line up for The Toy Dolls in 2018 are Olga: Guitar & Lead Vocals. Tommy Goober: Bass & Vocals. The Amazing Mr Duncan: Drums & Vocals.
Olga and Duncan both live in London and Tommy lives in Germany.
Back in Sunderland during the late 70s Olga played in local band ‘Straw Dogs’ then formed The Toy Dolls…
‘Started in October 1979 and for a long time we just played locally around the North East UK. Then the Angelic Upstarts gave us a support slot on their UK tour, to whom we are eternally grateful.
In 1985 we met our manager, Dave (RIP). He got us gigs worldwide for the next 30+ years’.
When you were based in the North East where did the band record ?
‘At first it was Guardian Studios in Pity Me, Durham. That was where we always went from the beginning and for many years to follow. I think it was about £40 a day then, which was expensive for the early ’80s.
We recorded singles mainly, until 1983, when we recorded our first album Dig That Groove Baby’.
At a time when Eurythmics, George Michael and Spandau Ballet were regularly hitting top ten and the Band Aid single was number 1, The Dolls crashed the UK singles chart in December ’84 with a cover of ‘Nellie the Elephant’. It entered the chart at 16 and reached number 4.
They also filmed a music video for one of their songs at Penshaw Monument in their hometown of Sunderland. The band also recorded some TV appearances…
‘Yep quite a few. The usual pop shows in the UK like Razzmatazz, Top of the Pops and quite a few TV shows in Germany, Holland and Switzerland’.
Have you any funny stories from playing gigs ?
‘Ha, too many to mention. One story I will never forget is the first time we played in Sao Paulo, Brazil. A skinhead managed to climb over 4,000 people, through the security, got on stage and smashed me in the face, knocking my tooth out. And he was a fan can you believe!
He even came backstage after the gig to say how much he loved the show. No apology though!’
After being involved in music for over 40 years what does music mean to you ?
‘What else am I gonna do ! Busy writing a new Toy Dolls album at the moment, and almost finished! “Music was my first love and it will be my last”…. Ha, pass me the sick bucket, though its true!’
Along with writing a new album, the rest of the year has a couple of live European dates in December including a sold out show in Geneva.
With a feature on the bands website ‘Ask Olga’ where fans ask questions about touring, records or Olga’s chewing gum – he’ll always be busy. Go on ask him!
Interview by Gary Alikivi November 2018.
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2 thoughts on “THE HOUSE THAT OLGA BUILT – with Toy Dolls frontman”
Great read, Gary & Olga. Keep on keeping’ on.
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cheers Nick, more interviews with North East musicians arranged for December and another from down souf’………on and on mate….
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