Neat Records were based in Wallsend, North East England. The label was established in the late ’70s by Dave Woods, who was the owner of Impulse Studios.
It was notable for releases by Venom, Raven and Blitzkreig who are acknowledged as major influences on American bands Metallica, Megadeth and Anthrax.
Songwriter and producer Steve Thompson helped set up Neat and produced the initial recordings…
‘One day Dave Woods came in and said there’s a band who are making a bit of noise out there why not get them in and sell a few records? So, in came Tygers of Pan Tang to cut three tracks.
Incidentally it was to be the third single I’d produced for NEAT. Now we know it is known as the New Wave of British Heavy Metal, and the tide was coming in that very evening haha’.
ROBB WEIR (Tygers of Pan Tang) ‘In 1979 we recorded, Don’t Touch Me There. It had a release number 003 so we were in at the beginning of the Neat Record label story. We were the first heavy metal band to be recorded in the studio. So, I’m very proud of the Tygers giving the Neat label a direction.
Impulse studios took a chance and pressed 1,000 copies, that was a lot for a small independent label. Don’t Touch Me There was reviewed in Sounds newspaper which made a massive difference, so the next pressing was 4,000 !
Then studio owner Dave Woods was approached by MCA record company, they wanted us! So Dave did a deal, essentially selling the Tygers to them. So MCA pressed around 50,000 copies of the single!’
BRIAN ROSS (Blitzkreig) ‘I remember the first time in Impulse Studio was great we made it feel like our second home.
It came highly recommended as Tyne Tees TV used it to record their jingles there and we recorded a jingle Hot n Heavy Express which Alan Robson used on his radio show. It went well so we extended it into a single. NEAT put it out on a compilation EP.
Now this studio was the label to be on, and I mean in the country not just the North East, I’ve recorded many tracks there as Satan, Avenger and Blitzkreig. It’s a shame it’s not there now’.
ANTONY BRAY (Venom) ‘Conrad was tape operator at NEAT doing a few days here and there and he bugged the owner Dave Woods about getting spare time in the studio for the band. He kept asking him ‘can my band come in on the weekend ?
Woodsy got so sick of him he just said ok, just do it, but pay for the tape. So we recorded a three track EP and we thought it might get a little review somewhere.
I was still working at Reyrolles factory then and one morning I wandered in, and someone had a copy of the Sounds. Couldn’t believe it, there’s a two page spread about our EP, f’ing hell look at this.
When Woodsy saw it he thought, I hate the band, think they are bloody awful – but kerching!’
KEITH NICHOLL (Impulse studio engineer) ‘With Raven, their playing was always intensive but there were loads of stories and quite a few laughs. I think they simply wanted to do a better album than the first and then again, the third. Any band would. Can’t remember if there was an official tour but they did loads of gigs. Good live band’.
HARRY HILL (Fist) ‘The first single we put out was Name, Rank and Serial Number and You Never Get Me Up in One of Those on the b side. We done a lot of rehearsal and prep work, so we were tight, ready to record.
When we done Name, Rank we were on Northern Life TV. The cameras came down filmed in the studio that was 1980. Strangely the only piece of vinyl I have is our single The Wanderer. We started putting it in our set so yeah, went in and recorded it.
Status Quo released a version a couple of months after us but honestly thought our version was better haha’.
GARY YOUNG (Avenger) ’I worked in the Shipyards near my hometown but for about a year before that I worked at Impulse Studios in Wallsend which was where Neat Records were based.
Due to this I was involved in a lot of recording sessions and some of them for what are now landmark albums like Venoms – Black Metal and Ravens – Wiped Out.
I had my first experiences of recording there with my own bands and helping people out on random recording sessions. They were great times’.
DAVY LITTLE (Axis) ‘I remember Fist guitarist Keith Satchfield was in when we were recording. He was always track suited up. Getting fit and going on runs in preparation for a tour.
I had met him a few times when I was younger, I used to go and see Warbeck and Axe. Always thought he was a cool musician and writer. Plus, a nice fella.
We were very inexperienced and new nothing about studios. He gave us advice on how to set up amps. Was very supportive I never forgot that.
Also, when we were in there a very young moody boy was working there. Making tea, helping get kit in. Always drawing. Asked to see some of his drawings. All dark, tombstones, skulls, flying demons…nice kid tho’ said he didn’t think we were very heavy metal. I agreed.
He said, “one day I am going to have the heaviest band ever”. I met Chronos years later in a club in Newcastle when he was fronting the mighty Venom. A nice lad’.
STEVE WALLACE (Shotgun Brides) ‘There was a kid called Richard Denton who grew up in the same area as us and he was working A&R at Impulse records in Wallsend. He persuaded the owner Dave Woods to take us on.
We went into Impulse Studio and recorded the track Restless, that was engineered and produced by Kev Ridley in 1987. The b side of the single was Eighteen.
We recorded the song bit by bit, tracking it up. Unlike a few other bands it wasn’t recorded by playing all the way through and off you go add a couple of overdubs, no it was fully tracked. It eventually ended up on a NEAT compilation album’.
MICHAEL MAUGHAN (Phasslayne) ‘In the summer of ’85 Phasslayne were approached by Neat Records. Dave Woods was the main man there.
What happened was we recorded a demo at Desert Sounds in Felling which they really liked so the label asked us to record a live no dubs demo in their studio in Wallsend. On hearing that Dave Woods signed us to do an album.
But just before we got our record deal our singer left and everyone looked at me so that’s how I ended up doing the vocals. I think Keith Nichol was the engineer. For guitars I used my Strat and Maurice Bates from Mythra loaned me his Les Paul. We called the album Cut it Up, it’s on vinyl’.
KEV CHARLTON (Hellanbach) ‘We got a deal with NEAT records to record our first album. That was the best time. After rehearsing for months getting the new songs together, we recorded the album which is a very proud moment in my life. Now Hear This came out in ’83 and was produced by Keith Nichol.
I remember getting the first copy of the album, taking it into work thinking this might be me leaving the shipyards. It was one of the weirdest times of my life because it came out to amazing five-star reviews and some of the big bands weren’t even getting five stars.
I remember sitting in the toilets of Wallsend shipyard reading the reviews in Kerrang and Sounds, thinking this will be the last time I’ll be in the shipyard. But it wasn’t !’
To read a comprehensive story of NEAT records get a hold of the book Neat and Tidy by John Tucker.
It examines the history of the label, its bands and their releases including interviews with many key players in the Neat Records’ story such as label boss David Wood, producer Steve Thompson, Raven’s John Gallagher and Jeff ‘Mantas’ Dunn from Venom.
Interviews by Gary Alikivi 2018.
Brian Ross, SATAN/BLITZKREIG, Life Sentence, 20th February 2017.
Harry Hill, FIST: Turn the Hell On, 29th April 2017.
John Gallagher, RAVEN: Staring into the Fire, 3rd May 2017.
Kev Charlton, HELLANBACH/BESSIE & THE ZINC BUCKETS: The Entertainer, 23rd June 2017.
Steve Thompson (NEAT Producer) Godfather of NWOBHM, 27th June 2017.
Richard Laws TYGERS OF PAN TANG: Tyger Bay 24th August 2017.
Robb Weir TYGERS OF PAN TANG: Doctor Rock 2017
1980: The Year Metal was Forged on Tyneside, 11th February 2018.
Guardian Studio: Defender of the North 3rd May 2018.