Author: Alikivi

RADICAL ROOTS in conversation with Local Historian and Teacher, Peter Sagar

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Peter is employed by Gateshead Council teaching one to one lessons with pupils who don’t go to school. 

He also goes into primary schools to teach aspects of local and regional history.

It’s a great feeling when a kid you have helped returns to school. One of the mothers got in touch saying two years after I stopped teaching her daughter to say that she had gone on to do A levels at Gateshead College.

From his North East history research, Peter has collected many stories and compiled them together for a new book – Radical Roots – the Human Rights History in the North East.

There are many interesting, positive stories of how people struggled for their own rights and fought for the rights of others too.

On the front cover is a picture of the Earl Grey monument in Newcastle city centre….

The writing on it is not about tea! It signifies people getting more rights to vote and the abolition of slavery because North East people have always campaigned for their own rights and worked for people across the world to get their human rights.

The fight against slavery was strong, for example in 1792 down at Newcastle Guildhall there was a petition of 3,000 signatures against slavery, which was quite a large percentage of the people living in Newcastle at the time.

We can protest about what is happening thousands of miles away or about our neighbours having to use a food bank. I don’t see a division there, it’s about human dignity and decency, where ever the person lives and whoever they are.

We can’t just fight for the rights of one group and not the other, it’s about everybody having the same rights.

My mum brought me up right, she taught me about Human Rights and in Newcastle there is an Amnesty book shop that I helped set up on Westgate Road in 2002.

We talk about women’s rights but how many Northumberland kids are taken to see the suffragette Emily Davison’s grave in Morpeth? I think it should be mandatory to learn about our history.

Kids are taught art and music from around the world which is great don’t get me wrong, but if they don’t know culture and history from their own area first, how can they relate art and music from around the world to everyday life?

In Radical Roots there are stories I think we should all know, and I’m still learning about our North East history.

We teach pupils about the Holocaust, Anne Frank and what she wrote in her diaries. But we don’t teach about the connection to the Durham Light Infantry and their role in the Relief of the Belsen camp.

I went to Hartlepool and interviewed the son of a DLI soldier whose father was there at the time of the relief and just after Anne Frank’s passing.

During the First World War, footballer and munitions factory worker Bella Reay played for Blyth Spartans, her story also features in the book.

(Bella Reay features in a play by South Shields playwright Ed Waugh, post 3rd December 2021).

I also took the presentation to a school in Cramlington. The teacher linked in the work by the Pitmen Painters, who aren’t in the National Curriculum, but linked them to the work by the artist L.S. Lowry – who is in the National Curriculum, which I thought was great that they saw the connection.

Also featured in the book is the Yemeni community in South Shields and the riot that happened in August 1930, and we discover why it happened. It also mentions over a number of years the eventual assimilation of the Yeminis into South Shields, some through inter-marriages.

I have worked with the Roma community on Tyneside. There are around 6,000 in Newcastle. If you’re a community coming into a place you have to have something to offer, rightly so, and it’s usually through their music or food.

Look at the Chinese or Indian. Bringing something goes down well because they don’t have the language.

The Irish came over to Tyneside as early as the 1850s after the famine. Jarrow has a big population of Irish. I think the Roma can look at what the Irish did with their music, while keeping their own identity.

Some of the Roma musicians that we have on Tyneside today are amazing. Perhaps one day there will be a Roma centre on Tyneside like the Irish Centre in Newcastle.

When I do a presentation about the Roma in schools, I finish with a power point picture of TV entertainers Ant and Dec. I ask people how many of you would describe them as Irish superstars? No hands. Then I ask how many would describe them as Geordie superstars? All hands go up!

But both their surnames and background are Irish and who is to say that kids from Newcastle in thirty to forty year time with a Roma background won’t be doing the same on TV?

Now I’m working in schools talking about the North East mining heritage which I think is important to remember. It is important to remember the community spirit and the great innovations, but we’ve got to keep fossil fuels in the ground now and work towards green energy and get the kids to understand that.

Hopefully we can get them to stand up in the future and shout for the North East to get more green investment, after all 20,000 County Durham miners lost their lives providing energy in the past.

It’s quite moving talking about the mining heritage, and in County Durham it’s all documented about 8 or 9 year old kids losing their life down the pit and that brings it home to kids of the same age.

I’ll also be at the Durham Miners Gala talking about this, that there was a lot to be proud of, but certainly not pointing the finger saying you caused all the problems of Climate Change.

Although we know now we need to develop green energy,  without coal in the past we might still be stuck with the same lifestyles as the 18th century.

To contact Peter and buy copies of Radical Roots – the Human Rights History in the North East

send email to: peter0462@gmail.com.

Alikivi    April 2023.

CRAMLINGTON TRAIN WRECKERS FILM EVENT with South Shields playwright, Ed Waugh

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Cramlington Train Wreckers.

A talk about the Cramlington Train Wreckers was held last month at Cramlington Hub, Northumberland (see post 16th March 2023).

The Wreckers were a group of striking miners who uncoupled a train full of blackleg miners in the General Strike of 1926.

Organiser & South Shields playwright Ed Waugh got in touch about the talks…

“The Wreckers meetings went great, the support for the talk was overwhelming with more than 160 people turning up”.

“The latest news about the Cramlington Train Wreckers is that we’ve secured rights to the 30-minute BBC film ‘Yesterday’s Witness’ made in 1970. We’ll be showing it this summer on Wednesday, July 26 at 2pm and 6.30pm”.

“The event will also have a speaker and hopefully songs plus more recitations – it’ll rock. Due to demand for tickets to the March 30th talks, the events are guaranteed to sell out. So not to be disappointed, I’d advise you to get your tickets early, they are only £3 each”.

