TARTAN SPIRIT with former Tytan & Lyin’ Rampant vocalist/guitarist Stewartie Adams

Stewartie packed his guitar jumped on the overnight coach and left his hometown of Glasgow for what he hoped were better times in the capital….

In 1981 I got a call to go down to London for an audition as one of my drummer friends was the drum roadie for Dave Dufort of Tytan. The audition was at Edwin Shirley Trucking where we had a rehearsal room – out of all the guitarists I was the lucky one and got the gig with Tytan.

Heavy metal band Tytan formed in 1981 out of the New Wave of British Heavy Metal (NWOBHM), the original line-up was former Angel Witch bassist Kev Riddles, drummer Dave Dufort, vocalist Kal Swan with guitarists Steve Gibbs and Stewartie Adams.

Unfortunately the gig didn’t go according to plan… It was a shame as I was so privileged to get the guitar job and loved the band and the music we were playing. I got on great with the other guys but had to leave as one of my parents was diagnosed with a terminal illness so decided to go back home.

It’s something I felt I had to do even after all the hard work we put in rehearsing, photo shoots, etc. Unfortunately I never recorded or got the chance to play any live shows and I’ve lost touch with the guys but I still keep in touch with bass player big Kev Riddles now and then.

After leaving Tytan I was in Scotland this was roughly about 1983 and I teamed up with ex-Heavy Pettin’ guitarist Eddie Trainer, an old bass player friend Cami Morlotti and a couple of other musicians and we eventually became Lyin’ Rampant.

We recorded our debut album Up and Cumin around 1985 with Independent record company Prism Records in Great Driffield, Yorkshire. We were stable mates with a band called The Mission along with a few others, after a long delay the album eventually got released in 1987.

We were delighted how the recording and the cover turned out considering it had only taken three days recording tracks in the studio. To promote the album that summer we filmed a video in Glasgow Mayfair nightclub for a Cable TV station where I was singer and played some guitar parts on the album.

As far as I know the photo on the front cover of the album was a London model who was hired by the record company. We had given them a rough idea of what we wanted and they done the rest – unfortunately she wasn’t a girlfriend of any of us and we never met her !

We had some great times recording in the studio at Prism Records and gigging in venues like The London Marquee which we played a few times, also recording at BBC studios for The Tommy Vance Rock show for BBC Radio One. But the final nail in the coffin for Lyin’ Rampant was in 1991 after our record company went into liquidation.

What are you doing now ? I’m not having a great deal of luck. Unfortunately I’m back in the same situation as I was with Tytan, only this time caring for my 95 year old father who has Dementia. I have no other family and don’t want to see him going into a care home, so once again my musical career has been put on hold.

Funnily enough I’ve been in touch with a record company in Phoenix USA who may be interested in re-releasing the Lyin’ Rampart album again, that would be great if it happens. I’ll just have to wait and see and just hope that I have better luck this time around. When I get the chance I still write and record new songs but it’s hard in the present situation I’m in.

Original line up of Lyin’ Rampant

Looking back it was great during the NWOBHM times in London, we used to hang out in places like The Marquee club and pubs like The Ship Inn and The Intrepid Fox in Wardour Street in Soho, it was full of rock fans and musicians it had a great atmosphere. We managed to see bands like Iron Maiden, Judas Priest, Motörhead, Girlschool – yeh good times.
There were some great bands to come out of the NWOBHM movement which have stood the test of time. One of them are Tytan who have reformed and are back on the road again with a new line up just like a few other bands from back then that are doing well.

For more info check the official website:  www.stewartieadams.co.uk

Interview by Alikivi  March 2022

SPREAD THE LOVE #2

And the messages keep coming in to celebrate the quarter of a million milestone of the North East Culture blog.

Dave Curry ‘Congratulations on the fantastic milestone you’ve achieved. I would like to say that without your interest and drive the photos that were recently included in the 40th anniversary of Motorhead’s ‘No Sleep’ CD would still be sitting in the loft. Keep up the excellent work’.

Julie Clay (Promoter) ‘Wow what a milestone, 250,000 hits on your blog….well done Gary! Great to meet you and be part of such a great blog. Good luck and all the best for 2022.’ 

Jon De Ville (actor, ex-vocalist Tygers of Pan Tang) ‘I spent some of my best years of my life in the North East and I love returning. My very best wishes to everyone and here’s to a rockin’ 2022’.

