The Queen, Margaret Thatcher and Paul McCartney walk into a bar in Easington mining town in the North East – sounds like an opening line of a joke but it’s a link to a song from deep down in the coal pits of the North East.
I asked the songwriter and ex-miner of 11 years, Pete Hammond, how did the single Living in a Mining Town come about ?
Easington in County Durham used to hold a carnival every year to commemorate the mining community and I was asked to write a song in 1989.
A lot of people got on board when they heard the rough version of the song, and the Easington council committee wanted it to be made into a single for the town.
The song was originally recorded in The Studio in Hartlepool then mixed at Abbey Road studios in London. I went down and met Paul and Linda McCartney and was given a tour around the studio by Paul. He also showed me an easy way to play his song Blackbird.
Metro Radio, Radio Tees, Radio One and many others played the song and I done a few interviews for them.
The proceeds were to raise money for a local handicapped school, so they could get a hydro pool for the residents. The money from the song also went towards launching a music collective in the area for musicians.
Many businesses donated money and it was supported by celebrities like Prince Charles, Her Royal Highness the Queen, Neil Kinnock MP and the Prime Minister Maggie Thatcher.
The Queen asked for a copy of the single to be sent to her and Maggie Thatcher sent me a signed photo of herself to auction and raise money. But no-one wanted to bid given the feelings the miners had for her, so I still have the photo at home.
Were you in a band then ?
Yes, at the time I was in a band called Just Us. I have won many song writing contests and awards over the years and cut album and cd’s.
One prize for winning a contest was song writing lessons from the lead singer of the Strawbs, Dave Cousins, and guitarist Brian Willoughby.
What studios did you record in ?
I recorded at Guardian Studios in Durham run by Terry Gavaghan. The studio was just in a normal street, it was two houses knocked together with no big sign saying recording studio, I thought I was at the wrong place at first until Terry answered the door.
What were your memories of the studio ?
Terry was a great, down to earth kind of guy always made you feel at ease, which was good as it was my first time in a studio or recording a song for that matter.
I remember the mixing room being very cramped full of equipment and a large mixing desk. But the session went smooth and the songs sounded great, Terry really knew what he was doing. We recorded three tracks there, Name on a Stone, Thomas Watson and I’m a Loner.
Terry was full of jokes and stories, one was that the studio was haunted by the ghost of a child that had been run over on the road outside the house. He also showed me a fur coat belonging to John Lennon,
Terry said when he first started out, he worked at Abbey Road studios, he let me take a piece of the lining and a clip of the fur as a keepsake. I have them in a frame at home.
Looking back what does the song mean to you ?
The song gave the community a sense of pride when the single came out, I was very proud and honoured to have been asked to do this for the place where I was born and raised.
What are you doing now ?
I still write songs and have over 1,000 up to now and record them on my own home studio. They can be heard on YouTube and my song writing Facebook page, you can find it by putting Hammy in the search bar.
Interview by Alikivi June 2020