To purchase tickets for Wednesday, July 26 @ 2pm or 6.30pm at The Hub, Cramlington contact:

2pm: https://www.eventbrite.co.uk/e/the-cramlington-train-wreckers-a-30-minute1970-bbc-film-tickets-607220852917

6.30pm: https://www.eventbrite.co.uk/e/the-cramlington-train-wreckers-a-30-minute1970-bbc-film-tickets-607187172177

Alikivi   April 2023

MAKING PLANS in conversation with former BBC/Generator/Evolution & Honorary Geordie, Sue Wilkinson

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Having taken voluntary redundancy from the BBC after 25 years, Sue’s last job was as TV Development Producer, she is now semi-retired and working freelance.

But during the 90s Sue was involved with the North East music scene working at Generator and managing bands in Newcastle.

I guess I’m a bit of a career chameleon.

Originally born in Liverpool, the family then moved to Manchester where her father was a Graphic Artist.

I picked up my creative side from him. At school there was a group of us reading the music press, I went from listening to poppier sounds of Cat Stevens to serious stuff like Led Zeppelin.

When I completed my A levels punk was just on the cusp and we went to see bands like Buzzcocks and The Adverts at sweaty clubs like Eric’s. I was really into the whole punk thing listening to the Pistols and The Clash.

After University I started work as a Graduate Town Planner with North Tyneside Council. I didn’t have long term plans to stay in the North East but I loved the vibe of Newcastle. Now I’m an honorary Geordie!

My patch was North Shields, Whitley Bay and Tynemouth, things have changed dramatically down the riverfront area, it was fascinating working there.

I also worked at Sunderland Civic Centre and Newcastle on the planning team – this is a weird way of starting to talk about the North East music industry. But I wanted to make a difference in terms of helping communities, living in a better environment, helping people make a better life, and hopefully did that through music.

When I left planning, I started work at Newcastle University in the Centre for Urban and Regional Development, a research unit rather than teaching. Northern Arts funded a project there called Cultural Industries Research Unit, helping communities through the arts.

My colleague James Cornford and I were asked to look at a new project and we chose popular music. Sheffield had been flying the flag providing rehearsal space and studios so we thought we could give that a go as James had been in bands and I loved music.

Plus, I had already written a published article around culture in the North East and done a lot of research around the subject. We spoke to a few hundred musicians and people who ran recording studios and record labels – small or large.

We found there wasn’t enough venues or rehearsal space for bands, they couldn’t get out on tour it would cost an arm and a leg and there weren’t any showcase gigs. Investment was needed to support DIY musicians – they needed a leg up.

We put the findings together and put forward a plan called Sound of the City. This was three events across Tyneside, hundreds of people attended which created more ideas. One was for an umbrella organisation to pull it all together, a one stop shop for support, advice and help – that’s how Generator came about.

The name was perfect because the aim was to generate a profile of the North East music scene which had been non- existent up till then – apart from big names like Sting and Mark Knopfler.

As well as Generator Management Committee meetings, Dave Cross and I met several times weekly to do behind the scenes work at the Riverside live music venue. What came from our meetings was a need for showcase gigs and working with promoters to develop a venue in their area, we covered the North East and Cumbria.

Generator was there to help musicians kick start their career, we wanted to be central in supporting emerging talent and artists, or just be creative and have better facilities to enjoy what they were doing.

The first event billed as Generator Live Music Explosion was at the Riverside in Newcastle on Saturday 25th January 1992 included Candleman Summer from South Shields, The Hangarounds from Gateshead, Procession from Teesside, Greedsville and This Is This from Newcastle.

The event went on all day generating a lot of press, many thanks to all the sponsors who came onboard donating time, money and facilities.

All of the bands were original not tributes, and although some didn’t get record deals the members went on to do other stuff. Dave Denholm from This Is This ended up in Lindisfarne.

Around 1992 Greedsville fell in my lap (interview with  guitarist Chris Jackson on 22 Feb 2023). I loved them, very creative in their outfits especially Pete Turner the singer. One outfit was a Chinese mandarin hat and shoes with curly toes.

They had their own way of doing things and were always good on publicity and presentation getting a review in Kerrang and local mag Paint it Red. They also had the idea of slotting their cd album into tiger print bags and sending them to press and media.

By now we had been working on Generator a few years and were based in the Black Swan Arts Centre on Westgate Road. We’d publish regular newsletters promoting bands and events including tips for how to plaster your name across the media, developing a press strategy, even make sure you arrive on time for an interview on radio or TV. Basically, how to get on in the music industry.

Bands would submit demo tapes and we’d choose from them what bands to have on the showcase gig, and we were becoming more ambitious adding art, design, films and music seminars.

The more events we put on the more interest we created with label scouts popping into gigs to see what we had. Rather than a regular weekly gig, we spread out the dates of gigs to make them an event.

Northern Exposure was held 11th-19th June 1994 including Profundo Rosso, Crisis Children, Blyth Power and the wonderfully named Delicate Vomit.

The MPS and Musicians Union were involved in the seminars dealing with publicity, royalties and copyright.

We became good at publicity. North East music journalist Ian Penman who sadly is no longer with us, worked for Sounds and other music papers and magazines, he gave us good advice about publicity and how it needed to be spot on.

Generator were really ramping it up and had demonstrated that we were capable of delivering stuff. In 1998 the peak was Sound City, around then Jim Mawdsley came onboard.

When we became a funded organisation, Wayne C. McDonald joined Jim Mawdsley and I on the professional team. A week later we were awarded £250,000 from the National Lottery.

