HUMANITY & COURAGE – South Shields Historian & Photographer Amy Flagg (1893–1965)

The previous post was a snapshot of the life of Victorian photographer Frank Meadow Sutcliffe. Another photographer featured on the blog is South Shields Historian Amy Flagg (links below).

This post highlights the photograph’s Amy produced during the Second World War. She took some of the most devastating images of South Shields in the 20th century. When the bombs dropped, she captured the scars with her camera.

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Page from inside the pamphlet.

When researching a documentary about Amy (Westoe Rose, 2016) I came across detailed records that she had made of German air raids that revealed the amount of suffering the town endured. 

The Ministry of Information and the Chief Press Officer gave permission to produce Humanity & Courage, pamphlets featuring some photographs that Flagg had taken of war damage to her town.

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Detailed record of air raids over South Shields.

More images are available on the South Tyneside Library website

https://southtynesidehistory.co.uk/

Included here is a picture story from The Shields Gazette showing her friend and Librarian Rose Mary Farrell standing next to a display of Amy’s photographs.

They were shown in an exhibition at South Shields Library. The report is dated August 1968, three years after Amy died.

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Links to previous Amy Flagg posts:

https://garyalikivi.com/2018/07/19/westoe-rose-making-the-documentary-about-historian-and-photographer-amy-flagg/

https://garyalikivi.com/2019/07/11/westoe-rose-the-story-of-amy-flagg-south-shields-historian-photographer-1893-1965/

https://garyalikivi.com/2019/12/21/history-lives-amy-c-flagg-south-shields-historian-photographer-1893-1965/

https://garyalikivi.com/2019/12/28/amy-flagg-holborn-the-mill-dam-valley/

Alikivi   March 2020

A LIFE IN PICTURES – Snapshot of Victorian Photographer, Frank Meadow Sutcliffe (1853-1941)

In October 2017 I was at the Goth weekender held in Whitby on the North East UK coast. The town was revelling in the darker side of life, people walking around in colourful costumes celebrating the dead.

The reason behind the spooky theme is the town’s connection to Dracula. In 1890 writer Bram Stoker stayed in the town where he was inspired to write his vampire novel. Another reason to visit the town was the Frank Sutcliffe gallery.

Frank Meadow Sutcliffe was born in Yorkshire on 6th October 1853. He came from a large family, his parents had six children and made the ancient port of Whitby their home. At 17 Sutcliffe was a photographer and assistant to his father Thomas, an Artist and lecturer.

By the time he was 35 he was married to Eliza, the couple had four girls, one son and were living at 9 Burrowfield Terrace. By 1901 the family had moved to Sleights Cottage in the town where his oldest daughter Kathleen was his photography assistant.

Sutcliffe paid the rent by taking studio portraits, but the main subject of his work was everyday working life, with the fishing community a main focus.

Capturing Victorian life brought him international recognition and an award from the Honorary Fellowship of the Royal Photographic Society in 1935.

Included are some of his photographs taken from a 1988 calendar I have called, ‘A Photographic Heritage’. One of the pictures features two of his children, Horace and Irene fishing for newts.

The naff quality copies here aren’t a patch on the images in the calendar, if you search out his pictures, they are worth spending time with.

On the Second World War register he is an 86-year-old widow, employed as Curator at Whitby Museum. His daughter Irene lived with him until he died on the 31st May 1941.

http://www.sutcliffe-gallery.co.uk/

Alikivi   March 2020.

FAMILY PORTRAIT – Downey photography studios in South Shields & London

As I was sorting out some books this picture card fell out of one of them. It’s something I picked up at Shields Market a few years ago.

I’m not sure who the sitter is but the photo was taken by the Downey brothers, William and Daniel, who along with older brother James, had studios in the North East then moved to London.

Commercial photography was in it’s infancy when the brothers were taking pictures of royalty and personalities like Oscar Wilde.

