One of the most influential New Wave Of British Heavy Metal bands are heading out on a UK tour this March, but first, earlier this year there was the small matter of Raven being inducted into the Metal Hall of Fame alongside Twisted Sister and Foreigner vocalist and solo artist Lou Gramm.
Held at The Canyon Club in California on 26 January, this was the sixth annual gala, previous inductees include Dio, Lemmy and Judas Priest.
The award is for musicians and bands who have made an invaluable contribution to rock and metal and to keep inspiring fans throughout the world. I asked bassist and Chief Raven John Gallagher, how did it come about?
Bribery and corruption (laughs). It was nice to be recognized and was a really great event where we played a three song set – almost broke a sweat!
Did you ever think you would be in this position, a tour celebrating 40 years of an album ?
Of course not! That kind of long view, you just don’t have that when you start. It just kinda crept up on us over the years. It’s quite a milestone and we are very proud of it. That and good old Geordie stubbornness!
In the set are you playing the full track listing on All for One and have you played all the songs live before?
Yes indeed! There’s actually two songs from the album we’ve never played live before, so that’s going to be fun for sure and another two that Mikes never played.
Have you noticed any new faces at your concerts?
Oh definitely, there’s quite often three generations of fans at our shows – which is really great.
For a full list of tour dates & tickets, album releases, video, merch & more check the official website :
The Roksnaps feature on this blog has photographs sent in by concert goers who captured the atmosphere of gigs at Newcastle City Hall and the Mayfair.
Among the many bands pictured were Whitesnake, Motorhead, Scorpions and North East band, Fist.
Whitley Bay’s Tygers of Pan Tang were snapped by John Edward Spence who told me “I used to go to loads of gigs at the Newcastle City Hall and Mayfair. I was lucky enough to see the bands associated with the New Wave of British Heavy Metal – just loved the music around then”.
John’s pics are from 1980/81 with Jess Cox on vocals who was eventually replaced by Welsh frontman Jon Deverill, and a second guitarist John Sykes joined Thin Lizzy and was replaced by former Penetration guitarist Fred Purser.
The original Tygers engine room of guitarist Robb Weir, bassist Rocky Laws and Brian Dick on drums completed the line-up.
In 1982 the five piece band recorded one of their most successful albums, The Cage. On the subsequent tour I remember catching them live on their home patch at a packed Newcastle Mayfair on Friday 3rd September 1982.
Recently the Tygers management issued a plea “40 years ago this month The Cage tour began at Newcastle’s Mayfair Ballroom. At the time it was the bands most successful outing and we visited the best venues in the country including Manchester Apollo and Hammersmith Odeon.
Support came from our old mate Kev Riddles’ Tytan. It’s a pity we have no photos from The Cage tour, unless of course anyone out there has any?”
“We realise it was 40 years ago but if you can help with the request for any pic’s – maybe they’re in the loft or in a box at the back of the garage – there’s got to be some out there”.
If you can help please don’t hesitate to get in touch. All emails will be passed onto the Tygers management or contact the official website:
Stewartie packed his guitar jumped on the overnight coach and left his hometown of Glasgow for what he hoped were better times in the capital….
In 1981 I got a call to go down to London for an audition as one of my drummer friends was the drum roadie for Dave Dufort of Tytan. The audition was at Edwin Shirley Trucking where we had a rehearsal room – out of all the guitarists I was the lucky one and got the gig with Tytan.
Heavy metal band Tytan formed in 1981 out of the New Wave of British Heavy Metal (NWOBHM), the original line-up was former Angel Witch bassist Kev Riddles, drummer Dave Dufort, vocalist Kal Swan with guitarists Steve Gibbs and Stewartie Adams.
Unfortunately the gig didn’t go according to plan…
It was a shame as I was so privileged to get the guitar job and loved the band and the music we were playing. I got on great with the other guys but had to leave as one of my parents was diagnosed with a terminal illness so decided to go back home.
It’s something I felt I had to do even after all the hard work we put in rehearsing, photo shoots, etc. Unfortunately I never recorded or got the chance to play any live shows and I’ve lost touch with the guys but I still keep in touch with bass player big Kev Riddles now and then.