Generator’s successful National Lottery bid was given massive national profile on BBC One TV’s National Lottery Show when Sue and her Generator colleague, Wayne C McDonald, appeared live in front of 16 million people. Their cause was championed by none other than The Spice Girls.


Wayne thought I was joking when I told him we were going to be live on stage – and thought we were just going to be sitting in the audience. When it came to the crunch, we were called on stage and he hadn’t prepared a speech – so he performed a completely improvised rap which everyone loved! 

We had spent three years talking to BBC Radio One about bringing an event to Newcastle. We worked with the Council to put a document together which included main stage, a number of venues and a Fringe festival, the BBC accepted it.

After my work at the University on the Cultural Industries project, I got some part time work as a researcher at the BBC which I combined with the Generator work.

Looking back, it was around 1999 when I left Generator, I had just run out of steam. After Sound City I went on to work on various music festivals in Newcastle attracting bigger, signed names and by the 2000’s I was at Evolution sponsored by Orange telecommunications.

Paloma Faith (pic Sue Wilkinson).

Iggy Pop was on a bill, we had Amy Winehouse, Paloma Faith, Maximo Park and one year we had Public Enemy on. I remember for their rider we were sent to KFC for forty boxes of chicken – we weren’t very popular with the rest of the customers.

We ended up with expensive headliners with Generator running alongside with showcase gigs for North East bands and arranging music seminars. Evolution went on for years but our riverfront site on the Tyne was earmarked for redevelopment and we decided to take a break which became permanent. We had a great time seeing the audiences enjoying the event.  

Generator still exists today, it embraced the new digital agenda and pushed it really hard. It’s helped create long lasting partnerships and connections across the music sector.

It’s now the UK’s leading music development agency and a beacon for those looking for help with their musical ventures. Something we’re really proud of because it’s made a huge impact on musicians in the region and shone a light on the North East through showcases and events.

It’s been involved in national initiatives, helping influence arts and government policy. Has it been important? You bet.

More information about the work of Generator at the official website:  

Generator: Business Support in music, creative, and tech

Alikivi     March 2023.

SPEED KINGS in conversation with Newcastle music tutor & former XLR8R guitarist, Ed Box

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XLR8R in 1992 Martin Douglas (top), Al Barnes (bottom), Simon Douglas, Mark Savage, Ed Box (middle).

Following on from Clive Jackson’s interview (Slice of Life, 22 Feb 2023) this post looks at the 90s music scene in Newcastle and focuses on guitarist Ed Box.

Originally born in Kendal, Cumbria, Ed moved to Newcastle in 1988 to study Popular Music – a big year in Ed’s life as he ended up making his home in the Toon.

But his pivotal year was 1979… That’s when I was drawn to music. First album I bought was Replicas by Gary Numan & Tubeway Army, while my older brother was recording songs off the Friday Rock Show on BBC Radio One.

Also that year, heavy bands like Rainbow, Motorhead and Judas Priest were getting on Top of the Pops. These were my gateway bands.

For me that was the start of heavy metal and then NWOBHM formed. The passion and energy in the music was a window to the outside world to a boy from out in the sticks in Cumbria. Then I got a guitar for Christmas 1980 – and away I went.

With some friends from Newcastle college, we formed XLR8R (pronounced Accelerator), and started writing songs. I knew it would take a lot of patience, practice and dedication but I was prepared for that.

We started to gig regularly around the Newcastle area. A buzz was going around and the gigs were getting packed out. We were members of North Tyneside Music Collective at Buddle Arts Centre in Wallsend, they organised gigs at venues like the Old Eldon Square during the summer.

Every band around then were doing demo tapes, Greedsville, who you interviewed a few weeks ago, were busy in the studios. XLR8R recorded three, one of them got demo of the month in Kerrang and a bit of interest from a label but that fell through. So we put our money together, made an independent album and got it pressed on CD.

We heard there was a music collective over in Deckham village in Gateshead that had a studio so we joined up. A guy called Gary Clennell ran that and set us up on a cheap studio rate. £30 per day was a lot less expensive than the others charging over £100 a day.

We spent six days doing four tracks. They were all done on reel to reel half inch tape, I think it was a 16-track desk. We designed our own covers and used the Print on Tyne shop for typesetting. We would make fold out covers with pictures and credits on, just trying to make the tapes look interesting. Pretty naïve, but a start.

Our next tape was recorded in Linx Studio, that was run by Tony Bray (Venom drummer) and Eric Cook (Venom manager) previously owned by Brian Johnson (Geordie, AC/DC). They had a 24-track using two-inch tape. This was a step up in quality, the engineer was Kev Ridley who also sang in Newcastle bands For Gods Sake and Skyclad.

Our third demo was in Trinity Heights, what happened was Tygers of Pan Tang manager Tom Noble got us a deal recording in the studio with the owner Fred Purser, who was ex-Tygers guitarist.

Linx studio was good but Fred’s was another step up, with his experience of being in the band and working in studios in London gave us a lot of confidence and pushed us on. After we had recorded the first track, we played it back and it sounded great, really polished, really pleased with it – if you’re reading this, thanks Fred!

Arch Stanton album cover.

In 1996 I was still in XLR8R when ex-Greedsville guitarist Clive Jackson got in touch. He had made a three-track solo demo and was offered a radio session on BBC Newcastle. There was also label interest but they were looking for a band not just a solo performer.

So, Clive got a band of solid musicians together who we knew had been on the 90s Newcastle scene. We went in and played the session at the BBC, then recorded a few more tracks and done a gig as Arch Stanton.

Things were coming together when Sue Wilkinson from local music agency Generator got involved, Sue was also Greedsville manager. She got us some Lottery funding to go into a studio and make a four-track demo.

