The Ground Zero for Punk on Tyneside was 1977.
For many kids there was no work, no hope and no future as the Queen drove by celebrating her Silver Jubilee. The only highlight that summer was when the King came to town – Muhammed Ali had his wedding blessed.
But on one notorious night at the Civic Hall in Jarrow, a major turf war descended into chaos. It was a night that changed lives. Out of the ashes came a band that focused all the anger and frustration on Tyneside.
We know the story of the main protagonists, the Angelic Upstarts, who went on to Top of the Pops, gigs in New York and notoriety. But what happened to the others who were on stage that night?
First, we need to go back and find out who lit the fuse of punk. On the east coast of USA the sound of raw guitar driven rock n roll was making a noise, and the UK was listening.……
Bri: It all seemed to happen so quickly. After listening to rock music in the early ’70s Hodge, an old school mate introduced me to The Stooges, MC5, Ramones etc That stuff knocked me out.
Hodge, who was learning to play guitar, was down London when the punk scene kicked off. He came back to Shields and told us about this punk thing happening down there with bands like the Pistols, Damned and The Clash.
Another school mate Ski invited me round to his house to listen to the Pistols single Anarchy in the UK. It was so good we played it ten times. Ski knew I had a bass, he had some drums, so we had an idea to start a band
One Friday night we met in the Mermaids Tale pub in Shields, Mensi was always in there and we had a good bit crack with him about the punk scene that was kickin’ off.
We arranged to go to Seaburn Hall near Sunderland to see The Jam. They were absolutely brilliant. Then we saw The Clash on the White Riot tour those two bands really influenced us.
We saw lots of other bands around that time but those two stood out. So that was it, we all said, ‘Let’s get this band together’. Hodge called the band the Upstarts and Mensi added the Angelic bit.
The Jam played the Seaburn Hall on 17th June 1977, £1.00 entry. Price for act was £670. Vibrators & Penetration played 1st July £1.00 entry and on the bill for 8th July were The Saints & Straw Dogs £1.00 entry. Taken from the excellent book ‘A Promoters Tale – Rock at the Sharp End’ by Geoff Docherty with a forward by John Peel.
Bri: There was a DJ from Shields called Billy Cooper and he used to run discos around the town. He had a disco at Jarra’ Civic Hall and arranged for us to play our first gig there.
A week beforehand some of the band and friends checked out the venue to see what gear was needed but when the lads got to the hall a gang attacked them.
Next day The Shields Gazette reported that our mate Skin Brown had to get four stitches above his eye. At first, we thought about calling it off, but we said stuff it, and went ahead with the gig.
Bob: It was reported that they were attacked cos the way they dressed. What people forget is at that time if you walked around dressed like a punk you got filled in. If you had straight drainpipe pants and short spikey hair you got a strange look.
Bri: On the night of the gig the place was packed – you could say there was a bit of an atmosphere when we arrived. It was the Angelic Upstarts first and only gig with the line-up of Tommy Mensforth up front, Col Hodgson and Mond Cowie on guitars, Leon Slawinski on drums, John Halliday on sax and me on bass.
You couldn’t hear the sax much that night, but I can remember Hal wearing a white boiler suit. The place was packed full of Jarra lads we also brought a big squad up from Shields.
During our set Skin Brown turned Hodge’s guitar up really loud so Mond pulled his lead out and Hodge walked off stage. Then the fighting broke out. It ended up a riot because of the previous trouble.
I spotted me mate Kev Charlton (Hellanbach bassist) in the audience and pulled him out. We got most of the Shields lads backstage cos they were getting battered off the Jarra’s. It looked like they had it all planned.
Next day word got round and the whole night and band became more notorious with the punk and violence thing. We weren’t asked back.
After that gig Mensi and Mond went down a different path, got signed to big record labels and lived in London. Our band The Fauves were formed, and we played mostly in the North East but were finished around ’81.
Nowadays Hal lives in Los Angeles he’s a top film producer and Ski lives in Spain, he’s an electrical engineer.
Who were your early influences in music ?
Bob: We knew each other from the shipyards, we were apprentices together. I had been playing in other bands for a few years, so it was good to hear Bri was in a band looking to do something. By then I’d heard the Damned and The Clash and thought they were amazing.
It changed people’s consciousness of you didn’t have to sit and play in your bedroom for four years until you were a virtuoso. It’s a cliché but put three chords together and make a band, then it is all about getting the confidence to put a band together.
Bri: I was into the rock scene but the Stooges, Ramones, Clash etc really influenced me in the early days. Kev Charlton (Hellanbach/Bessie & the Zinc Buckets) was living next door. I was always buying records Kev was never away from the door ‘Can I borrow this, can I borrow that’ ya knaa.
Then when I got a bass he was around again, knocking on my door ‘Right I’m getting one of them’ (laughs).
We used to blast out records and play guitars in my bedroom. This was maybe around ‘75 or ‘76 just before the punk scene. We had a great time when we were young ‘un’s, listening to music constantly. Kev’s not a bad bass player now, he’s left me for dead hasn’t he (laughs).
In the early days where did the Angelic Upstarts rehearse ?
Bri: We started rehearsing at The Dougie Vaults in Shields, we got chucked out so we went to the West Park pub and they chucked us out as well. This was a time when people didn’t want anything to do with punk you know, we ended up rehearsing in Percy Hudson Youth Club.