Looking back to photographers in South Shields if it was a competition I couldn’t call it, they have different qualities. There was James Cleet with his housing clearance pictures during the 1930’s, and reported to be a bit of a showman in his mac and bowler hat, especially at Tyneside ship launches he would signify when he was finished by making a large sweep of his bowler hat and take a deep bow in front of the crowds.

Amy Flagg’s unforgettable Second World War images of a scarred town after the German bombs hit, then in her own darkroom printing photographs of devastating images of a town she loved, important pictures that still have a huge impact today.

Records show the Downey brothers worked out of a studio in London, but before that were based in South Shields.

William Downey was born in King Street, South Shields in 1829, with help from his older brother James and together with brother Daniel, they set up a photographic business in the Market Square in 1860.

The studio became successful resulting in branches opening across the North East in Blyth, Morpeth and old Eldon Square in Newcastle.

In 1862 Queen Victoria commissioned William Downey to take a series of photographs illustrating the Hartley Colliery disaster, near Blyth.

Soon after William and his brother Daniel moved to London where they accepted commissions from dignitaries and aristocracy including the UK royal family, the Emperor of Russia and King of Norway.

The brothers also took pictures of show business personalities from their studio at 57 & 61 Ebury Street in Belgravia, while older brother James, as well as his grocery business, kept a studio open in South Shields.

Big brother James was a huge help to William and Daniel. He was a grocer and importer of German yeast, with premises in West Holborn in 1865. Ten year later he had two shops trading as a grocer and confectioner out of 17 & 19 Eldon Street in the Laygate area of the town.

By 1881 he had one shop for his grocery business and opened the other as a photography studio. There is a record of a Frederick Downey at 19 Eldon Street, I suspect that he was James’ son who carried on the family photography business.

Meanwhile in London, Daniel and William continued their work of royal sittings and portraits. Sadly, Daniel passed away in Bethnal Green in 1881 while William died in Kensington in 1915. His son, William Edward, kept on the family business, as did his son, Arthur.

A lasting record of their work is an impressive set of five books called ‘The Cabinet Gallery’ printed by Cassell & Company of London, Paris and Melbourne in 1890. The volumes include 36 photographs each, plus a summary of the subject.

Kings, Queens, Professors and actors all sat for a Downey portrait, the attention to detail made them stand out among other photographers and ensured customers would return. Their stamp is on the back of some pages.

Throughout the early 1900’s there is records for a Downey photography studio at 17 & 19 Eldon Street, but unfortunately by 1912 the trail goes cold. What happened to the Downeys in London and South Shields? Is there more to their story? If you have any information to add please get in touch.

Source: Census records, Burgess Rolls, Wards Directories, Wikipedia, The Word South Shields.

Gary Alikivi   December 2019

THE MAN IN THE SHADOWS – James Cleet, South Shields Photographer 1876 -1959

In a previous post I talked about coming across photographs by James Cleet over 10 years ago, particularly the housing clearances in South Shields during the 1930’s.

After looking at the images in South Shields Library for a number of weeks I was curious who he was and what he looked like.

I had only seen his shadow in some pictures that he had taken – the outline of his cloak hunched over a tripod and camera.

Then one day while researching through old newspapers I came across a story about him and there he was, looking straight at me, a camera in hand covering half his face – he had a look of the artist Salvadore Dali.

On his death at the age of 82, local newspaper The Shields Gazette reported…

‘Mr Jimmy Cleet, a photographer for 68 years has died at his home in Wardle Avenue, South Shields. From the day he moved into the world of cameras as a 13 year old plate boy photography was his bread and butter, his hobby and his greatest interest in life. 

He never cared much for flashlights, which he thought ruined details in portraits, and until he retired last year, he still used a camera which he had bought 30 years previously in preference to a modern one. But if his equipment was a little old his finished photographs were never below the standard of excellent’.