Sue also got us some local TV coverage on BBC North East News and a brief clip on the National Lottery Show. Another band around then called Undergroove, got a slot on East Coast Main line.

Over a two year period we done around 15 gigs, we played on the Twang Nights at The Bridge Hotel which was promoted by music agency, Bright Orange Biscuit, I remember they also did work with Uncle Sam’s Studio in Newcastle.

Sadly, Arch Stanton came to an end, but I’d developed my guitar and vocals a lot. I was in my late 20s by then and felt I was playing better than ever.

130R album cover.

The last album I worked on is out now, it’s called 130R. The name came from Formula One racing that I was into, the hardest corner on the track in Japan is the 130R.

The idea came at the time of Covid lockdown when I wasn’t doing much guitar teaching because of restrictions. I put together a few demos then asked mates to get involved, it was totally organic.

It built from there and we added a few more tracks until we had a full album. I sing on a couple of tracks but the main singer is Newcastle based Ian Humphrey. We might do some gigs in the future but we are really happy being studio based.

130R

A lot of the rock and metal bands that I saw many years ago are still recording and gigging especially with the Festival circuit around Europe. The NWOBHM bands can make great recordings with the studio equipment and access to technology that is available now. It’s still alive and kicking.

Guitar playing has been my passion for over 30 years. Across that time I’ve been running a number of guitar lessons in schools and workshops playing Rock, Pop and Jazz, to Country, Blues and Metal, I always learn new things when teaching – you’re never too old!

For more information about Ed Box check his official website:

http://www.edwardbox.com

Alikivi   March 2023.

WHO WERE THE CRAMLINGTON TRAIN WRECKERS?

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South Shields-based playwright Ed Waugh is appealing for anyone to contact him if they have any information on the Cramlington Train Wreckers.

Ed, whose latest play was the hugely successful Wor Bella, said

“The story is one of high dramatic tension and has become an important part of British history, although largely forgotten”.

“The event happened on March 10, seven days into the 1926 General Strike when striking miners uncoupled a rail on the mainline Edinburgh to London railway” explained Ed.

“The intention was to derail a blackleg coal train they felt was undermining the strike. Unfortunately for the perpetrators, they derailed a passenger train.”

With 281passengers onboard, the volunteer driver had been warned of trouble and slowed down, meaning when the engine and five carriages were derailed, no-one was killed.

“The only injury was minor, most people were treated for shock and bruises” said Ed.

“Were the Cramlington Train Wreckers terrorists or workers trying to defend their livelihoods, family and community against an economic onslaught that took place after the General Strike ended?”

Bob Harbottle, one of the train wreckers. Bob was 21 when he was imprisoned, sentenced to eight years. Bob arrived home in Cramlington on December 23, 1929 – three and a half years into an eight-year sentence. Info & pic courtesy of Samantha Armstrong.

In the magistrate courts eight Cramlington miners were each sentenced for up to eight years, but were released early due to pressure from the trade union rank and file, politicians and the judiciary itself who saw the original sentences as too harsh.

Ed continued “The leader of the wreckers was Bill Muckle who was born in Westoe in December 1900. His father looked after the pit ponies. They lived here until 1902 when they moved to Cramlington. I’d be interested to know if older generation Muckles worked at Westoe”.

A crane lifting the Merry Hampton engine back on track. Photo courtesy of Brian Godfrey.

Such is the interest in the subject, Ed and historian Marie Dooley will address more than 120 people at a public meeting on March 30. Top North East actor/folk singer Jamie Brown will perform songs and recite from Ed’s new play.

The Cramlington Train Wreckers’ meet at The Hub, Manor Walks Shopping Centre, Cramlington, Thursday, March 30, at 2pm and 6.30pm. Info and tickets only £2 via Eventbrite.

For more information contact Ed at the official website: ww.wisecrackproductions.co.uk

Alikivi    March 2023.

WHERE WERE YOU IN THE SIXTIES ? with Jools & Paul Donnelly

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North East couple Jools and Paul Donnelly have a huge passion for promoting the North East’s recent cultural heritage, they also run the Handyside Arcade publishing company, and the Club A’Gogo dance events named after the famous Newcastle venue.

From 1962-68 Club a’Gogo hosted a number of amazing gigs from legendary bands The Who, The Animals, Rolling Stones, Eric Clapton, plus from America – Jimi Hendrix, Sonny Boy Williamson and John Lee Hooker.

‘We successfully lobbied Newcastle Council for a heritage plaque at the site of Club a’Gogo – we are incredibly proud of this. We’ve also published our first book ‘Club a’Gogo & The Mod Scene of 1960s Newcastle’ which is on sale now, more books are planned’.

Both Jools and Paul are passionate collectors of 60s mod culture which includes vintage clothing, shoes, magazines, records and books, now the couple have combined their extensive collection for an exhibition held in Newcastle City Library.  

I asked Jools what was the catalyst for the exhibition?

It actually came from two sources, last year we visited the Punk No.1 exhibition at Newcastle City Library and this year we were in London for a private viewing of Contemporary Wardrobe, a supplier of costumes to the film and music industry.

This huge collection of vintage clothing is owned by former mod and stylist Roger K Burton. Roger has done a number of exhibitions and we were so inspired we thought we could do that.

I asked Paul what’s the response been to the exhibition?

Amazing, and to be honest far better than we expected. We’ve done regular ‘meet and greet’ events at the library – next one is Saturday March 11th from 2-4pm, where people can chat with us about the exhibition and share their memories of those glory days.  

People have brought their own memorabilia to show us, it’s been a fantastic experience. We’ve also had a good turn out from a younger generation who have been fascinated by how cool the youths of the North East were back then.

