A LIFE IN PICTURES – Snapshot of Victorian Photographer, Frank Meadow Sutcliffe (1853-1941)

In October 2017 I was at one of the Goth weekenders held in Whitby on the North East UK coast. The town was revelling in the darker side of life, people walking around in colourful costumes celebrating the dead. The reason behind the spooky theme is the town’s connection to Dracula. In 1890 the writer Bram Stoker stayed in the town where he was inspired to write his vampire novel. Another reason to visit the town was the Frank Sutcliffe gallery.

Frank Meadow Sutcliffe was born in Yorkshire on 6th October 1853. He came from a large family, his parents had six children and made the ancient port of Whitby their home. At 17 Sutcliffe was a photographer and assistant to his father Thomas, an Artist and lecturer. By the time he was 35 he was married to Eliza, the couple had four girls, one son and were living at 9 Burrowfield Terrace. By 1901 the family had moved to Sleights Cottage in the town where his oldest daughter Kathleen was his photography assistant.

Sutcliffe paid the rent by taking studio portraits, but the main subject of his work was everyday working life, with the fishing community a main focus. Capturing Victorian life brought him international recognition and an award from the Honorary Fellowship of the Royal Photographic Society in 1935.

Included are some of his photographs taken from a 1988 calendar I have called, ‘A Photographic Heritage’. One of the pictures features two of his children, Horace and Irene fishing for newts. The naff quality copies here aren’t a patch on the images in the calendar, if you search out his pictures they are worth spending time with.

On the Second World War register he is an 86 year old widow, employed as Curator at Whitby Museum. His daughter Irene lived with him until he died on the 31st May 1941.


Gary Alikivi   March 2020.


DARK THOUGHTS with Gateshead musician Esme

At the start of 2017 Penance Stare started as a solo project. Now it’s a duo comprised of Esmé on vocals, guitar and electronics and Graeme on drum kit and electronics. Esme remembers the first gig…It was in the dark Boiler Room at the Old Police House in Gateshead. I was using a broken microphone so I had to yell, unamplified over the music.


The Old Police House is bringing incredible shows to Gateshead. Drone/noise/ambient gigs at either the Soundroom or the Art Gallery. Across the river Tyne in Newcastle we have places like the Star & Shadow. Bands are still playing in bars just as much as DIY indie venues. Newcastle and the surrounding area has a really good scene for both metal and experimental music, with a lot of crossover between.

What’s your music background ? I was a child in the 90s when Britpop and Alternative rock were popular. The earliest music I owned were the Shine cassette compilations of indie hits from around 95/96. I still revisit that music occasionally. .

Our influences include Cranes, Velvet Cacoon, Cocteau Twins and My Bloody Valentine. We’ve both played in bands for many years before this, and have projects outside of Penance Stare. We currently rehearse in Gateshead’s Soundroom.

Are you from a musical family ? My dad played guitar, not well or in bands but he would pull faces while jamming bad blues licks. He bought me some used equipment as a teenager. My mother exposed me to a lot of music too. Growing up I would steal her records and tapes. She sang a lot, not very well, but she got a lot of enjoyment from it. I can relate to that.


When did you first pick up an instrument and what was it? Aged 12 or 13. My first electric guitar was a black Encore Stratocaster. A horrible guitar, the quality of cheap instruments has increased dramatically since then. I plugged it into a tiny Kustom amp. Like a lot of kids my age I was really into Kurt Cobain. I moved on to Sonic Youth, and started writing my own songs.

What do you think of crowdfunding, have Penance Stare taken that route ? We haven’t done anything like that. I’m not sure it’s what listeners want. I note that one of the big platforms recently went bust.


Have you recorded any of your songs ? Penance Stare recordings are deliberate in their rawness and intimacy and all of the recordings thus far have been made at home. We anticipate that future recordings will continue in this tradition. All releases were made available on limited edition cassette and digital download.