They were and had an instantly recognizable look among all other photographers I researched. The Gazette added… ‘James Henry Cleet, the first South Shields man to be elected a Fellow of the Royal Photographic Society (1933), served a seven-year apprenticeship in commercial photography and studied art at the old South Shields High School. As a young man he went to Fleet Street and worked as press photographer for The Daily Mirror and soon established a lasting reputation that he would get pictures whatever the difficulties.

On one of his first assignments, he was given 20 minutes to produce a picture of Lady Londonderry as she left Charing Cross Station. No one could get near her, but he solved this problem by carrying some of her luggage to the train’.

When researching his family history, I found that in the late 1800’s James’ Grandfather was a Master Mariner, the family owned several ships, and they lived in Heugh Street on the banks of the Tyne.

But unfortunately, a downturn in business led to his father becoming a shipwright and the family moved to Bath Street.

On the 26th December 1908 James married Eva Aspery, they had a son James, but sadly he died at 4-year-old. An event that would have had a deep effect on the couple.

The newspaper report carried on his story…

Later he concentrated on his love of old marine photography and went to sea in all weathers to get his pictures. He had a deep affection for the Tyne, tug boatmen were always ready to help him.

A small man wearing a bowler hat, he was a familiar figure in every Tyneside shipyard. When he took pictures at a launch he would photograph the ship then the launching party, then with a magnificent sweep of his bowler hat and a deep bow he would signify he had finished’.

For one month a year from 1930-38 James recorded what was called the ‘slums’ of South Shields, mainly around the Holborn and riverside area of the town.

The photographs were commissioned by South Shields Public Health Department and displayed in a book published by Side Photographic Gallery in 1979. This features in a previous blog (24th December 2019).

Sadly, James Cleet died on 2nd June 1959, the Gazette article ended by saying…

His photographs of South Shields form a remarkable record of the town, and like many photographers he objected to having pictures taken of himself’.

Source: The Shields Gazette, Census records, Wards Directories.

Gary Alikivi  January 2020.

AMY FLAGG: HOLBORN & THE MILL DAM VALLEY

Following on from a previous post featuring Historian & Photographer Amy C. Flagg and her book ‘The History of Shipbuilding’, further information has come from South Tyneside Libraries….

‘The book was printed in 1979 about the same time when Hodgson and the Boswell Whitaker trilogy of books were printed. A figure of 200 copies each of these books were printed’. (G.B. Hodgson – The Borough of South Shields and Boswell Whitaker –The Preservation of Life from Shipwreck Volumes 1-3).

A tributary of the Tyne called the River Branin cut into South Shields over 200 years ago and created the Mill Dam Valley. An Ordnance Survey map of 1895 has the valley clearly marked. Before that time, it possibly would have extended in an easterly direction towards the North Sea making the Lawe an island.

In his book ‘The Borough of South Shields’ Hodgson states that…

in 1748 the churchyard to the south of St Hilda’s was described as sloping down to the edge of the Mill Dam Creek or the river Branin, a fine sheet of water, up which the tide flowed as far as the modern St Catherine Street. The creek when filled with water at high tide formed a picturesque lake.

Miss Flagg describes the Mill Dam Valley in her Shipbuilding book….

’When the Chemical Works occupied most of the space near the Mill Dam Valley, then a large sheet of water at high tide, the shipbuilders were all clustered together nearer the sea because the ‘Narrows’ – the throat of the river, which led to the Harbour was shoaly and difficult to navigate’.

She talks about walking along the riverside…

‘Leaving Low Street, crossing the Market Place and over the Mill Dam bridge to the ‘High End’. Holborn, the main street, was of a much later date than the old, almost medieval Sheeles’. (I’ve come across a few different spellings of the town – Shiels, Schiels and todays Shields).

Further reading reveals…‘Filling in of the millpond or valley by Newcastle Corporation in 1816’. I think Miss Flagg was referring to the River Branin as she added ‘After the valley was filled in, the remains of the creek were used for a mooring place – it is given as Mill Dam Dock on one map. After an unsavoury history it was filled in and only a very small ‘gut’ of the river remained’.