Lots of original mods and Club a’Gogo members have turned up to see the exhibition, they’ve shared their stories of seeing the likes of Jimi Hendrix, The Who and of course The Animals.

We’ve encouraged them to come along to our monthly Club a’Gogo Dance Party events where I play the Club a’Gogo sounds on vinyl.

What next for the exhibition?

This ends on 31 March 2023 and we are aiming for more exhibitions. Our next one is early 2024 that will celebrate the history of the Handyside Arcade.

(The sorely missed Arcade was a glass roofed horseshoe shaped building which housed a number of independent and alternative shops including Kard Bar. It was also the place where tribes of young people – mods, hippies, punks – would meet and hang out on weekends).

Jools added….We want to highlight the Arcades importance and promote the North East’s sub cult heritage.

For more info check the official website:

It’s my life… An exhibition of Mod & 60s culture FREE ENTRY | Club a’Gogo (clubagogo.co.uk)

To buy the Club a’Gogo book visit:

Club a’Gogo & The Mod Scene of 1960s Newcastle | Club a’Gogo (clubagogo.co.uk)

For more information about Club a’Gogo events visit

Mod club | Club a’Gogo (clubagogo.co.uk)

Alikivi   March 2023.

ROCK UPON TYNE: in conversation with musician, manager & promoter Mal Wylie

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Gateshead born Mal has been working the entertainment biz for nearly six decades and still has a great passion and enthusiasm for music.

From being a teenager watching bands in the famous Newcastle venue Club a’Gogo, to becoming a seasoned performer on the North East working men’s club circuit, and today, promoting bands and events in Skegness.

I thought he’d have a few stories to tell – he did – so we spent a couple of hours chewing the fat in The Centurion bar in Newcastle Central Station.

First time I heard loud music was in the YMCA in Gateshead, bands like The Sect were playing. It was the ‘60s with the mods and rockers, that was the sounds that influenced me. We were brought up on the best music, we were privileged to be born then.

Club a’Gogo pics courtesy Evening Chronicle.

Going to the Club a’Gogo was the best time of yer life. I saw everybody there – Long John Baldry, the Stones, Eric Burdon, and I was there when Hendrix played.

I’d seen loads of guitar players by then but you knew you were watching someone special. Nobody knew he was gonna be a world legend when he walked on stage.

The Gogo was fantastic, the DJ was Bryan Ferry who went onto Roxy Music fame. Zoot Money was massive when he played, but the biggest pull was Geno Washington & the Ram Jam band, never sold records but always rammed.

I remember when The Animals went to number one with House of the Rising Sun in 1964. They came back from London to the Central Station, got off the train and came to the Gogo. I remember like it was yesterday.

Jacko

I’ve been involved in music since I was 15. I joined a band called Jacko and got to know all the North East groups working the clubs, the Brass Alleys, the Becketts, John Miles, and my pal Brian Johnson in Geordie.

When I finished with Jacko, I went with a band called Chevy who had Andy Taylor on guitar – later he joined Duran Duran. There was Davey Black from Goldie he lived just over the road.

In fact, Andy had just come back from playing in Germany when he asked me to join on vocals ‘Do ya fancy going on the road with us?’

Andy was a great player, a rock player, so Duran Duran weren’t exactly his style but he told me ‘It’s £50 a week and they have a recording contract’. ‘Good on yer lad’ I said.

Andy rang me up one night ‘We’re playing Newcastle City Hall tonight supporting Hazel O’Connor on the Broken Glass tour do ya fancy comin’ along?’… ‘Wey aye!’

Through the Geordie days I kept in touch with Brian and when he got the gig with AC/DC I went on the Black in Back tour with him.

How it all started was one night when I was singing in Chevy and playing Peterlee Social Club, guitarist Andy Taylor said ‘we’re going to Newcastle Mayfair to see AC/DC tonight’.

This line up was with Bon Scott on the Highway to Hell tour. Well I was blown away by them and told Brian Johnson ‘Ya gotta see this band’.

He was in Geordie Mark 2 at the time who were doing the clubs and using the same PA as us. One night Chevy were doing Lobley Hill Social Club when Brian came to see us and he got up on stage and done Whole Lotta Rosie – next week he was in AC/DC!

He went off to the Bahamas, recorded the album then straight onto the Back in Black tour where I travelled with the band on the UK leg. I remember being in Birmingham and Robert Plant came backstage, it was great, a real honour to meet your hero.

I remember going to Donnington festival, then the States as the band went into Jimi Hendrix’ studio in New York to record vocals for the album For Those About to Rock.

The lads in the band were great, no big stars, they were playing 60,000 stadiums, absolutely massive over there. I was in a bar with Malcolm Young in New York, he told me ‘We knew when Brian walked in, he was the man for the job, we knew he was the kid we wanted’.

Brian didn’t think he was in the band after the audition. But Malcolm phoned ‘You need to come back we’re doing an album’. Brian replied ‘Am I in the band then’! Brian was tailor made for that job.

Sergeant: left to right – Robb Weir (later replaced by Steve Lamb) Anthony Curran, Tony Liddle & Brian Dick.

I managed a rock band called Sergeant and got them on a national tour supporting Accept. What happened was I knew Colin Rowell from music TV show The Tube filmed in Newcastle. He had singer Tony Liddle on one week ‘Can you do anything with these Mal?’

So, I went with Brian Johnson to see the band play at the Gosforth Assembly Rooms. I liked what I saw so rang John Jackson, an agent I knew in London, and he gave them that UK support tour.

We also put them in Linx Studio in Newcastle, another Brian Johnson connection as he owned the studio. We recorded them and I thought they were tremendous. Tony Liddle was great I thought boy can this kid sing.

