WHAT’S COOKIN’ with Les Tones and Arthur Ramm former guitarist’s with North East band Beckett.

Arthur got in touch with more stories from his days in Beckett with Les Tones….As we all know time passes so very quickly. It’s been 50 years since the conception of Beckett and all the experiences of the Beckett years now tend to fade from memory.

Every Sunday evening if we are not gigging, Les and I usually meet with friends at the Vigilant Inn, South Shields where we can watch a local band perform and enjoy a good natter over a beer. When you’re in good company, sometimes these stories and experiences return. The next stories which we have submitted to you are an example. Who knows, there may be more that come to light. Let’s hope so.

Where did you rehearse Les ? We used to practice in Porchester Street, South Shields in a prefabricated hut. We’d start about 11am and finish around 4pm. Sometimes I’d go to Arthur’s parent’s house in Fulwell Avenue, South Shields, and the two of us would rehearse.

What can you remember about playing live Arthur ?  We used to play regularly at nightclubs in the North East. The stage area was usually upstairs and extra help was appreciated. At one particular nightclub as the band were setting up the gear on stage, a friend of the band wandered into the restaurant kitchen and noticed some uncooked beef steaks on a plate. He realised there were no staff present in the kitchen and removed some from the plate and hid them inside his coat. In the dressing room he revealed the steaks to the band, and they told him to return them to the kitchen immediately.

He decided otherwise, and wrapped the steaks up in paper towels. Well the band used to use Vox AC30 amplification, which were designed with an open compartment in the back of the cabinets. The culprit decided to hide the steaks in the backs of the amplifiers so that he could retrieve them after the gig. However, during the performance when the amplifiers started to get hot, the band members on the stage could smell the aroma of cooking meat. Thinking this was coming from the kitchen, they thought nothing of it.

All was revealed when the amplifiers were put back in the van. The consequences for the band would have been quite severe if found out! He was never invited to any gig again. Who got the steaks? We don’t know. It put a new meaning to the expression ‘The band was cooking’!

What are your memories Les ? Beckett had an afternoon gig at Jarrow ex-Servicemen’s Club during the miners strike, playing to a mainly male audience – all the blokes in their duffel coats. We were also booked to play at the club in the evening to a mixed audience, and we went to Wetheralls nightclub in Sunderland after that to play another gig.

Between ‘69 and ‘71 a guy called David Walker worked for the BBC and arranged for us to play live on Radio 1. We hadn’t played on radio before. When we arrived at Hartlepool Town Hall for the gig, the place was crammed. The strange thing was that they told us to turn our backs to the audience, and turn our amplifiers and speakers round as well so the audience were behind the band. We asked why we needed to do that and the BBC sound engineer said ‘Forget about the audience, we’re only interested in the 12 million listeners on the radio’, which made us panic!

The DJ Stuart Henry introduced us and the gig went surprisingly well. David Walker had a professional recording made of the whole gig, and passed a copy on to us.

Are you still playing Arthur ? I am privileged now to front a band with Val Hansen, called Justuzfor. The band played it’s first gig on 24th March 2013. Since then, some of our musicians have changed. Val joined the band in 2015 and the band is still going strong. We always try to play every week and upcoming gigs can be found on our Facebook page. We have videos on You Tube and on Twitter https://twitter.com/justuzfor.

Edited by Gary Alikivi March 2020.

 

TYNE CRIMES with Natasha Windham, author of new book ‘Jarrow Murders and Misdemeanours’.

When researching the book did you come across any unusual or strange stories ? Maybe more shocking than unusual, but the amount of gun crime I uncovered surprised me. Jarrow really was like the wild west of the North-East! Also included in the book is a story about a Jarrovian one-legged arsonist who later became a popular comedian and dancer. That was certainly one of my more unusual stories.

What inspired you to write the book ? I’ve always been interested in true crime and had been studying Jarrow from a genealogical point of view. I was trying to understand what the town would have been like when my ancestors were living there in the Victorian period. My interest widened and I began to keep notes on the stories that had shocked me the most. I then had several days last spring when I was feeling more inspired than usual which resulted in me contacting Amberley Publishing and securing a book deal.

What is your connection to Jarrow ? Half of my family are from Jarrow, including my dad and grandad. I can trace my paternal family in Jarrow as far back as 1848. Over the years, the Windham family have lived on High Street, St Paul’s Road, Catherine Street, Bede Row, Sheldon Street, Buddle Street and Valley View. My dad and distant cousins still live there today.