What was the ‘unsavoury history’ ? The book reveals more about the industrial map of ‘Sheeles’.

Miss Flagg includes a section about The Holborn Landing and two shipbuilders, William Wright and John Clay. Her research found William Wright had five sons, all of whom were Master Mariners.

She adds that one son, William, left the sea and was manager for many years at both High Docks and West Docks.

Another son, Leonard, married a baker’s daughter and founded the well-known Wright’s Biscuit Factory, the bakery being somewhere near Holborn Landing.

A document stated that ‘During the Franco-Prussian war the biscuit firm worked day and night for over twelve months making 48 tons of biscuits from 400 sacks of flour every week for the French government’.

Her research on John Clay revealed in 1847 he constructed the first iron ships built in South Shields on premises where Wrights Bakery originally stood.

Clay was labelled ‘King of Shields’ as he was listed as having his finger in many pies: the son of a grocer in Nile Street, a brewer, farmer, publican and banker who ‘went down with the bank’ in 1857. Although doubt was cast on his career as a shipbuilder, Amy concludes ‘the whole question is a mystery and must be left at that’.

There are copies of ‘The History of Shipbuilding by Amy C. Flagg’ available to read in the Local and Family History section at The Word, South Shields.

Gary Alikivi   December 2019.

JARROVIANS – Vince Rae’s photographic record of Jarrow in 1978.

For 30 years Vince Rae ran the Bede Gallery in Jarrow which featured paintings, sculpture and photographs reflecting the town’s history. Included was material relating to the 1936 Jarrow March and the execution of William Jobling, the last man to be gibbeted in the North.

I knew of Vince Rae’s work as I’d read a couple of books that he had published about old Jarrow and came across his photography through the 1990’s. But first talked to him around 2001 when I was running a Community Video Project in South Shields.

He was organising an exhibition about the Jarrow Crusade and was looking for a video projector. We didn’t have one, but I went along to the Viking shopping centre in Jarrow to see the exhibition.

Then in 2008 I called him up explaining that I was making a documentary in Jarrow called Little Ireland. The film was going to look at the Irish immigration into Jarrow and could I use some of his photographs.

He agreed straight away ‘Yeah no bother son just send me a copy when it’s done’.

If we go back to around 2002 I was filming in Jarrow and in a newsagents, I saw a book called ‘Jarrovians’. Inside were some amazing black & white documentary photographs of people and places around Jarrow, all taken by Vince during 1978. I handed my tenner over.

Packed with images of drinkers and barmaids from pubs like the Royal Oak, Prince of Wales, Tunnel Tavern and the Viking Bar. There are gadgies suppin’ pints and playing domino’s, kids on the streets setting up bonfires, homeless men in Simpsons Hostal, women’s darts team in The Western pub. Dogs, horses and Joblings gibbet – all life is here in its working-class glory.

With few exceptions, the overall feel of the collection of photographs is people simply enjoying themselves, being out of the house and among friends sharing their time together.

Most people are happy to get their photograph taken but looking at some of the images Vince might not have asked first.

The Jarrovians was first published in 2001 by Vince and Willa Rae at The Bede Gallery, Jarrow.

Gary Alikivi   December 2019.

HISTORY LIVES – Amy C. Flagg: South Shields Historian & Photographer 1893 – 1965.

Currently in South Shields Museum there is a small exhibition featuring houses and residents of Westoe Village. One of the residents was local historian and photographer, Amy C. Flagg.

Amy was born in Chapel House, on the site of a former medieval chapel, the house dates back to 1808.

In previous blogs (July 19th 2018 & July 11th 2019) I’ve looked at her life and included a link to a 16min film I made about her local history and photographic work, an important historical archive for the town.

Amy documented the air raid damage on Shields during the Second World War and printed the photographs in her darkroom in the attic of Chapel House. These photographs and detailed records were just one part of the important historical archive that she left.