After leaving Tytan I was in Scotland this was roughly about 1983 and I teamed up with ex-Heavy Pettin’ guitarist Eddie Trainer, an old bass player friend Cami Morlotti and a couple of other musicians and we eventually became Lyin’ Rampant.
We recorded our debut album Up and Cumin around 1985 with Independent record company Prism Records in Great Driffield, Yorkshire.
We were stable mates with a band called The Mission along with a few others, after a long delay the album eventually got released in 1987.
We were delighted how the recording and the cover turned out considering it had only taken three days recording tracks in the studio.
To promote the album that summer we filmed a video in Glasgow Mayfair nightclub for a Cable TV station where I was singer and played some guitar parts on the album.
As far as I know the photo on the front cover of the album was a London model who was hired by the record company. We had given them a rough idea of what we wanted and they done the rest – unfortunately she wasn’t a girlfriend of any of us and we never met her !
We had some great times recording in the studio at Prism Records and gigging in venues like The London Marquee which we played a few times, also recording at BBC studios for The Tommy Vance Rock show for BBC Radio One.
But the final nail in the coffin for Lyin’ Rampant was in 1991 after our record company went into liquidation.
What are you doing now ?
I’m not having a great deal of luck. Unfortunately I’m back in the same situation as I was with Tytan, only this time caring for my 95 year old father who has Dementia.
I have no other family and don’t want to see him going into a care home, so once again my musical career has been put on hold.
Funnily enough I’ve been in touch with a record company in Phoenix USA who may be interested in re-releasing the Lyin’ Rampart album again, that would be great if it happens.
I’ll just have to wait and see and just hope that I have better luck this time around. When I get the chance I still write and record new songs but it’s hard in the present situation I’m in.
Looking back it was great during the NWOBHM times in London, we used to hang out in places like The Marquee club and pubs like The Ship Inn and The Intrepid Fox in Wardour Street in Soho, it was full of rock fans and musicians it had a great atmosphere. We managed to see bands like Iron Maiden, Judas Priest, Motörhead, Girlschool – yeh good times.
There were some great bands to come out of the NWOBHM movement which have stood the test of time. One of them are Tytan who have reformed and are back on the road again with a new line up just like a few other bands from back then that are doing well.
For more info check the official website: www.stewartieadams.co.uk
And the messages keep coming in to celebrate the quarter of a million milestone of the North East Culture blog.
Dave Curry ‘Congratulations on the fantastic milestone you’ve achieved. I would like to say that without your interest and drive the photos that were recently included in the 40th anniversary of Motorhead’s ‘No Sleep’ CD would still be sitting in the loft. Keep up the excellent work’.
Julie Clay (Promoter) ‘Wow what a milestone, 250,000 hits on your blog….well done Gary! Great to meet you and be part of such a great blog. Good luck and all the best for 2022.’
Jon De Ville (actor, ex-vocalist Tygers of Pan Tang) ‘I spent some of my best years of my life in the North East and I love returning. My very best wishes to everyone and here’s to a rockin’ 2022’.
Alison Stanley (Actress, Writer & Theatre producer) ‘I had the pleasure of being interviewed by Gary on a couple of occasions, both of which have been thoroughly enjoyable. Gary’s blog has been an excellent means of telling everyone about my work as an actress/writer and has allowed me to reach a much wider audience.
I love reading Gary’s pieces and was really chuffed to join the ranks and be interviewed myself. I would definitely recommend reading’.
Carol Nichol (Lowfeye) ‘With social media there is often an overload of mundane feeds, so when you see an Alikivi review you are keen to hit that button with interest, whether it be a review of a band, a character from local history, there is always something brilliant in the creation of these blogs/reviews, through the research and the way they are written and presented, they are a little jewel in the world of social media today. It’s very evident how passionate Gary is in seeking out these largely unknown stories. Fantastic stuff!’
Garry Hunter (Creative Director) ‘This resource is key to continuing and reaffirming Tyneside as a cosmopolitan centre, with quarter of a million views it’s testament to Alikivi’s global reach, proving that Geordies get everywhere in the world, whether as engineers, artists or musicians, our impact is immense.’