Alison Stanley (Actress, Writer & Theatre producer) ‘I had the pleasure of being interviewed by Gary on a couple of occasions, both of which have been thoroughly enjoyable. Gary’s blog has been an excellent means of telling everyone about my work as an actress/writer and has allowed me to reach a much wider audience.

I love reading Gary’s pieces and was really chuffed to join the ranks and be interviewed myself. I would definitely recommend reading’.

Carol Nichol (Lowfeye) ‘With social media there is often an overload of mundane feeds, so when you see an Alikivi review you are keen to hit that button with interest, whether it be a review of a band, a character from local history, there is always something brilliant in the creation of these blogs/reviews, through the research and the way they are written and presented, they are a little jewel in the world of social media today. It’s very evident how passionate Gary is in seeking out these largely unknown stories. Fantastic stuff!’

Garry Hunter (Creative Director) ‘This resource is key to continuing and reaffirming Tyneside as a cosmopolitan centre, with quarter of a million views it’s testament to Alikivi’s global reach, proving that Geordies get everywhere in the world, whether as engineers, artists or musicians, our impact is immense.’  

Tom Noble (Music manager & Promoter) ‘Gary’s blog has contributed significantly to the promotion of culture in the North East at a time when it’s increasingly difficult to get coverage for anyone but the most successful acts, he has supported local music admirably.’

Par Can (former stage technician) ‘A few years ago I had a major health issue which left me with time to read and take proper notice of things I’d previously just skimmed over. One of those was a site run by Film Maker Gary Alikivi. If you can’t find a plethora of interesting, amusing, informative articles to entertain you then you have somehow ended up on ‘The Wit and Wisdom of Boris dot com’ ! Thank you for all your hard work Gary. Look forward to many more great articles’.


Tony Hodge (The Pirahana Brothers) ‘Great news hitting 250,000 views of your excellent blog. I love reading the stories you feature covering many aspects of the North East especially its huge contribution our entertainers make. Keep up the good work and here’s to the million mark’.

Jon Dalton (Jazz guitarist & Composer) ‘Thanks for all the work you’ve been doing here and particularly your focus on the NWOBHM. Not just music from the North East but also bands like ours from the opposite corner of the country. That was an important time for so many of us and it’s great to see those stories recognized and remembered’.

Sam Blewitt – aka Sam Blue, (singer for Ya Ya, Ultravox, The Streets, The Young Punx, Dizzee Rascal, The Attention Seekers). ‘The history of North East music is a very important piece of cultural history, Gary chronicles it beautifully. His interviews and historical pieces are carefully and thoughtfully put together, making them a joy to read. I really enjoyed being interviewed by Gary, his questions allow scope for a wider answer. I had to really dig deep to remember dates and locations, but it was great fun and brought back some wonderful memories. Great Job Gary, keep up the good work’.

Jeff Brown (BBC Look North) ‘Enjoyed being a part of the project, Gary – keep telling the world about the region’s rich and diverse cultural heritage.’

Antony Bray (Abaddon/Venom Inc) ‘After forming Venom Inc I was lucky enough to begin touring in Europe again followed by the Far East and USA, this continued and we toured the world for three years. Of course many, many interviews went hand in hand, but none more satisfying and relaxing than the one I did with Gary Alikivi right on my doorstep.’

Micky Crystal (Tygers of Pan Tang/New Breed Revolution) ‘Huge congratulations on a quarter of a million readers Gary. Honoured to be part of the Alikivi North East blog’.

Quentin Kopp (Chairman, The Orwell Society) ‘Gary continues to do a wonderful job of keeping aspects of the history and people of South Shields alive. For me, as Chair of The Orwell Society, a highlight was Gary’s evocative film Wildflower about Eileen O’Shaughnessy, Orwell’s first wife who grew up in South Shields where her Father was the Chief Customs Office.’

Richard Blair, Patron of the Orwell Society and son of George Orwell ‘Since the start of 2017 I have been amazed by the number of people who have shown so much interest in both my father and mother. Eileen was a child of South Shields, who fell for an impecunious and relatively unknown young author, but she had great faith in his ability. The tragedy was that she was to die before the publication of Animal Farm, a book that she contributed so much to when George Orwell was writing it.

The Orwell Society has identified with the Tyneside area with the help of interested people from the North East, and from time to time we are able to bring some of the members up to see her birth place, the area she was brought up and also buried. I hope that we might meet some of you when the Society visits in March to unveil a plaque to Eileen.’

