A journalist for 44 years Janis’ first and only job was at The Shields Gazette… I don’t remember having any clear idea of what I wanted to do but the only subject I was any good at in school was English and History, so it was always going to have to be something to do with writing of some sort.
My brother in law John had been a reporter at the Gazette and my sister Pam worked on the front counter reception, that’s how they met. When I left school I wrote to the editor at the Shields Gazette, Jim Sinton, asking for a job, nowadays you would need a Media degree from University but I just sent the letter in.
I fell very lucky and got taken on as trainee reporter and signed my indentures for three years. I literally learnt on the job then periodically being sent to college learning the law and shorthand, then at the end of the three years got my National Council for the Training of Journalists proficiency certificate.
What was the job of a journalist then ? I spent a lot of time covering court cases, council meetings, area health meetings that sort of thing. Then if you were covering a story where somebody had done something or something awful had happened to them you would go out with a photographer, interview them, take some photographs, get back to the office and write your story up.
Sometimes you would get the story over a telephone interview but I liked going out and seeing people because it was the only way of getting the feel of the story plus you picked up other things as well.
In interviews I’ve found most people are open to talking not only about good times but also bad, did you find that ? The dreaded part of the job is what is called these days, the death knock, and a lot of times you ended up getting the bums rush. It was having to go and see somebody where someone had died possibly in tragic circumstances. You would start by saying I understand if you don’t want to talk to me but….. You always had to brace yourself for being told to f off which did happen sometimes and I totally respect that.
A lot of time people would speak to you because they wanted the story to be right, to make sure you understand what the person who had died was like. So yeah it can be a surprise to find how willing people are to talk.
Were there any deadlines that you had to work to ? There was nothing written in stone you just knew to get your story in as soon as possible, it was more instinctive than anything else. You’d been to the event, got your notes down then find a telephone box and hope you’ve got the right money. If you didn’t you’d reverse the charges (laughs).
You are writing it in your head as you are dictating it down the phone line. Hoping to hell you are getting it right. Terrifying at times but brilliant training. We used to go to court in the morning and write the stories up, taking down a note from one case and writing the previous one by hand (laughs).
The messenger would come across from the office pick your story up, take it back and that would get in that nights paper. That’s how current it was. Even covering trials in Newcastle Crown Court you would phone your copy over after an hour or two of the trial for that night’s paper. There was 4 or 5 copy girls who would take dictation. The early edition used to come out around 1pm and that was basically yesterday’s final edition with a bit of updating in it. But the final would come out at 4pm.
Years ago The Shields Gazette on a Monday would have a celebratory page of wedding pictures …Yes there was always certain jobs that you did before the end of the week, one was the Agoes which was snippets of what happened 25 or 50 years ago that went in to the paper and the other was the wedding reports.
People would come into the office and pick up a form that had to be filled in with the details of the bride and groom, their parents, what they did for a living, what the bride and bridesmaids would be wearing, anything special about it and name of the church. You wrote the report from that, then the photographer would go take the picture on the Saturday.
You would see them married up together on the Monday. There was a kudos of having it in the Gazette. Do people realize now just how valued the Gazette was, you had achieved something if you were in the paper.
Janis wrote a daily column called Cookson Country featuring people and places around the town it’s popularity led to the books ‘Aall Tgithor Like the Folk O’Shields’. How did that come about ? Cookson Country in the paper started in the late 1980’s and it had been such a success with the use of the old photographs. I can’t remember who brought up the idea, it was maybe the editor or management but they said ‘Why don’t we do a book, a spin off from Cookson’. That’s when the paper was still owned by Portsmouth and Sunderland Newspapers who had their own publishing arm, they were doing books and magazines commercially. So it was ‘Yeah I’ll give it a go by all means’.
The first one was very popular, we done that about 1993 or 4 because my son Alexander was only a baby. I look back now and wonder how I accomplished it really, working, having a small child and doing them. There’s five of them in all with the last one in 1999.
Did you find it hard work to put them together or did they fall into place ? No it wasn’t hard work I think for the first one, the blue one, I settled on the things around the town that were most well-known, like the Market, Old Town Hall, Comical Corner, Marsden Grotto and Marine Parks so it was easy to come up with a selection of things to do, and the Gazette did have this wonderful collection of old pictures. For the text the Gazette had this detailed cuttings archive dating back to just before the Second World War. So no it wasn’t a chore to put it together.
Can you remember any stories or photographs that caught your attention, that stood out ? I think what I was struck by most and this had come out of Cookson in a way was how hard people’s lives had been. I did a bit about guys gathering sea coal, you had all this coal that was washed from out of the ground seams and spilled off ships, and men would go and gather it. I can still remember the tidal edge along the beach down there was black with all the coal washed up on the beach.
I wasn’t aware how poor parts of Shields had been, the riverside area especially, that was a learning curve. Also to see how much the place had changed, then how in some instances it had stayed the same. There are still huge parts of Shields that are still recognizable from 100 years ago.
This photograph (above left) is at the top of Mile End Road of the old corporation staithes where all the midnight mechanics would go round and empty the ash closets, then it was all taken to the staithes put in hoppers, taken out to sea and dumped. You could never imagine that there was something on the riverside that looked like that. God knows how old some of these buildings were.
That was the biggest revelation, coming to realise that there had been this whole riverside town parts of which probably dated back a very long time, and it’s just gone. It used to be one street with pubs and shop’s along it, people now go to York for the Shambles with it’s little streets, we had that. But because it was so dilapidated and insanitary it was all cleared.
How important do you think local history is ? It’s important, you’ve got to know and understand where we have come from and how the town has been shaped. But I have a profound dislike of the word nostalgia. I hated it when Cookson page was referred to as nostalgia. There is a saying that nostalgia is a seductive liar. Nostalgia now for people can be the 1980s, when I started doing Cookson a lot of the readers memories were going back to war time.
I never tried to look at the past through rose tinted spectacles, you look at those old photographs in the books we’ve talked about, families in those houses on the riverside were living in appalling conditions, the sewage, the water supply was poor, walls of the houses full of bugs, people were hungry, they were dirty – there’s no nostalgia for that. It is important that we know about these things so you can see what improvements we have made, how much we’ve come on in that time.
Now that you are retired do you still keep your hand in ? Since I’ve retired I have done some work with school children and they are absolutely fascinated by things you tell them. I’ve taken some on walks along the riverside, to The Customs House and where Brighams dock was and tell them they would have been covered in coal dust sitting near The Customs House, where the old coal staithes where. Then behind you is the top of St Hilda Colliery pit head, can you imagine 150 year ago little children your age working down that pit ?
They are fascinated about it, I tell them to go home and talk to their parents, talk to Granda and Grandma what life was like when they where children. Don’t get seduced by nostalgia for the olden days, cos they were hard…really hard.
Gary Alikivi Interview January 2020