Tom Noble (Music manager & Promoter) ‘Gary’s blog has contributed significantly to the promotion of culture in the North East at a time when it’s increasingly difficult to get coverage for anyone but the most successful acts, he has supported local music admirably.’
Par Can (former stage technician) ‘A few years ago I had a major health issue which left me with time to read and take proper notice of things I’d previously just skimmed over. One of those was a site run by Film Maker Gary Alikivi.
If you can’t find a plethora of interesting, amusing, informative articles to entertain you then you have somehow ended up on ‘The Wit and Wisdom of Boris dot com’ ! Thank you for all your hard work Gary. Look forward to many more great articles’.
Tony Hodge (The Pirahana Brothers) ‘Great news hitting 250,000 views of your excellent blog. I love reading the stories you feature covering many aspects of the North East especially its huge contribution our entertainers make. Keep up the good work and here’s to the million mark’.
Jon Dalton (Jazz guitarist & Composer) ‘Thanks for all the work you’ve been doing here and particularly your focus on the NWOBHM. Not just music from the North East but also bands like ours from the opposite corner of the country. That was an important time for so many of us and it’s great to see those stories recognized and remembered’.
Sam Blewitt – aka Sam Blue, (singer for Ya Ya, Ultravox, The Streets, The Young Punx, Dizzee Rascal, The Attention Seekers). ‘The history of North East music is a very important piece of cultural history, Gary chronicles it beautifully. His interviews and historical pieces are carefully and thoughtfully put together, making them a joy to read.
I really enjoyed being interviewed by Gary, his questions allow scope for a wider answer. I had to really dig deep to remember dates and locations, but it was great fun and brought back some wonderful memories. Great Job Gary, keep up the good work’.
Jeff Brown (BBC Look North) ‘Enjoyed being a part of the project, Gary – keep telling the world about the region’s rich and diverse cultural heritage.’
Antony Bray (Abaddon/Venom Inc) ‘After forming Venom Inc I was lucky enough to begin touring in Europe again followed by the Far East and USA, this continued and we toured the world for three years. Of course many, many interviews went hand in hand, but none more satisfying and relaxing than the one I did with Gary Alikivi right on my doorstep.’
Micky Crystal (Tygers of Pan Tang/New Breed Revolution) ‘Huge congratulations on a quarter of a million readers Gary. Honoured to be part of the Alikivi North East blog’.
Quentin Kopp (Chairman, The Orwell Society) ‘Gary continues to do a wonderful job of keeping aspects of the history and people of South Shields alive. For me, as Chair of The Orwell Society, a highlight was Gary’s evocative film Wildflower about Eileen O’Shaughnessy, Orwell’s first wife who grew up in South Shields where her Father was the Chief Customs Office.’
Richard Blair, Patron of the Orwell Society and son of George Orwell ‘Since the start of 2017 I have been amazed by the number of people who have shown so much interest in both my father and mother. Eileen was a child of South Shields, who fell for an impecunious and relatively unknown young author, but she had great faith in his ability. The tragedy was that she was to die before the publication of Animal Farm, a book that she contributed so much to when George Orwell was writing it.
The Orwell Society has identified with the Tyneside area with the help of interested people from the North East, and from time to time we are able to bring some of the members up to see her birth place, the area she was brought up and also buried. I hope that we might meet some of you when the Society visits in March to unveil a plaque to Eileen.’
Joe Peterson (Big Red & the Grinners) ‘I love reading posts on ALIKIVI the North East culture blog, it’s the only true record of what it was like to be a musician in bands in the North East, it’s a great piece of archive for future musicians too who will be able to look back and get a sense of what it was like for us.’
Big thanks to all you lovely people for the messages…keep spreading the love !
You will find some grand postings on social media by archivist, Steve ‘Stig’ Chivers. He’s added articles from Sounds music paper 1975-80, some have featured bands from the North East.