Joe Peterson (Big Red & the Grinners) ‘I love reading posts on ALIKIVI the North East culture blog, it’s the only true record of what it was like to be a musician in bands in the North East, it’s a great piece of archive for future musicians too who will be able to look back and get a sense of what it was like for us.’

Big thanks to all you lovely people for the messages…keep spreading the love !

SOUNDS CLIPS : PUNISHMENT OF LUXURY

You will find some grand postings on social media by archivist, Steve ‘Stig’ Chivers. He’s added articles from Sounds music paper 1975-80, some have featured bands from the North East.

Sounds singles review 9/6/79.

9 June 1979 issue carries a singles review featuring Newcastle post punk band Punishment of Luxury’s ‘Jellyfish’. Not a favourable review to put it mildly ‘Pathetic attempt to capture early seventies quirkiness’ ouch!

In an interview back in April 2021 Brian Rapkin (Bond) told me…

‘The first single after we signed was supposed to be ‘Jellyfish’, but the board at United Artists didn’t like it as an A-side so we reluctantly agreed to ‘Engine of Excess’ as the A-side’.

‘Then we signed to Screen Gems-EMI Publishing who gave UA a bollocking about the choice of A-side. So UA re-released ‘Jellyfish’ as the A-side. But by then it was too late to get airplay. The momentum was lost’.

The diamond in the dust amongst the reviews is a favourite in my top singles list – Babylons Burning from The Ruts – ‘Music to riot too’ shouts this week’s reviewer Garry Bushell. Yer got that right Gazza.

Also came across some pages from the Reading 1979 official programme, or the official title – 19th National Jazz, Blues & Rock Festival. The Jags are on the 3pm Friday slot with Punilux at 4.30pm. Motorhead take the stage as the sun goes down. Scorpions and Ramones headliners on Saturday and Sunday.

Look out for Penetration and Angelic Upstarts on the next Sounds Clips posts.

Full interviews with Punishment of Luxury:

FUNK OFF – The Punishment of Luxury & further tales of musical adventures. | ALIKIVI : NORTH EAST UK (garyalikivi.com)

FROM NEWCASTLE WITH LOVE – part one of an interview with actor & musician Brian Rapkin. | ALIKIVI : NORTH EAST UK (garyalikivi.com)

More Sounds Magazine 1975-80 articles by archivist, Steve ‘Stig’ Chivers check twitter:  @SoundsClips.

Further posts about Sounds type in ‘Raw Meat in the Sonic Mincer’ in the blog search bar.

Gary Alikivi  September 2021

THE NIGHT BELONGED TO OVERKILL: Port Vale’s Heavy Metal Holocaust at 40

My ticket no.27,070 from the day with original headliners Black Sabbath on the bill.

A dozen teenage metallers from South Shields wearing bike jackets, denim and long hair jumped on a coach to travel 200 mile south of Tyneside. In honour of our Viking ancestors we burned down the highway, raised mighty hell and invaded… Stoke.

Before the driver put his pedal to the metal a shout went up from the back ‘Me ma washed me jeans last night and I think me ticket was in the pocket’.

The Heavy Metal Holocaust was on 1 August 1981 at Port Vale football ground, but from the off the neighbours tried to get the festival banned. The council gave the go ahead after the promoter offered a free coach trip to Blackpool for elderly residents.

In the first issue of Kerrang, the all-day metal extravaganza was originally planned for Milton Keynes Bowl, in what would have been the first of two shows that year.

The year previously, UB40, Squeeze and headliners The Police were on the bill. Later years saw Queen, Genesis and Bowie headline the bowl which became a regular on the festival circuit.

Rock at the Bowl on 8 August ’81 featured headliners Thin Lizzy, the Ian Hunter band, the mainstream sound of Judie Tzuke and Q Tips. Reviews say the gig was poorly attended.

Sounds advert issue 11.7.81

In 11 July issue of Sounds it was full steam ahead to Port Vale with Black Sabbath and Motorhead advertised as double headliners – with a monster PA in tow.

A ‘major band’ was to be announced with rumours circulating that Ted Nugent was being added to the bill – now Ted as we know isn’t exactly the Ken Barlow of Metal, so this might get messy.