Another part of her legacy was a book printed in 1979 by South Tyneside Council Library Service which featured her detailed notes on The History of Shipbuilding in South Shields 1746-1946.

The book includes a comprehensive list of ships, shipyard owners and important people of the town like Fairles, Temple, Wallis and the Readheads.

Amy put together a section about the shipbuilder John Readhead and Sons…

In 1894 at his home, Southgarth in Westoe Village, he had been in failing health for some time but had visited the West Docks almost daily until the last few weeks’.

During the Second World War she noted… ‘The West Docks may not have suffered as many attacks from the air as some parts of the town but there is no doubt that in terms of material damage, they were hard hit in April 1941 when major fires were started by incendiaries, and several bombs fell in Readheads yard’.

Further research by Amy revealed that …’A ‘Satan’, one of the largest bombs dropped in England to date, fell on Newton & Nicholsons premises near the West Docks but failed to explode: many other bombs of sizeable calibre also fell in the river nearby’.

Her notes revealed what she called a ‘family’ feeling in the Readheads shipbuilding firm…

’Not only between directors and employees, but department with department, staff with staff. Generation after generation has been proud and anxious to ‘get in’ sons or nephews to the various trades’.

Amy realised the importance that Readheads played to South Shields especially during both world wars and recessions.

The book includes sections on place names like Pilot Street, Mill Dam, West Holborn and Coble Landing. At the bottom of The Lawe next to the River Tyne was Shadwell Street and Pilot Street which feature in the opening section of the book…

’It is very fitting that these two streets should be the first section in these notes: the eastern extremity of the old township of South Shields was the birthplace and for long the nursery of shipbuilding in our town’.

Copies occasionally appear on EBay, and the book is available for reference only in the Local History section at The Word, South Shields. Check for details.

Gary Alikivi   December 2019.

 

EYES WIDE OPEN – in conversation with photographer Rik Walton

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The only time I had a press pass was when David Bowie was on and only six were given out. When Paul McCartney came to the hall, I was a big fan, I phoned up his press agent and he was great, ‘See you at the stage door 7.30pm’ he said.

But anxiously I turned up two hours early and his press agent was really nice and let me in. I spent the next hour and a half in the dressing room with Paul and Linda McCartney, Henry McCulloch and Denny Laine.

I used up all my film in the dressing room. Looking back, I made very little money photographing bands at Newcastle City Hall, but I did get in for free (laughs).

How did you get interested in music ?

I saw Bob Dylan in 1965 in the City Hall when they filmed Don’t Look Now and a year later at Newcastle Odeon on his electric tour.

A friend of mine’s father was manager of the Odeon. One day he said we have this actor coming over from USA promoting his second film and I don’t know what to do with him, can you take him to a pub.

So, we did and we took Clint Eastwood to The Lord Crewe in Blanchland. He was a lovely man and was quite worried about the level of violence in the two movies – A Fistful of Dollars and A Few Dollars More.

You were involved in the earliest photo sessions with the Tygers of Pan Tang, how did that come about ?

I was involved in a show called Bedrock at Radio Newcastle. Back then the radio shut down at 10pm so Dick Godfrey, local journalist, got a remit to play local bands and interviews. It would go on for hours.

The team was Arthur Brown, Ian Penman, myself and Tom Noble who was manager of Tygers of Pan Tang. We took some of the earliest photograph’s of the band at Whitley Bay.

I went to Reading rock festival with them, I was their driver and we stayed in the Mount Pleasant Hotel or as it become known the Unpleasant.

Did you get on well with the bands or did any of them give you any grief ?

I photographed bands over a long time, and never became really friendly, I wanted to be the fly on the wall. To become too friendly made my job more difficult in a way.

I started two magazines and done a lot of interviews backstage at Newcastle City Hall with some ‘famous’ people and early on I realised you don’t gush or pretend to be their best mate.

Looking back Captain Beefheart was a really interesting guy and a good interview and to my surprise when I next met him he picked up the conversation from before, that was very interesting.