9 June 1979 issue carries a singles review featuring Newcastle post punk band Punishment of Luxury’s ‘Jellyfish’. Not a favourable review to put it mildly ‘Pathetic attempt to capture early seventies quirkiness’ ouch!
In an interview back in April 2021 Brian Rapkin (Bond) told me…
‘The first single after we signed was supposed to be ‘Jellyfish’, but the board at United Artists didn’t like it as an A-side so we reluctantly agreed to ‘Engine of Excess’ as the A-side’.
‘Then we signed to Screen Gems-EMI Publishing who gave UA a bollocking about the choice of A-side. So UA re-released ‘Jellyfish’ as the A-side. But by then it was too late to get airplay. The momentum was lost’.
The diamond in the dust amongst the reviews is a favourite in my top singles list – Babylons Burning from The Ruts – ‘Music to riot too’ shouts this week’s reviewer Garry Bushell. Yer got that right Gazza.
Also came across some pages from the Reading 1979 official programme, or the official title – 19th National Jazz, Blues & Rock Festival.
The Jags are on the 3pm Friday slot with Punilux at 4.30pm. Motorhead take the stage as the sun goes down. Scorpions and Ramones headliners on Saturday and Sunday.
Look out for Penetration and Angelic Upstarts on the next Sounds Clips posts.
A dozen teenage metallers from South Shields dressed in bike jackets, denim and long hair jumped on a coach to travel 200 mile south of Tyneside.
In honour of our Viking ancestors, we burned down the highway, raised mighty hell and invaded… Stoke on Trent.
The Heavy Metal Holocaust was on 1 August 1981 at Port Vale football ground, but from the off the neighbours tried to get the festival banned.
The Stoke council gave the go ahead after the promoter offered a free coach trip to Blackpool for elderly residents.
In the first issue of Kerrang, the all-day metal extravaganza was originally planned for Milton Keynes Bowl, in what would have been the first of two shows at the Bowl that year.
Rock at the Bowl on 8 August ’81 featured headliners Thin Lizzy, the Ian Hunter band and the mainstream sound of Judie Tzuke and Q Tips. Reviews say the gig was poorly attended.
A full page in Sounds had Black Sabbath and Motorhead advertised as double headliners at Port Vale on Saturday August 1st – with a monster PA in tow.
A ‘major band’ was to be announced with rumours circulating that Ted Nugent was being added to the bill – now Ted isn’t exactly the Ken Barlow of Metal so backstage refreshments with Lemmy and Ozzy might get messy.
The Nugent rumour appeared in the first issue of Kerrang, but it was just that, a rumour, and the eventual axeman who played on the day was Frank Marino & Mahogany Rush.
A week later Sounds ran a story that Sabbath had pulled, and a full page advert read Ozzy Osbourne’s Blizzard of Oz had stepped in. No surprise a deal had been struck as that summer Motorhead were opening for Ozzy on a North American tour.
But with only one album behind the former Sabbath frontman, the band might have to rely on old Sabbath favourites to stop a (crazy) train wreck coming down the track ?
Why did Sabbath pull out ? Tony Iommi doesn’t talk about it directly in his biography, but he mentions that summer the band were in Los Angeles recording new album Mob Rules, the follow up to the very successful Heaven & Hell.
The day was propped up by NWOBHM band Vardis, on stage they were hot, frustrated and looking for a groove.
But as the gears began to click, suddenly it was all over, while out in the field the disciples gathered around the stage, sensing something special was in the air.
Then up came two Canadians and one American band fighting it out between each other. The slick American rockers Riot glide through their set with guile and finesse.
Next up Triumph searched for magic only to get caught in the crossfire and manage to hang on bravely during the bottle wars. A solid performance from Frank Marino earned a glowing respect from the sweltering hordes gathering at the altar.
As the sun set the High Priest of Rock n Roll, Lemmy, invites Ozzy and Randy Rhoads to plug in for the ride and amp it up high and loud. They leave no room for doubts delivering a blistering set, hot enough to light a bonfire.
Then an eerie silence falls and dark clouds gather overhead while lights spark in the night sky. Through the smoke headliners Motorhead arrive and steal the show opening with Ace of Spades – but the night belonged to Overkill.