A week later in Sounds, Sabbath had pulled, and a full page advert read Ozzy Osbourne’s Blizzard of Oz had stepped in. No surprise a deal had been struck as that summer Motorhead were opening for Ozzy on a North American tour.

But with only one album behind him might the band have to rely on old Sabbath favourites to stop a train wreck coming down the track ?

Why did Sabbath pull out ? Tony Iommi doesn’t talk about it in his biography, he mentions that summer the band were in Los Angeles recording new album Mob Rules, the follow up to the very successful Heaven & Hell.

The Nugent rumour appeared in the first issue of Kerrang, but it was just that, a rumour, and the eventual axeman who played on the day was Frank Marino & Mahogany Rush.

The day was propped up by NWOBHM band Vardis, who were hot, frustrated and angry, and looking for a groove. As the gears began to crunch and click, suddenly it was all over. Out on the field the disciples were still gathering around the stage, sensing something special was in the air.

Up came a middle order of two Canadians and one American fighting it out between each other. The slick American rock band Riot glide through their set with guile and finesse. Next up was Triumph who searched for magic only to get caught in the crossfire, and manage to hang on bravely during the bottle wars.

A solid performance from Marino, not giving up or giving in, earned a glowing respect from the sweltering hordes gathering at the altar.

As the sun set the High Priest of Rock n Roll, Lemmy, invites Ozzy and Randy Rhoads to plug in for the ride and amp it up high and loud. They leave no room for doubts delivering a blistering set, a crazy train rumbling down the line, just hot enough to light a bonfire.

Then an eerie silence falls as dark clouds gather overhead, lights spark in the night sky and through the smoke headliners Motorhead in all their glory, own the stage. Gun’s blazing it’s a lightning strike as they look to steal the show opening with Ace of Spades – but the night belonged to Overkill.

Research: Sounds, Set List, Kerrang & UK Rock Festivals.

Gary Alikivi 2021.

GUARDIAN RECORDING STUDIO #7: Battleaxe – Burn this Town

Guardian Sound Studios were based in a small village called Pity Me in County Durham, North East UK. There are various theories on the origin of the unusual name of the village – a desolate area, exposed and difficult to cultivate or a place where monks sang ‘Pity me o God’ as they were chased by the Vikings.

Whatever is behind the name it was what happened in two terraced houses over 30 years ago that is the focus of this blog – they were home to a recording studio.

From 1978 some bands who recorded in Guardian were – Neon, Deep Freeze and Mike Mason & the Little People. A year later The Pirahna Brothers recorded a 7”, 1979 saw an E.P from Mythra and releases in 1980 from Hollow Ground, Hellanbach and a compilation album, Roksnax.

From ‘82 to ‘85 bands including Red Alert, Toy Dolls, Prefab Sprout, Satan, Battleaxe and Spartan Warrior made singles or albums. On this blog there is a number of musicians who have memories of recording in Guardian including stories of a ghost of a young girl who was knocked down outside the studio.

Dave King (vocals, Battleaxe): Yeah still remember the story of the Guardian ghost sitting at the piano. Terry would say can’t you see it lads ? No was our answer (laughs). He told us to be quiet and still and then go and sit on the wall outside while the ghost was sat at the piano in the live room playing a silent tune. He would then disappear for half an hour to his other house next door. He was recently married at the time so was a young virile bloke like all of us back then (laughs).

His stories were great, he told us he had been given a guitar from Paul McCartney, and an old flying jacket of John Lennon given to him from the Beatles. Terry liked nowt like taking the piss (laughs).

I found him a really nice guy, very helpful with young and naive bands. But for recording he could never get the drum sound we were asking from him and that was with all the fantastic gear he had in there – although we did have a crap kit at the time. We never stayed overnight as some bands did cos we only lived a few miles away.

We recorded our single Burn This Town and Battleaxe in one long day and Terry took half a day to mix it. Think it cost us around £200, we all chipped in £50 quid each and Terry pressed 500 x 7 inch singles. It was an amazing feeling to have the band’s music published and out on vinyl.

Roger Lewis, a great Heavy Metal DJ pioneer at Radio Tees, was first to let rip Burn this Town over the airwaves. For some unknown reason Alan Robson from Radio Metro never took a shine to us at all, in fact blatantly slagged us off live on his Hot and Heavy Radio show.

However that single and the Burn This Town album got us a BBC Radio One session with Tommy Vance and interest from a host of other radio stations.