I was asked to photograph the Newcastle Jazz festival then started working for Folkworks so the music really changed for me – rock to jazz to folk.

I got to know Sting through photographing the big band in the early 70’s. I lived in Jesmond and across the road lived Andy Hudson, conductor of the Newcastle Jazz Big Band. I photographed them in The Guildhall during the first Newcastle Jazz Festival.

They used the photo for the cover of their album. I then went onto photograph Stings band, Last Exit and of course The Police.

Motorhead were playing in Newcastle, can’t remember where, but I was going to take some photographs of the soundcheck and I walked into the place and Lemmy was having a meltdown on the stage, a real strop about something. I wasn’t sure what it was about but I got out there quickly.

The first time I cried at a rock concert was when I heard Peter Gabriel sing ‘Biko’ for the first time. A couple of years later I went along with journalist Phil Sutcliffe on a Gabriel tour for a few days doing an in-depth story about him for Sounds.

I remember playing croquet with Peter at 1am outside our hotel, being a public schoolboy, he carried a croquet set around with him on tour.

He was a very nice guy I found him very shy compared to his on-stage persona. I did get to know him but always keeping a slight distance.

How did you get access to take photographs front row in Newcastle City Hall ?

One of the first bands I took photos of was Downtown Faction who were playing in the Polytechnic. Then a few year later I fell in with a guy called Joe Robertson. Joe was an entrepreneur with an office in Handyside Arcade.

He opened bars in Newcastle and was very much the man ‘in the know’. He’d seen my photos and one day said ‘I’m going to go into pirate pop posters I will give you £10 for each picture I use and here’s a ticket for the Rolling Stones in 1972’.

So, I went on the night but my seat was right at the back so I went to the front and asked the stewards if I could take pictures there and they said fine.

So, for the next 12 years I never paid to get into the City Hall and most times got in by the stage door as the stewards got to know me. When a punk band was on they even made a cordon around me to stop me getting pogoed to death.

You worked on some great early photographs of North East bands. Can you remember the sessions with Venom, Raven, Angelic Upstarts or Penetration ?

Yes, the Venom session was arranged through Dave Wood at Neat records. We went around the back of Neat where there was some wasteland. One of them had white make up and was putting it on as it started to rain so it was just dripping down his face. We hid under a bush until it stopped.

The Upstarts were doing a gig in Tynemouth and Phil Sutcliffe from Sounds was doing an interview with the band. Their manager, who had a fearsome reputation, came up to me and said very calmly ‘Rik, I like you, and I want you to know that if you have any problems me and the lads will sort it out’. I felt that he’d be true to his word.

I photographed Raven just around the corner from here – we’re in Newcastle City Library – at Spectro Arts. That is where they rehearsed, I think, I can’t remember taking any live shots of them.

Again, like a lot of the bands they were nice lads and through Neat records I would get passed from one band to another but always retaining a distance to let them get on and do what they do.

For my entire professional life, I’ve been zooming in on things and sometimes you can take away the atmosphere, you might get a great shot of someone in action but miss some surroundings.

I got a great shot of Pauline Murray and Penetration, on stage kneeling down surrounded by some punk lads, great shot. Bizarrely before I moved to Canada two years ago one of the last things I did was to photograph Penetration for the first time in 37 years.

What got you started in photography ?

After I left school I worked on a building site as a plumber, I really wanted to be an airline pilot but for various reasons that never worked out either.

My grandfather and father were interested in photography and when my father died, I was only 13, one of the things he left me was a camera. I started taking photos and my then girlfriend’s father was a chemist, so I got free developing and printing.

She also knew of a Visual Communications course at Sunderland College of Art, so I went on that. From that experience I learnt the language needed for design, typography and photography.

At this time I worked alongside another photographer, Ian Dixon, on the Newcastle Festival in 1972. That’s pretty much how it started and then I got a job as photography technician at the polytechnic where I stayed until 1988. Teaching came into it at the college after then and I really enjoyed it.