What are your memories of the town ? I remember visiting my great-aunt, Jenny, on the Hedworth estate. She lived on a street called Greenlands and I remember the sounds of the metro trains passing by. Jenny was quiet, sweet and unassuming, and every time we visited, she would give me and my brother mars bars and bags of jelly babies. She had an incredibly kind and helpful neighbour called Billy who really looked after her in her old age. Sadly, they’re no longer with us.

Have you any ideas for your next book ? I think so. I’m considering one idea in particular, but I’m unsure whether it will come to anything. There are moments in my life when my mind is filled with too many creative ideas and it’s difficult sometimes to untangle them and decide what to focus on.

‘Jarrow Murders and Misdemeanours’ is released 15th May and available to pre-order from Amazon, WH Smith and other online retailers including the publisher Amberley.

Interview by Gary Alikivi   March 2020.

ART OF NOISE from the Tygers of Pan Tang new album ‘Ritual’.

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Just when you thought it was safe the aptly titled ‘Art of Noise’ comes at you head on, and returns for another bite. Opening with thick treacly rock sound ‘Worlds Apart’ to ‘Spoils of War’ and the single ‘White Lines’ with plenty of room for ‘Words Cut Like Knives’. Then the MONSTER thunder of ‘Let’s turn up the sound and gather around, To hear…the art of noise’. Deafining indeed. Album closer ‘Sail On’ is a breeze after that. The Tygers of Pan Tang, engineer Fred Purser and additional production from Soren Andersen are the creative team behind the new album ‘Ritual’ which can be added to any hard rock playlist in 2020.

For further info contact the official website:

http://www.tygersofpantang.com/official/

Gary Alikivi  March 2020.

IN SHARP FOCUS a conversation with actor Steve Wraith

How did you get involved in acting ? My first acting role was King Canute when I was at school, from that moment on I always wanted to be an actor. I’d fallen behind at school and I couldn’t read or write so my parents put me into private education. I was entering poetry competitions in the Durham area and doing well, that’s where I learned reading lines. The school were impressed so encouraged my parents to push my stage work further.

So I went along to The Peoples Theatre in Newcastle on a Saturday morning, the exercises built up to putting on a play 3 times a year, it was a fantastic training ground. I met new people and got the chance to play some good parts. I think that’s where I got to play the villain like I do now, they just cast me in them roles from day one. I really enjoy them, I played the Artful Dodger and never looked back (laughs).

I was there until I was 16 and did two trips abroad with them, 3 weeks in America doing Under Milk Wood in places like New Jersey, New York and Philadelphia. Then we went to Russia where I played the Artful Dodger it was fantastic, we were there as communism was starting to fall, the whole western influence and McDonalds being built.

Then I went to Newcastle College and I was all set to be an actor because I never stuck in at school really, before I left school they asked me what I wanted to be and the headmaster laughed when I said an actor.

That’s a great incentive though isn’t it…..Yes, funny I regularly meet one or two teachers still, we go for a coffee now and then. But I packed in college when I was promised a certain amount of money plus an Equity card to do a panto, by the end I had done 54 shows but what I was promised never materialised. I was involved in not only doing 2 shows a day but putting the set up and taking it down then travelling to the next venue, really when a promise is given you should be rewarded. The guy who was responsible for the production shall remain nameless. Looking back I thought if that’s acting you can stuff it, the one thing I wanted to do I was walking away from.

But I’ve come back to it after a break away, it happened after my experiences meeting with the Kray Twins and actors Mike Read and John Altman (both ex-Eastenders). John was doing a play called Bouncers by John Godber at Sunderland Empire. He rang me up ‘I’m coming up to your neck of the woods do you want to meet up ?’ We arranged for him to do a night on the door of the nightclub where I was working at the time. On the night he was watching my mannerisms, everything I was doing on the door, even when there was a fight on.

6 months later I took my mother and my wife to see the play he was in with Nigel Pavaro and Chris Connel who I knew from college. We were walking up to the Empire and lo and behold who was standing on the door in his doormen gear…it was John and nobody recognised him.

Afterwards we went on a great night out in Newcastle and the conversation got round to me being an actor years ago and John recommended that I should get back into it. I was happy working on the doors but fellow Geordie Chris Connel passed me a number for Janet Plater who was setting up an extras agency. He said there will be a lot of sitting around but give it a go so I met up with Janet and signed up, that was around 15 years ago.