Read more Guardian stories here:

Guardian Recording Studio stories #4 Metal on Tyne with Mythra, Saracen & Hollow Ground | ALIKIVI (garyalikivi.com)

If anyone has any information about Guardian or recorded in the studios get in touch.

Interview by Gary Alikivi  May 2021.

TUNE IN/TURN ON – Music TV in the 70s & 80s.

Some TV programmes can numb the viewer into searching for the remote. But for me music shows were about tuning in rather than turning over. Broadcast from Newcastle was live music show The Tube who were undoubtably the top dogs leaving in their wake a dusty Old Grey Whistle Test.

The velvet tones of Bob Harris whispered on what was essentially an album show in the 70s – the BBC’s Whistle Test provided a much needed alternative to chart shows. Up on the bridge in the ‘80s, Annie Nightingale, then Andy Kershaw and team, fired more passion and energy into the show before it sunk in ’88.

The Tube was produced off the back of Tyne Tees music and youth shows Alright Now and Check it Out. The first band to play live was Sunderland punks The Toy Dolls and the first show was broadcast 5th November 1982 presented by Jools Holland and Paula Yeats.

The Tube co-presenter Gary James interviewing John Peel on the Marc Bolan special in 1983.

In an interview for this blog former presenter Gary James talked about that first night…

‘I was one of the original co-presenters from Series 1. None of us on the presenter side, perhaps with the exception of Jools and Paula who breezed through it all without a care in the world, could have had any idea that the show would be as seminal as it was.

We certainly knew we were part of the ‘new wave’ and that we didn’t want to be all BBC and Top of the Pops-ish. It was all live, pre-watershed national networked TV and no second chances’.

Even when setbacks happened, the Tube squad were able to show a strength in depth and capture the now.

Back in August 2019 I spoke with author and TV producer Chris Phipps…..

I joined in ’82 as a booker and became Assistant Producer from ’85-’87. A band on the first show that I booked didn’t happen. The Who’s p.a. system got stuck in Mexico or somewhere. Producer Malcolm Gerrie knew Paul Wellers father and got The Jam to do it.

In a way I’m glad that he did because The Jam playing their last TV gig ever, said this is what The Tube is all about – that was then, this is now and off we go’.

Before the show finally checked out in ’87, an appearance raised the profile of a band and record companies came calling. From the same interview with Chris Phipps, he confirmed that…

‘Fine Young Cannibals got signed, The Proclaimers got signed. and there was a time when the Tube crew went to Liverpool to film Dead or Alive but they weren’t around. Someone in the pub told them to go round the corner to another pub where there is a band rehearsing. ‘You might be interested in them‘ he said.

You know what happened next. Frankie Goes to Hollywood had huge number one hit singles Relax, Two Tribes and The Power of Love plus a number 1 album Welcome to the Pleasuredome produced by Durham born Trevor Horn. Shoulda’ had a t shirt made – Frankie Made in Liverpool via the North East.

Chris Cowey and co-presenter Lynn Spencer interviewing P.I.L. on Tyne Tees programme Check it Out.

Sunderland born Chris Cowey is now a successful TV director & producer with a CV including The Tube, The White Room & Top of the Pops. Back in ‘79 he was a teenage presenter sharpening his skills on Tyne Tees programme Check it Out, he interviewed Public Image Limited, featuring a confrontational ex-Pistol Johnny Rotten (Lydon). He spoke about it on the blog in October 2019…

The infamous P.I.L chat was a real baptism of fire. My memory is that the band got themselves ‘relaxed’ by the time the studio session started, and they were ready to do their usual argumentative schtick.

The whole pantomime was their way of getting themselves noticed and being in the press, which sells records. The point of the interview was that they’d just brought out their Metal Box album.

Anyway, everyone won, they sold records, the Check It Out show was on the map, and I did about seven series of it’.

Top of the Pops chart show was broadcast at prime time on BBC to millions of viewers, and some acts considered it a privilege to appear on the programme. But during summer ’79 one band who weren’t impressed was South Shields punks Angelic Upstarts. In an interview in 2013 vocalist Mensi Mensforth told me…

‘We were on once. It was like, nothing. There was no atmosphere. The only good thing was I sang live. They wanted us to mime but I wouldn’t, so that was something’.

Guitarist, Mond Cowie added I remember we did ‘Teenage Warning’ it went in around number 29 on the chart. It was a horrible cold studio with four stages in it. There was only 20-30 people there. It was like playing a big warehouse. It was horrible really, not a nice experience’.