Tony was the new breed of rock singer in the North East, you had great frontmen Davey Ditchburn, Terry Slesser, John Miles, all them that had come through, but Tony was a bit younger.

He was also a good songwriter, obviously there is Lindisfarne as your big songwriters from the North East. I remember seeing them and they were new, fresh a different style, Alan Hull was an amazing talent.

Anyway, we took the demo tape to London and the first person to listen to it was Peter Mensch, Def Leppard manager.

We were in his house and asked him ‘What do ya think of these’? Bearing in mind he had just signed Metallica. ‘They’re alright Mal, hang on to the singer’. In the end RCA were looking at giving them a singles deal.

But one day Tony walked in and told us he’s leaving the band. ‘I’m joining The Strangeways’. A Scottish band who already had a deal with plenty money behind them. That broke Sergeant up.

We gave it our best shot, they had supported Nazareth in Scotland, been on a UK tour with Accept including a sold-out show at Hammersmith Odeon and we put them in front of record companies.

When I came back from America with AC/DC, video jukebox’s had just kicked off so I went into that business. I got the franchise for a company selling a video jukebox to pubs.

I worked with a guy for years called Percy Sheeran, whose family have the fairground in South Shields, he was doing the fruit machines and I was doing the music. A great team.

Then we started Arcadia Leisure selling PA’s and sound equipment from the Team Valley in Gateshead. After that closed down Percy’s brother Walter opened bars, leisure centres and arcades in Skegness, he asked me to come down, ‘Nah I like the Toon too much’ I said. But I’m still with him to this day!

The music scene is good down there, I’m booking bands all the time, I’m putting on festivals in the summer. We’ve got some local bands from Lincoln playing, Butlins is next door with rock festivals and alternative nights – always rammed.

I’ve got four or five bands from the North travelling down this year, so I still keep in touch with North East musicians. Lorraine Crosby has been down a few times. We’ve been friends around 30 years since she was in Foxy, Lorraine’s a great kid, she done the Meatloaf single as well.

Soon I’ve got an event lined up for the scooter boys – a mod rally at the end of April. There are loads happening.

I enjoy reading your blogs but a guy who doesn’t get a mention is Greg Burman. During the ‘60s the Greg Burman Soul band played at the Gogo, he also built amps for all the bands coming through like Lindisfarne, and made stuff for Thin Lizzy and Status Quo.

He was based in Newcastle’s Handyside Arcade which sadly isn’t there now. I dealt with him in the ‘70s, a lovely fella, what a gentleman. It’ll be a great story if you can talk to him.

Alikivi   February 2023.

ALL FOR ONE at 40 with Chief Heedbangers, Raven

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All for One released in 1983.

One of the most influential New Wave Of British Heavy Metal bands are heading out on a UK tour this March, but first, earlier this year there was the small matter of Raven being inducted into the Metal Hall of Fame alongside Twisted Sister and Foreigner vocalist and solo artist Lou Gramm.

Held at The Canyon Club in California on 26 January, this was the sixth annual gala, previous inductees include Dio, Lemmy and Judas Priest.

The award is for musicians and bands who have made an invaluable contribution to rock and metal and to keep inspiring fans throughout the world. I asked bassist and Chief Raven John Gallagher, how did it come about?

Bribery and corruption (laughs). It was nice to be recognized and was a really great event where we played a three song set – almost broke a sweat! 

Did you ever think you would be in this position, a tour celebrating 40 years of an album ?

Of course not! That kind of long view, you just don’t have that when you start. It just kinda crept up on us over the years. It’s quite a milestone and we are very proud of it. That and good old Geordie stubbornness!

In the set are you playing the full track listing on All for One and have you played all the songs live before?

Yes indeed! There’s actually two songs from the album we’ve never played live before, so that’s going to be fun for sure and another two that Mikes never played. 

Have you noticed any new faces at your concerts?

Oh definitely, there’s quite often three generations of fans at our shows – which is really great.

For a full list of tour dates & tickets, album releases, video, merch & more check the official website : 

Raven | Official Raven Lunatics Website

Alikivi   March 2023

A SLICE OF LIFE

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in conversation with ex Greedsville songwriter & guitarist Clive Jackson.

Clive is a singer/songwriter who released two solo albums, Life Off Line (2015) and Rocket Science in (2019). He is currently working on a new album for release this year.

A veteran of rock bands who were part of the Newcastle music scene in the 1990’s, he was a member of Greedsville who released an album in 1994.

Clive Jackson.

The main thing that motivated me to get a guitar and become a songwriter was when John Lennon died in 1980, they played tons of Beatles songs on T.V and Radio. I was already aware of a lot of it, but when I heard A Day in The Life on ITN news, I was hooked. 

I joined various bands in the 80s, one being Twelve Angry Penguins – it was the era of daft band names! Then I was guitarist in a band called Dark Roads, and in 1991 we recorded a demo at Linx Studio with Mond Cowie (ex Angelic Upstarts) engineering. I was really pleased with my vocals, song writing and guitar work on that but unfortunately within six weeks everyone left Newcastle!

The drummer went to be a policeman in Leeds, the other guitarist went to live with his girlfriend in Wakefield and the bassist moved to Scotland to manage a hotel. In the midst of all that I got a phone call from Andy Carpenter who was bassist in Greedsville.

We sort of knew each other because we rehearsed in the same place, the 244 Rock club on Westgate Road here in Newcastle. There was a car repair shop in the back and in front was an old navy club, it was a very underground set up.

I handed Andy the Dark Roads demo and he asked me to join Greedsville as a song writer, that worked out and I became rhythm guitarist. Other bands on the scene were XLR8R, Strange Thing, 2000 and Roswell.