What was your first job as an extra ? My first job was on a new TV series called The Night Detective, later became 55 Degrees North. It was a speaking part which Janet wasn’t sure I would get, so I went to The Mitre in Benwell, where they used to film Byker Grove. Thing was I had been singing a bit too hard at the Newcastle match the previous night, they had won so I had a few drinks and ended up with a sore throat and thick head.

When I got to The Mitre I met the director who to be fair, was also looking a bit rough. He said ‘You’re looking a bit ropey Steve’. I told him where I’d been and he laughed ‘So was I’. We spent the next 20 minutes talking about the match. Finally I started reading the script and was playing a wheel clamper who clamped the villains car. When we had finished I left the Mitre and 20 minutes later Janet called saying ‘You’ve got it, you’ve got the part’.

Filming on that programme felt great I thoroughly enjoyed it. The script arrived in the post I had 2 scenes to film that’s 2 days work at £750 a day. They sent a car to pick me up, I had my own caravan with ‘Wheel Camper 1’ written on the door, I could have been sitting smoking a cigar thinking I’ve finally arrived (laughs). Then it was sitting waiting for the phone to ring from Hollywood. Janet rings ‘I got you a part in Byker Grove, you’re playing a security guard, just a background artist. Get to the Monument for 7am’. Well I was back to earth with a bump, welcome to the world of the extras. That was where I was gonna have to cut my teeth really.

But I enjoyed it and I got to say Ricky Gervais absolutely nails what being an extra is all about in his TV series. You hear people saying ‘I’m an actor really I’m just doing this in between jobs’. It is funny but I networked a lot mostly with the techies on camera and sound, lighting guys, a lot knew me and we got on really well because of my love of Newcastle United.

Then after 3 years of extra work I wanted to give acting another go because the lads I got to know were contacting me about work coming up. I rang my mate Steve Melville Head of Drama at Gateshead College he suggested a course which I did and enjoyed it, we done a play at the end of the year and I got the buzz back.

Have you had any magic moments on stage ? You know you’re in the zone when you’re words are perfect and you let the character do the talking. I can’t remember much about it just applause at the end and thinking this is what I want to do. I never finished the original college course all those years ago so I done a full time degree at the age of 37. I learnt a lot about myself, the craft and proving to myself that I’ve trained properly and turn up at an agents door and say right I’m ready.

I went back to Janet Plater but she didn’t share the same enthusiasm and didn’t take me on as an actor so I put my notice in as an extra. Meanwhile I saw an acting job for a low budget film based in the North East called ‘In Our Name’, the role was a Sergeant Major playing scenes with Joanne Froggatt from Coronation Street. I went to the casting and got the part. The Scottish director Brian Welsh was struggling for contacts to venues like a boxing ring and nightclub, with my contacts I provided that for him and we hit it off really well. At the wrap party he said ‘What can I do for you?’ I was looking for an agent so he hooked me up with Sam Claypool and in 2011 I done a cast for her, she said ‘You’re raw but I think I can do something for you’.

How did working on the TV series Vera come about ? Sam got me the part in Vera, I’d cast 5 times for the TV show and in 2015 I was lucky to get it. That was 3 times self-taping and twice face to face. The process at first isn’t face to face it’s self-taping where you pick a blank wall behind you and with a camera or phone you do your bit and send it to the director. The part in Vera was called Big Pete who wasn’t a nice character and ran a restaurant. He was running illegal immigrants through his kitchen and paying them in food. It was a great opportunity, six and a half million viewers, being on a big show like that is great for the cv.

From that I was cast in The Rise of the Footsoldier working alongside Shaun Ryder in his first and last acting role (laughs). Also working with people I’ve watched on films over the years and suddenly now I’m in the green room with them and on set. Fantastic to work with them, we choreograph the fight scenes a week earlier then go down to film.

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What you got planned for 2020 Steve ? It’s an exciting year Shirley Lewis is representing me in London for other acting parts where she can put me in front of directors. I have other interests like my publishing company working on various books and an Event Management company where we promote boxing events, in March we have Floyd Mayweather up here again so there’s tickets to be sold for that, yes an exciting year with plenty to look forward too.

Interview by Gary Alikivi  January 2020.