Bands would pop up on Saturday morning kids shows like Tiswas and get huge exposure to new audiences. Gillan, Iron Maiden, The Clash and even Lemmy from Motorhead – who received a pie splat from the phantom flinger – couldn’t turn down an interview with the gorgeous presenter Sally James.

North East based broadcaster & producer Ian Ravendale worked on the weekend kids show Get Fresh

 Most guests came up to Carlisle the night before so I’d take them out. People like Rat Scabies and Captain Sensible from The Damned. We’d go into the music pubs and clubs around Carlisle and people would love seeing them there. Rat got up a few times to play with some local bands’.

The Young Ones with Ade Edmondson (left) and Rik Mayall (right).

A music slot was also available in the running order of alternative comedy show The Young Ones featuring Rik Mayall and Ade Edmondson. The programme was broadcast for two series in ’82 and ’84. Nine Below Zero, Madness and Dexys Midnight Runners were some of the bands that played in the first series.

Ace of Spades by Motorhead kicked off the second series broadcast on 8 May. The Damned, Amazulu and Madness again featured on the second, but sadly, last series.

Talking of Motorhead, the band started a UK tour in autumn ‘79, in between live dates a Top of the Pops appearance on 6 December was booked to air the new single Bomber.

The band already had form on the programme. Their first appearance was in October ’78 with Louie, Louie, following singles Overkill and Leavin’ Here, provided dirty, loud, no compromise rock n roll, opposed to the chicken feed pop that was on show most weeks.

Weekly chart show and kids TV wasn’t their target audience but this was prime time exposure providing a welcome boost to record sales – and fear not Motorheadbangers, set lists on the Bomber tour have them opening the gig with the intensely majestic Overkill – their reputation for leaving a stain on the soul of everyone that came within one thousand yards was still intact.

Gary Alikivi  January 2021.

Links to interviews:

Chris Phipps:

NAMEDROPPER – in conversation with freelance author/TV producer Chris Phipps | ALIKIVI (garyalikivi.com)

Chris Cowey:

DIRECT ACTION – with TV/Media director & producer Chris Cowey. | ALIKIVI (garyalikivi.com)

Angelic Upstarts:

 THE BUTCHERS OF BOLINGBROKE – Pigs, Gigs and Prisons with Angelic Upstarts | ALIKIVI (garyalikivi.com)

Ian Ravendale:

WRITING ON THE WALL – in conversation with North East music journalist, broadcaster & producer Ian Ravendale | ALIKIVI (garyalikivi.com)

Gary James:

GET IT ON – with Gary James former presenter of Music TV’s Top Dogs, THE TUBE | ALIKIVI (garyalikivi.com)

RAW MEAT IN THE SONIC MINCER #1 – Looking back at music weeklies.

Looking through back issues of the UK music weeklies for a mention of North East bands, I came across a screaming headline from a Motorhead gig review – Raw Meat in the Sonic Mincer – Yep, that be ‘reet for theheed.

Motorhead review in Melody Maker 31.3.79.

Sounds or NME was always knocking about our house, pocket money bought a copy for 25p. We could read exclusive interviews with bands out on tour promoting their latest album, check forthcoming UK gig dates or look at artwork for new albums. The music weeklies were always something to look forward to – even though half the print rubbed off on your fingers.

Sounds had a mix of rock and punk interviews with Ozzy/Halen/Upstarts. NME featured alternative and post punk bands like Damned/Cramps/Costello. Take your pick of front covers splashed with Strummer/Coverdale or Debbie Harry.

David Coverdale (Whitesnake) front cover Sounds 20.11.82.

Journalist Garry Bushell became a household name for his interviews with Ozzy and the Angelic Upstarts. Mond Cowie from Tyneside band the Upstarts told me….

At one time the Sounds used to be called the Upstarts weekly because there was something about the Upstarts in every week, without fail. If it wasn’t a single review, it was an album or gig review. If there wasn’t any new records out we used to phone Garry up and give him stories, we used to just make them up’.

This next story doesn’t have a connection to the North East, but it’s an example how a band would plant or maybe sweeten up a dry story. American glam metal band Motley Crue benefited in the 17 April 1982 edition.

This came at a time when UK tours saw heavy double bills, overseas support bands and suitable opening acts with audiences enjoying the first band onstage, as well as the headliner.