Much like a lot of the UK underground at the moment, we deal in cassettes and downloads. That’s out of necessity as much as anything. Hardly anyone can afford to make vinyl now.


House Of Bastet EP  (summer 2017)

Scrying (spring 2018)

Solananceae (early 2019)

What are the Penance Stare plans for this year ? We won’t be playing any shows in a while as we’re writing a brand new live set. So far, progress has been fast so we expect to be back by the summer. There will also probably be another release by the end of the year.

 Contact Esme at  https://www.facebook.com/penancestaremusic/

 Interview by Gary Alikivi February 2019.






SPACE CADETS – interview with David B from Electro Goth Punks Calling All Astronauts

With the Iggy/Sisters of Mercy match up they’ll hit you for three… ’Living the Dream’… ‘Empire’ and the expansive sound of ’Faith in Your Cause’. Just a couple of tracks released by the prolific Calling All Astronauts. In six years they have released 2 critically acclaimed albums and 11 singles. Received considerable radio play on BBC 6 Music and Radio X and built up a following of over 800,000 on Twitter…We take a stupid amount of time in the studio. The last album took over 2,000 hours to make. We are currently writing our third album’. (The line up is David B – vocals/programming, J – guitars and Paul McCrudden – bass)


What is the background of CAA ? ‘J toured loads when he was in Caffeine, supporting bands like The Offspring, Blink 182, Rancid, New Found Glory, The Dickies and AFI. Paul was in The Marrionettes they opened for The Cult, Sisters Of Mercy and headlined their own tours. I was in a rap metal band called US:UK. We played with the likes of Faith No More, Pop Will Eat Itself, Ned’s Atomic Dustbin and Gallon Drunk. With Calling All Astronauts we’ve mainly done festivals, though we did open for A Place To Bury Strangers and also Pop Will Eat Itself. I have plenty of stories from the gigs, but sadly none that I would put into the public domain’.

Where do the ideas come for your songs ? ’All our tunes start life as a drum pattern. We have our own studio and write as we go along, rather than jamming them out in a rehearsal studio. I have rolling news channels or Radio 4 on a lot, and take ideas from what is happening in the world’.

How did you get involved in playing music and who were your influences ? ‘I think every song I’ve ever heard has influenced me. I analyse drum tracks and production on all genres of music and use it in our songs. When I was about 16 we had a garage band, but never did any gigs. Just played in a room at my parents house. It was doomed to failure, but made me want to do it properly’.


How has the internet impacted on music and do you use crowdfunding ?  ’We don’t use it. I personally think they are like begging. The internet has destroyed independent music, and played right into the hands of the majors. They manufacture music more now than ever. They have fake streams, fake likes, fake followers and create artists by force feeding shit to kids via radio. It’s virtually impossible to sell records anymore thanks to streaming’.

Have you recorded any TV appearences or filmed any music videos ? ’We like abstract videos and make them all the time, although I think we are only in one of them’. (The video’s have a very colourful mix of cut up/montage/live action/lyric and social commentary. ‘Living the Dream’ is worth checking out and is available to view on the CAA You Tube channel.)


What are the future plans for Calling All Astronauts ? ‘The new EP took us almost 6 months to record because my wife and I had a baby and I had a lot of responsibilities to fulfill. We’ve recorded 4 versions of songs that have influenced us. The Influences EP is coming out on 30th March’.
Calling All Astronauts contacts:
Homepage http://www.callingallastronauts.com
Twitter http://www.twitter.com/CAA_Official
Facebook http://www.facebook.com/callingallastronauts
YouTube http://www.youtube.com/+callingallastronauts
Bandcamp https://callingallastronauts1.bandcamp.com/
Spotify https://open.spotify.com/artist/0xqglBsPF9COYj64LNl85t
iTunes https://itunes.apple.com/gb/artist/calling-all-astronauts/id480852185
 Interview by Gary Alikivi February 2018.