Research: Sounds, Set List, Kerrang & UK Rock Festivals.
Guardian Sound Studios were based in a small village called Pity Me in County Durham, North East UK.
There are various theories on the origin of the unusual name of the village – a desolate area, exposed and difficult to cultivate or a place where monks sang ‘Pity me o God’ as they were chased by the Vikings.
Whatever is behind the name it was what happened in two terraced houses over 30 years ago that is the focus of this blog – they were home to a recording studio.
From 1978 some bands who recorded in Guardian were – Neon, Deep Freeze and Mike Mason & the Little People.
A year later The Pirahna Brothers recorded a 7”, 1979 saw an E.P from Mythra and releases in 1980 from Hollow Ground, Hellanbach and a compilation album, Roksnax.
From ‘82 to ‘85 bands including Red Alert, Toy Dolls, Prefab Sprout, Satan, Battleaxe and Spartan Warrior made singles or albums.
On this blog there is a number of musicians who have memories of recording in Guardian including stories of a ghost of a young girl who was knocked down outside the studio.
Dave King (vocals, Battleaxe): Yeah, still remember the story of the Guardian ghost sitting at the piano. Terry would say can’t you see it lads ? No was our answer (laughs).
He told us to be quiet and still and then go and sit on the wall outside while the ghost was sat at the piano in the live room playing a silent tune. He would then disappear for half an hour to his other house next door. He was recently married at the time so was a young virile bloke like all of us back then (laughs).
His stories were great, he told us he had been given a guitar from Paul McCartney, and an old flying jacket of John Lennon given to him from the Beatles. Terry liked nowt like taking the piss (laughs).
I found him a really nice guy, very helpful with young and naive bands. But for recording he could never get the drum sound we were asking from him and that was with all the fantastic gear he had in there – although we did have a crap kit at the time.
We never stayed overnight as some bands did cos we only lived a few miles away.
We recorded our single Burn This Town and Battleaxe in one long day and Terry took half a day to mix it. Think it cost us around £200, we all chipped in £50 quid each and Terry pressed 500 x 7 inch singles.
It was an amazing feeling to have the band’s music published and out on vinyl.
Roger Lewis, a great Heavy Metal DJ pioneer at Radio Tees, was first to let rip Burn this Town over the airwaves. For some unknown reason Alan Robson from Radio Metro never took a shine to us at all, in fact blatantly slagged us off live on his Hot and Heavy Radio show.
However that single and the Burn This Town album got us a BBC Radio One session with Tommy Vance and interest from a host of other radio stations.
Some TV programmes can numb the viewer into searching for the remote. But for me music shows were about tuning in rather than turning over.
Broadcast from Newcastle was live music show The Tube who were undoubtably the top dogs leaving in their wake a dusty Old Grey Whistle Test.
The velvet tones of Bob Harris whispered on what was essentially an album show in the 70s – the BBC’s Whistle Test provided a much needed alternative to chart shows.
Up on the bridge in the ‘80s, Annie Nightingale, then Andy Kershaw and team, fired more passion and energy into the show before it sunk in ’88.
The Tube was produced off the back of Tyne Tees music and youth shows Alright Now and Check it Out. The first band to play live was Sunderland punks The Toy Dolls and the first show was broadcast 5th November 1982 presented by Jools Holland and Paula Yeats.
In an interview for this blog former presenter Gary James talked about that first night…
‘I was one of the original co-presenters from Series 1. None of us on the presenter side, perhaps with the exception of Jools and Paula who breezed through it all without a care in the world, could have had any idea that the show would be as seminal as it was.
We certainly knew we were part of the ‘new wave’ and that we didn’t want to be all BBC and Top of the Pops-ish. It was all live, pre-watershed national networked TV and no second chances’.
Even when setbacks happened, the Tube squad were able to show a strength in depth and capture the now.
Back in August 2019 I spoke with author and TV producer Chris Phipps…..
’I joined in ’82 as a booker and became Assistant Producer from ’85-’87. A band on the first show that I booked didn’t happen. The Who’s p.a. system got stuck in Mexico or somewhere. Producer Malcolm Gerrie knew Paul Wellers father and got The Jam to do it.