Greedsville promo pic.

We gigged a lot and played in Newcastle, Hull and Leeds, we went down to London Marquee seven times. I had a full-time job in the Civil Service so ended up using all my annual leave when we had to travel to gigs in London. We couldn’t knock back gigs in the capital.

Sometimes I had to arrange a half day here, and a full day there. For one London gig work wouldn’t give me a half day. I pleaded with them as we had reviewers from Kerrang and NME coming along, it was important, one gig could make all the difference.

So, I decided to get the train from Newcastle to Kings Cross, legged it to the Marquee, did the gig, ran off stage, missed the last train so jumped on the all-night bus from Victoria – still sweating and stinking with my stage clothes on. It was a long night as the bus stopped off everywhere.

Finally got home, showered, then made it to work just in time. But I was knackered, more of this wasn’t doing my health any good.

Greedsville live at London’s Marquee.

Around the early 90s we met a London guy called Sean Worrall who reviewed our demo, he ran a fanzine called The Organ and was connected to record companies. He would promote showcase gigs at the Marquee or Camden Monarch where A&R guys would turn up. Sean set up one for us.

There was Geffen records, EMI and MCA hanging at the back of the hall. It wasn’t like a gig more like a jury with them not clapping. Sadly, nothing came of it.

Then London Records saw us play in The Broken Doll, Newcastle and paid for a 4-track demo which we recorded in Hi Level studio. They asked us to ‘grunge’ the sound up.

Then we recorded a rough demo on a four track recorder in the Greedsville rehearsal room. Sean took it to MCA and the first song on it, one I’d written, was more like what they were looking for.

But the rest of the band didn’t want to go in that direction. At the time we were being compared to REM and Roxy Music – quite a wide spectrum.

The Greedsville manager was Sue Wilkinson, who has just retired from the BBC. In the 90s she was running Generator here in the North East, she got us loads of publicity, articles and reviews in the press, plus radio and TV slots on local and national TV.

She got us on Tyne Tees, you can watch it on You Tube, Greedsville – Local ITV News, UK (Tyne Tees Television) 21st June 1993. That’s footage from a showcase gig at Newcastle’s Riverside. Ian Penman (Ravendale, music journalist) is also on who was a really nice guy and supportive of the North East music scene. Sadly, he passed away not long ago.

One time we were on the bill at Camden Monarch with Skunk Anansie. There was a chalk board outside the venue with the bands names on – they were billed as Skunk and Nancy and we were Green Sleeves!

I was staring at the board when their singer Skin, she is beautiful by the way, came up to me and asked if I was in Green Sleeves. I said ‘it’s Greedsville’ we were both laughing at the mistakes. They got a record deal. We didn’t.

Our guy in London, Sean Worrall backed off in the end because he explained to us that he’d met the record companies, they’d sent A&R men, heard the demos, he felt that he’d done all he could. It was an amicable parting, no hard feelings he’d just run out of road for us.

There was still a lot of Newcastle connections around that time, like Kev Ridley, engineer at Linx Studio. There was a band I knew called For Gods Sake with guitarist Steve Wallace, there was Steve Charley the Canadian, he was studio engineer for a while. There were connections to the Music for Nations label with Venom and Skyclad.

Then Greedsville signed to North East independent record label Bleeding Hearts run by Eric Cook and Tony Bray, Eric was manager of Venom and Tony was the drummer.

What happened was Sue Wilkinson got a call from Eric Cook asking would Greedsville be interested in a deal? ‘Great’ we all said. At the time we were recording in Trinity Heights studio run by Fred Purser (ex Penetration and Tygers of Pan Tang).

The singer Pete Turner was involved in all the conversations between Eric Cook and Sue Wilkinson, and the rest of the band, including myself, were all present at meetings when major decisions were made. The contract was for distribution in Europe and Asia, we had it checked out and it was ok. We signed on the dotted line around 1994.

We had originally planned to record an EP with four songs but with the deal happening it turned into an album. We recorded in three studios – Linx, Trinity Heights and a place in Chester le Street with Frankie Gibbon. It was all mixed and mastered at Fred’s Trinity studio.

Eventually we released The Casino Royale Collection. We made 10,000 copies and it was on sale in shops like Our Price and Virgin stores.

Greedsville album released in 1994.

We were due to play in Middlesbrough, then onto the Heineken Music Festival in Gateshead Stadium. But a few weeks before that we played in London and on the way back in the van our drummer Doug Hayes said he was leaving.

So, we quickly had to get someone else in, that was Graham Hattam. We were really up against it, but Graham learned quick in a small time frame and the Heineken gig went well. The Stranglers and Jools Holland big band were also on, it was a great time and Sue got us lots of press.

But we started to lose momentum, Britpop had taken over, the band were falling apart. In 1996 it was all over for Greedsville.

Looking back the 90s had loads of different bands playing folk, blues, metal, psychedelia, it wasn’t just one genre. That’s one of the many reasons I think the A&R thing didn’t really happen here.

In one night, they would see a band dressed like they were in a pantomime, others playing Frank Zappa, and in the next pub there would be a full on metal band playing. There just wasn’t a load of bands playing one type of music where they could watch and give a definite yes or no, or maybe sign a band to a development deal.

Back then we sold around 5-6,000 albums but never received a penny. The Greedsville album is still on sale now through outlets like Amazon. If people are getting something out of listening to the songs that’s great – but did I make a living out of the music business? Absolutely not. 

In the digital age copyright goes out the window. I do get royalty cheques now and then from my latest solo albums, the last was from Spotify for around $400.