I was just a kid in 1978 so too young to see the Sabbath/Halen eruption shake the foundations of Newcastle City Hall, but I did catch many big ‘rumble in the toon’ shows. I remember the night German power metallers Accept went toe to toe with Judas Priest, polished American rock band Riot turned up the heat for Saxon and Canadian speed metal merchants Anvil, kept their heeds doon an’ rolled the way for Motorhead.

Anvil front cover Sounds 17.5.82.

The story in Sounds was ‘70s English rock band Wishbone Ash were looking for a support act for their upcoming UK tour. L.A Glam Metal band Motley Crue, were rumoured to be in line as the openers. Who would put those bands together on the same bill and where did the story originate ?

The report stated an official Wishbone Ash source said the band ‘disliked’ the Crue image, and ‘unofficial’ sources quoted they were ‘wary of the competition’. Of course there was no tour, but the report got a picture of the Crue top left on page 4 – result. During autumn ’82 Wishbone Ash toured the UK, loyal Ash followers recall Spider or Mamas Boys opening, both bands on a similar dial.

Motorhead front cover Sounds 21.2.81.

If a band weren’t touring or didn’t have a record to promote they would find it difficult to get in the paper. So to keep up a presence they would feed trivial gossip to the news staff, and gain a few column inches. A small article on Page 3 of the 4th October 1980 issue hasa £10 fine at Marleybone Magistrates for Motorhead drummer Phil Taylor for being drunk and disorderly’.

Apparently he was having a ‘playful’ fight outside a pub with guitarist Eddy Clarke. The report finished off with ‘Only problem was, Phil was hit on the elbow by the stomach of the arresting officer’. A sense of humour always helped to get your stories printed.

Sellers on EBay are flogging pre-owned copies of music weeklies. They go for anything from £2.99 to £35 depending on who is on the front cover and featured inside. What you waiting for, get yer bids in and take a step back in time.

Gary Alikivi  January 2021

METAL CITY – New album from Chief Headbangers, RAVEN.

With their new album Raven carry the torch, or flying V, for metal into the future.

Excuse the pun but Amazon has been flooded with orders for this new offering from Raven. Why ? Well the word is out.

The Chief Headbangers have tooled up heavy and fired an opening three track strike. Check out the Human Race sequence drop at 2 minutes in.

One of the defining moments on this album is right there. Raven are carrying the torch, or flying V, for metal into the future.

New single Metal City with a glorious big chorus is quickly followed by a ballsy, catchy Battlescarred, with a cry of ‘Raise your hands, to the sky, stand and fall, You and I’. Added to a Gallagher trademark scream the song builds and reaches out for better times. Surely a future live favourite?

Slick, tricky guitar from Mark Gallagher with balanced precision drumming by Mike Heller rattle and crunch tracks and pound them into submission. It’s all tightly packed like a mighty coiled spring. There’s even a Motorhead/Lemmy tribute – nice touch lads!

The wide and expansive closer, When Worlds Collide with ‘You meet your maker on the other side’ has turned a potential plod into a triumph. The trio look back over Metal City and watch the sunset. Credits roll.

On this evidence Raven consolidate their title of Chief Headbangers.

Any contenders?

Gary Alikivi  September 2020.

8th of MAY IS MOTORHEAD DAY

Image 25

I could write about the times I’ve seen them absolutely pound the Newcastle City Hall into submission, or their blistering attack at the Heavy Metal Holocaust at Port Vale in ’81. But no, this is about a more recent time when I caught sight of some remarkable photographs of the band live on stage.

It was a Saturday, I had been working all day and was tired and looking forward to watching some football on the telly. I thought to check on my emails before shutting down the lap top. There was only one unread and written in bold, it was from a guy called Dave Curry and labelled ‘Motorhead pics’.

A few months beforehand I asked live music fans for any photos they had taken at gigs in the ‘80s and I would post them on the blog with a bit of blurb – who took them, where and when, just a short description because the main focus was the photos – and some belters came in which captured the atmosphere and excitement of watching a band.

I clicked on the message and a small thumbnail photo appeared. Well I’ve taken, sent, received and edited tens of thousands of photo’s over the years so quickly recognise when the image is good or not. And this was.

After downloading the rest of the photos and clicking on each one they appeared full size on the screen –  while pointing at the lap top shouting ‘That’s the mighty Motorhead in all their f***ing glory destroying the City Hall’. And that’s the title right there.