In a way I’m glad that he did because The Jam playing their last TV gig ever, said this is what The Tube is all about – that was then, this is now and off we go’.
Before the show finally checked out in ’87, an appearance raised the profile of a band and record companies came calling. From the same interview with Chris Phipps, he confirmed that…
‘Fine Young Cannibals got signed, The Proclaimers got signed. and there was a time when the Tube crew went to Liverpool to film Dead or Alive but they weren’t around.
Someone in the pub told them to go round the corner to another pub where there is a band rehearsing. ‘You might be interested in them‘ he said.
You know what happened next. Frankie Goes to Hollywood had huge number one hit singles Relax,Two Tribes and The Power of Love plus a number 1 album Welcome to the Pleasuredome produced by Durham born Trevor Horn.
Shoulda’ had a t shirt made – Frankie Made in Liverpool via the Newcastle.
Sunderland born Chris Cowey is now a successful TV director & producer with a CV including The Tube, The White Room & Top of the Pops. Back in ‘79 he was a teenage presenter sharpening his skills on Tyne Tees programme Check it Out, he interviewed Public Image Limited, featuring a confrontational ex-Pistol Johnny Rotten (Lydon). He spoke about it on the blog in October 2019…
‘The infamous P.I.L chat was a real baptism of fire. My memory is that the band got themselves ‘relaxed’ by the time the studio session started, and they were ready to do their usual argumentative schtick.
The whole pantomime was their way of getting themselves noticed and being in the press, which sells records. The point of the interview was that they’d just brought out their Metal Box album.
Anyway, everyone won, they sold records, the Check It Out show was on the map, and I did about seven series of it’.
Top of the Pops chart show was broadcast at prime time on BBC to millions of viewers, and some acts considered it a privilege to appear on the programme. But during summer ’79 one band who weren’t impressed was South Shields punks Angelic Upstarts. In an interview in 2013 vocalist Mensi Mensforth told me…
‘We were on once. It was like, nothing. There was no atmosphere. The only good thing was I sang live. They wanted us to mime but I wouldn’t, so that was something’.
Guitarist, Mond Cowie added ‘I remember we did ‘Teenage Warning’ it went in around number 29 on the chart. It was a horrible cold studio with four stages in it.
There was only 20-30 people there. It was like playing a big warehouse. It was horrible really, not a nice experience’.
Bands would pop up on Saturday morning kids shows like Tiswas and get huge exposure to new audiences. Gillan, Iron Maiden, The Clash and even Lemmy from Motorhead – who received a pie splat from the phantom flinger – couldn’t turn down an interview with the gorgeous presenter Sally James.
North East based broadcaster & producer Ian Ravendale worked on the weekend kids show Get Fresh…
‘Most guests came up to Carlisle the night before so I’d take them out. People like Rat Scabies and Captain Sensible from The Damned. We’d go into the music pubs and clubs around Carlisle and people would love seeing them there. Rat got up a few times to play with some local bands’.
A music slot was also available in the running order of alternative comedy show The Young Ones featuring Rik Mayall and Ade Edmondson. The programme was broadcast for two series in ’82 and ’84.
Nine Below Zero, Madness and Dexys Midnight Runners were some of the bands that played in the first series.
Ace of Spades by Motorhead kicked off the second series broadcast on 8 May. The Damned, Amazulu and Madness again featured on the second, but sadly, last series.
Talking of Motorhead, the band started a UK tour in autumn ‘79, in between live dates a Top of the Pops appearance on 6 December was booked to air the new single Bomber.
The band already had form on the programme. Their first appearance was in October ’78 with Louie, Louie, following singles Overkill and Leavin’ Here, provided dirty, loud, no compromise rock n roll, opposed to the chicken feed pop that was on show most weeks.
Weekly chart show and kids TV wasn’t their target audience but this was prime time exposure providing a welcome boost to record sales – and fear not Motorheadbangers, set lists on the Bomber tour have them opening the gig with the intensely majestic Overkill – their reputation for leaving a stain on the soul of everyone that came within one thousand yards was still intact.