In the early days Hal (John Halliday) and Mensi wrote most of the lyrics and everyone mucked in with the riffs. Hodge (Col Hodgson) was struggling a bit on guitar, so Mensi brought Mond Cowie in. That’s when we started rehearsing a few times a week.
The Jarrow gig caused a split in the band. Who went with who ?
Bri: After the gig at the Civic Hall, Hodge was a bit pissed off and wanted out. I was good friends with Ski and Hodge so stayed with them and we called ourselves The Fauves.
Mensi and Mond went their way, got Micky Burns in on bass and Decka Wade in on drums. There were no hard feelings and we all remained friends.
Sadly, Hodge died last year and Mensi said if it wasn’t for Hodge there wouldn’t have been any Upstarts. Which was good to hear him say that and remember Hodge.
After the Jarra Civic Hall gig the Upstarts started gigging regularly around the North East and at Bolingbroke Hall in South Shields where we were lined up to support them.
We couldn’t find a good guitarist, so we got a hippy lad called Micky Carr to help us out. Micky had long hair so to hide it we put a bathing cap on him (laughs). But in the end we were pulled from the gig. To this day I don’t know why.
I left the band for a while and two lads from Newcastle came in, and eventually supported the Upstarts at Bolingbroke Hall and the pigs head made it’s appearance. (See previous interview with Angelic Upstarts, ‘The Butchers of Bolingbroke June 1st 2017)
Did The Fauves have a manager to arrange gigs?
Bob: Nah we didn’t even have a van. We used to pile our gear in a car. When the Upstarts left for London and got signed there was a vacuum left in Shields. People came to see us and we built up a bit of a following.
We had a rehearsal place in the upstairs of The Neptune Hotel in Shields. It’s not there now but it was a massive pub and we used to put on gigs downstairs. It was great that the manageress let us have the run of those rooms.
Bri: We used to play a lot then and get support bands in. One of the bands said The Neptune was the worst place they had ever played.
One guitarist told me he went to plug his amp into the wall and it still had like an old fashioned coil connection, he had to sort out an extension cos it was that old (laughs).
Bob: I remember we decided to play our own gig at Boldon Lane Community Centre in South Shields. We booked the hall, hired p.a, got a support band, posters, the lot. We were amazed when hundreds turned up.
Bri: We were playing regular gigs around ‘79 and used to contact Gary Bushell at Sounds newspaper and he printed some good stories about the band. He helped us out a lot.
Then we started to play the Gosforth Hotel in Newcastle. A small punk scene was starting to happen up there.
Bob: We also became mates with a label in Newcastle called Anti-Pop who promoted gigs and made a few singles. We supported Arthur 2 Stroke and The Noise Toys up there.
One Saturday afternoon we played a great gig at The Casablanca in Newcastle. There was three bands on, it used to attract quite a crowd ya’ kna’. Inside it was done out with wicker chairs, palm trees, ceiling mounted fans and a picture of Humphrey Bogart on the wall.
Bri: Yeah it was a great gig, really popular, but we didn’t know it was a gay club (laughs).
Did The Fauves go in the studio ?
Bob: We always planned to do some cos it was the days of do it yourself. But we didn’t really have the money for it. Studios were expensive then. It’s one of my main regret’s that we didn’t record anything from that time.
Bri: We booked a session at Impulse Studio in Wallsend for a Monday and we picked two songs we were going to put out on a single. We went to our last rehearsal on the Saturday night and it ended up in a big argument.
What was that over ?
Bri: Nothing really.
Bob: We were just kids.
Bri: It was like ‘Hey we’ve got to get this right we’re in the studio Monda’.
Bob: I think it was a bit of frustration at the lack of getting nowhere. We weren’t making progress. We wanted to get signed and move on.
Bri: I remember going outside with Abbo, who was singer then, and just saying ‘Hey this isn’t working is it’. We drove home that night, you could hear a pin drop no one spoke a word.
That night in total silence the band left their rehearsal room under the railway arches in Newcastle.
Next day a phone call was made to Impulse Studio cancelling the session. But Bri remembers a recording……
Bri: There was a reel to reel three track demo that was made at Impulse Studio. I think it was Hodge or Ski who took hold of it and tried to get some tapes made but it disappeared.
There’s also a Newcastle radio interview hosted by music journalist Phil Sutcliffe, that’s also gone so we’d love to hear them again if anyone can help.
Bob: The band had just about folded by ’81 and to be fair me and Bri did go on to play and record in many other bands but The Fauves was the best band we played in.
We were always disappointed that we never recorded anything with The Fauves so when we got together again three years ago I had in mind to record half a dozen original tracks that we done years ago.
It went really well so we thought can we put enough material together to make an album. Subsequently we’ve made two albums and an EP since then.
We recorded tracks at The Garage Studio in South Shields and the engineer Kyle worked with us to get the sounds we were thinking off.
Bri: Most of the songs off ‘Back Off World’ were written between 1978-81. There is a couple of new tracks and there’s been a few line-up changes over the years, but we think it has come out really well.
Bob: We’ve played some canny gigs lately and to be fair it’s probably been more enjoyable than first time around. We have a few gigs lined up with the new line up of Mick Smith (vocals) Allen Hughes (guitar) Bri Smith (bass) & Bob Rowland (drums).
The first one in Newcastle at Trillians on 11th November, then The Wheatsheaf, Sunderland 23rd November and the Philadelphia Club, Houghton le Spring 14th December.
For further info, gig dates, cd releases contact https://thefauves.wordpress.com/
or via Facebook at The Fauves punk band
Interview by Gary Alikivi September 2019