To view Dave Curry’s pic’s go to https://garyalikivi.com/2019/03/30/roksnaps-6/

For more pic’s – Thin Lizzy, Whitesnake, Twisted Sister & more go to

 https://garyalikivi.com/2018/02/18/roksnaps/

 Gary Alikivi   May 2020.

LONDON CALLING: Nights at the Marquee Club

The heart of London’s music industry was the legendary live music club the Marquee, along with CBGB’S in New York, the club has been defined as one of the most important music venues in the world.

It would provide the catalyst to launch the career of many bands – The Rolling Stones, The Who, Led Zeppelin – the list is endless. A&R men used to regularly visit the club to watch out for the next big thing and with plenty of bands looking to make it, the best way was to be seen on the stage of the Marquee.

Tony Iommi explained in Iron Man his auto biog…‘I was in rehearsals with Jethro Tull for the recording of their Stand Up album and one night Ian Anderson took me to see Free play at the Marquee. He introduced me to everybody as his new guitar player, so I thought, this is wonderful. I felt like a pop star. From being a nobody in Birmingham to people at the Marquee taking an interest – it seemed great’.

Graeme Thomson wrote in his biog about Phil Lynott – ‘It was do or die. Thin Lizzy were £30,000 in debt. Money was borrowed for their showcase gig for Phonogram at the Marquee on 9th July 1974. It was so hot that night that all the guitars went out of tune, but they played well enough to confirm the deal, even if the advance for a two album contract only cleared what they owed’.

Mick Wall’s biog of Lemmy featured the time Motorhead nearly called it a day. Guitarist Fast Eddie Clark remembers ‘We found ourselves in April 1977 in the situation of breaking up’.

As a farewell gift to fans they would record a live album. Motorhead had a show coming up at the Marquee that surely would be the best place for them to bow out. But when they looked into the cost, they knew they had no chance. A farewell single was recorded instead.

‘The Marquee gig was one of the best we ever did’ according to Eddie. ‘Lemmy said the sweat was climbing up the walls trying to get out’.

Thoughts of it being their last were quickly forgotten about. Two weeks later they piled into a Transit van for the drive down to Escape Studios in Kent. They recorded the bones of 13 tracks, eight of which would become the album Motorhead.

Bands from the North East of England – White Heat, Angelic Upstarts, Fist, The Showbiz Kids, Punishment of Luxury, Raven and Tygers of Pan Tang, all travelled south down the M1 to the capital. Was playing London the catalyst for a life in music, or just a road too far for some ?

John Gallagher from Chief Headbangers, Raven  ‘The running joke was – c-mon lets git in a van and gaan doon t’London ! We did quite a few one off support gigs. It was in the back of the truck, drive down to London, play the Marquee with Iron Maiden and drive back straight after the gig’.

Harry Hill, drummer with Fist remembers…’We played the Marquee for two nights supporting Iron Maiden. We were going down an absolute storm, the place was packed. I’m not sure what the band thought about it but their manager was kicking off – You’re just the support band. You’re not supposed to go down like that –  We won him over in the end and he came into the dressing room with a crate of beer. Yep we gave them a run for their money’.

Residencies were part of the scene and a few North East bands got on the list including Dire Straits. This advert from March ’78 with admission fee only 70p.

Select dates for North East bands listed as playing the Marquee:

1976: Halfbreed 15 & 29th January & 3rd March.  Arbre 4th April.

Back Street Crawler 11 & 12th May with AC/DC as support. Cirkus 15th May.

1977: Penetration 29th June opening for Heron also 30th July & 1st August opening for The Vibrators.

1978: Penetration 21st June. Punishment of Luxury 3rd October.

1979: Showbiz Kids 3rd February. Punishment of Luxury 13th February.

Showbiz Kidz 21st April. Punishment of Luxury 7th May.

Showbiz Kids 19th May & 14th June & 14th July.

Punishment of Luxury 23rd August & 31st October.

1980: Raven 5th, 6th, or 7th November with Taurus or Diamond Head opening for Gary Moore.

1981: White Heat 29th April.

1982: Angelic Upstarts 18th February & 12th August.

The Marquee at Charing Cross Road finally closed it’s doors in 1996 after first establishing the club in Oxford Street, then it’s heyday in Wardour Street.

 Gary Alikivi  May 2020.