Looking through back issues of the UK music weeklies for a mention of North East bands, I came across a screaming headline from a Motorhead gig review – Raw Meat in the Sonic Mincer – Yep, that be ‘reet for the ‘heed.
Sounds or NME was always knocking about our house, pocket money bought a copy for 25p. We could read exclusive interviews with bands out on tour promoting their latest album, check forthcoming UK gig dates or look at artwork for new albums.
The music weeklies were always something to look forward to – even though half the print rubbed off on your fingers.
Sounds had a mix of rock and punk interviews with Ozzy/Halen/Upstarts. NME featured alternative and post punk bands like Damned/Cramps/Costello. Take your pick of front covers splashed with Strummer/Coverdale or Debbie Harry.
Journalist Garry Bushell became a household name for his interviews with Ozzy and the Angelic Upstarts. Mond Cowie from Tyneside band the Upstarts told me….
‘At one time the Sounds used to be called the Upstarts weekly because there was something about the Upstarts in every week, without fail. If it wasn’t a single review, it was an album or gig review.
If there wasn’t any new records out, we used to phone Garry up and give him stories, we used to just make them up’.
This next story doesn’t have a connection to the North East, but it’s an example how a band would plant or maybe sweeten up a dry story. American glam metal band Motley Crue benefited in the 17 April 1982 edition.
This came at a time when UK tours saw heavy double bills, overseas support bands and suitable opening acts with audiences enjoying the first band onstage, as well as the headliner.
I was just a kid in 1978 so too young to see the Sabbath/Halen eruption shake the foundations of Newcastle City Hall, but I did catch many big ‘rumble in the toon’ shows.
I remember the night German power metallers Accept went toe to toe with Judas Priest, polished American rock band Riot turned up the heat for Saxon and Canadian speed metal merchants Anvil, kept their heeds doon an’ rolled the way for Motorhead.
The story in Sounds was ‘70s English rock band Wishbone Ash were looking for a support act for their upcoming UK tour. L.A Glam Metal band Motley Crue, were rumoured to be in line as the openers.
Who would put those bands together on the same bill and where did the story originate ?
The report stated an official Wishbone Ash source said the band ‘disliked’ the Crue image, and ‘unofficial’ sources quoted they were ‘wary of the competition’. Of course, there was no tour, but the report got a picture of the Crue top left on page 4 – result.
During autumn ’82 Wishbone Ash toured the UK, loyal Ash followers recall Spider or Mamas Boys opening, both bands on a similar dial.
If a band weren’t touring or didn’t have a record to promote they would find it difficult to get in the paper. So to keep up a presence they would feed trivial gossip to the news staff, and gain a few column inches.
A small article on Page 3 of the 4th October 1980 issue has ‘a £10 fine at Marleybone Magistrates for Motorhead drummer Phil Taylor for being drunk and disorderly’.
Apparently he was having a ‘playful’ fight outside a pub with guitarist Eddy Clarke.
The report finished off with ‘Only problem was, Phil was hit on the elbow by the stomach of the arresting officer’. A sense of humour always helped to get your stories printed.
Sellers on EBay are flogging pre-owned copies of music weeklies. They go for anything from £2.99 to £35 depending on who is on the front cover and featured inside.
What you waiting for, get yer bids in and take a step back in time.
New single Metal City with a glorious big chorus is quickly followed by a ballsy, catchy Battlescarred, with a cry of ‘Raise your hands, to the sky, stand and fall, You and I’.
Added to a Gallagher trademark scream the song builds and reaches out for better times. Surely a future live favourite?
Slick, tricky guitar from Mark Gallagher with balanced precision drumming by Mike Heller rattle and crunch tracks and pound them into submission.
It’s all tightly packed like a mighty coiled spring. There’s even a Motorhead/Lemmy tribute – nice touch lads!
The wide and expansive closer, When Worlds Collide with ‘You meet your maker on the other side’ has turned a potential plod into a triumph. The trio look back over Metal City and watch the sunset. And the credits roll.
On this evidence Raven consolidate their title of Chief Headbangers.