There’s lots more to add to the Clive Jackson story, and that will be added to the blog later, but for more information check the official website:

Clive Jackson | singer-song-writer (clivejackson8.wixsite.com)

Alikivi   February 2023.

FOOTBALL BLOODY FOOTBALL

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part two of a conversation with author & former Newcastle United footballer, Paul Ferris.

My sister used to manage Rosie’s Bar next to Newcastle United’s ground and often talked about the time when Kevin Keegan became manager and the effect he had on not just the team, but the whole city.

She remembers fans singing ‘living in a Keegan wonderland’ and some players and staff popping into the pub for a sherbet or two.

When I went back to Newcastle as a physio in 1993, we used to have a drink in Rosie’s bar on a Wednesday night. It wasn’t the most glamourous pub but it had a great jukebox and we used to hoy in a fiver to hear great music.

I got to know Alan Shearer well after helping him through a bad injury. The work I did with him in winter ‘97 was the best I’d done for the club. Better than anything I’d ever accomplished as a player.

Paul running with Alan Shearer for the first time after he dislocated his ankle (pic Belfast Telegraph).

I used to go for a few drinks with Rob Lee and Gary Speed, we became good friends and I used to drag Alan Shearer and Gary Speed to U2 gigs. I’d be great in a music quiz cos I’m a music nut. I love listening to 10,000 Maniacs and Natalie Merchant but my all-time favourites are Van Morrison and U2.

One day Alan came in with a couple of tickets for U2 who were due to play Earls Court in London. We were playing Chelsea on the Saturday so a Friday night gig would be great.

He kindly paid to get the train down, booked a hotel and VIP lounge tickets on the Elevation tour. When we got there, he went to the bar to get some drinks but I heard U2 come on stage so shouted ‘Alan, Alan, they’re on’ I couldn’t wait so just left him and raced in to see the start of the concert.

Ten minutes later Alan walked in with two pints shouting ‘I paid for your train, I paid for your hotel, I bought your tickets and you just left us standing there!’ I did feel a little guilty but I didn’t want to miss the start, this is what we came for!

It was around 2003 I was on holiday with my family and had six missed calls on my phone, a few from Alan Shearer and some from Gary Speed. Alan shouted ‘pick the f***ing phone up’.  Loud music was blaring in the background. In another message Gary shouted ‘we’re with Bono!’

When I saw Alan later in a Health & Fitness Club, he said that night they were in a club with Bono and he wanted to talk to me. Then he got out a pair of dark wrap-around sunglasses the type Bono wears on stage, and he and The Edge had signed them on each lens.

Alan gave them to me saying ‘go on take them man I know you really like the band’. ‘No, they were for you’ I said. He pushed them into my hands and I have to say I took them under duress as they were signed to Alan.

As I was driving out of the Club car park, I got a call from Alan who was in the car in front of me ‘take those f***ing glasses off I can see you in the mirror!’ Honestly, I wanted to try them on for just a wee look.

Paul and I met a few days after Newcastle reached their first cup final since 1999, inevitably our talk turns to Football today.

Coaches used to be experienced former players but now some of them only played in lower leagues. But they all have their badges. Mourinho worked for Bobby Robson and is steeped in football, Arsene Wenger revolutionized the game.

At Arsenal he had giant athletes in the middle of the park – Vieira and Petit. At the back Keown and Adams, if you ask Alan Shearer his toughest games were probably against those two. Then up front was Thierry Henri, another giant.

Newcastle back four with the exception of Trippier, are giants. Eddie Howe is doing a great job with the club, he’s reaching a higher level sooner than expected. They are great to watch with little triangles of Trippier, Almiron and Guimaraes.

Plus, a Geordie in the team, Sean Longstaff, scoring two the other day. For Dan Burn, another Geordie, the feeling of scoring his first goal in the Carabao cup semi-final against Southampton must have been immense. The feeling must be amazing, it was for me when I first scored, and I’m an Irishman!

But the pressures on Newcastle managers are enormous. I was there when it was a pre-season friendly and Jack Charlton was in the dug-out. Around 5,000 fans in the Gallowgate end shouting ‘Charlton out’.

Bobby Robson loved being Newcastle manager it was just part of who he was. He was like a wise friend really, after training when all the players had gone, he would pop into the medical room and say ‘do ya fancy a cup of tea’ and talk about anything.

I loved the stories he’d tell about Barcelona, his family and coming back to the North East. He was so proud of coming back he bought a house near where he was born. You could see why players loved him.

In 2016 Paul turned to writing his memories from on and off the pitch and growing up during Ireland’s darkest days. Packed with real warts an’ all stories, his book is much more than just another sporting memoir.

Both my books out now The Boy on the Shed and The Magic in the Tin have been non-fiction memoirs and done well. I’ve also written a fictional manuscript called An Ugly Game about abuse in football, that has heavier themes in it. I’m starting to refer to it as An Ugly Manuscript because it is yet to be picked up by a publisher.

Now I’m writing a fictional book called The Man in One Nineteen which is a line from a song by Natalie Merchant. The book is teaming with musical references from songs I’ve loved.

The main story is the guy is dying and looking back on his life. He had a girlfriend who he referred to as having hair like Suzi Quatro and a face like Noddy Holder. But when they meet again in his 20’s she has turned into the gorgeous Stevie Nicks.

It’s a very intimate journey even though you never get to know his name or where he’s from. Is it Newcastle, New York or Sydney? I just hope it gets released, my agent has sent it to publishers Bloomsbury who have first option on it.

When writing I’m very conscious of grabbing you from the start with the first sentence and finishing strongly. If I can get some emotion from you, some laughter and engage with you, I think you will remember the book.

Alikivi   February 2023

Links to books:

The Boy on the Shed
The Magic in the Tin