I worked as photographer at The Newcastle University Theatre, now called Northern Stage, for 15 years photographing the dress rehearsals and getting the prints on the wall for opening night.

I realised then that my job was to be in front of the stage recording what was happening. The only person who ruined that was Bob Geldof.

I was photographing The Boomtown Rats in the City Hall and you might remember they done a song called Photograph where they grab someone from the audience and pull them onstage – guess who they grabbed!

I was hauled up on stage where I froze. That’s when I realised my place is down there and they do their stuff up here.

Were there any photograph sessions that turned into a nightmare ?

No because with music photography there was never any pressure on me, I got in free at the City hall and I enjoyed doing it. Nothing unpleasant from the bands in fact it was The Beach Boys who taught me to frisbee in the Newcastle City Hall.

I was there to interview Mike Love for Out Now, a magazine I helped to start. But to my questions I only got five yes’s and two no’s because the questions were too long and basically contained the answer.

Has photography given you anything unexpected ?

I was in the West Bank in Palestine three years ago teaching photography in a refugee camp. Freedom Theatre company runs video, photography and theatre courses, it’s to take people away from the things that are happening around them, and to give them useable skills.

The founder was a lovely man, he was a half Arab half Jewish guy that wanted to give people an alternative to what was happening around them. Sadly, he was murdered outside the theatre.

Everyday going to work I had to walk across the ground where he was killed. That gives you a profound sense of where you are and who you are. I learnt an enormous amount when I was there and it was an amazing experience, would love to go back.

You know Gary there was no plan, it’s just been a series of bumping into things and one thing leading to another. You can hit a groove you know.

I started taking photographs of musicians because I loved music. I didn’t go in thinking I would have a career as a photographer.

For further information contact the official website:    http://www.rikwalton.com

Interview by Gary Alikivi   October 2019.

WESTOE ROSE – The story of Amy Flagg, South Shields Historian & Photographer 1893-1965

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Research and script I wrote for the 2016 documentary ‘Westoe Rose’.

Amy Flagg is fondly remembered as the lady in a hat and trench coat, who quietly went about photographing buildings and recording the history of a town she loved. But who was Amy ?

This is a story of courage and determination of a very unique woman who captured some of the most devastating images of South Shields in the 20th century.

At the end of the nineteenth century the North East was the industrial heartland of the UK. Collieries, Shipyards and Steelworks covered the landscape. Small villages dotted around the area offered their residents some clear breathing space away from the hazy smog of the town.

Westoe Village in South Shields was home to many notable people of the town. The shipbuilding family the Readheads, Robert Ingham MP, and in Chapel House was the Flagg family. In this grand 20 roomed house was Ambrose, his wife Annie and their only child Amy who was born on 30th of September 1893.

Amy’s father originally came from South London, and was educated at Cambridge University. In 1889 he married Annie Broughton of Westoe and was appointed Headmaster of the Marine School in the town.

He was also member of the Ancient Vestry of St Hilda’s where he rubbed shoulders with influential people. He arranged for Amy’s private education.

The young Amy had a brief romance with a neighbour in the Village but sadly like many men from the town he went to fight in the First World War and never returned, throughout the rest of her life she never married.

There is no record of her being employed so what did she do with her education ? This was a time when women had just fought for the vote, was she involved in the Suffragette movement ? Reports describe Amy as a shy, quiet and gentle woman willing to help others.

There is accounts of her spending hours in the garden of Chapel House and having an active role volunteering in the local hospital and library. Whether helping someone find information about the town or reading to a patient in hospital, was Amy now becoming aware of her surroundings and her purpose in life ?

By 1930 she was a member of the local photographic society. At a time when only a few female photographers worked in the UK, a woman behind the camera was very unique.

This is the time when Amy blossomed and began to see the world around her in a different light. She was fascinated by the changing landscape of the town and photographed the housing clearances along the riverside.

But the camera techniques that she had been using were brought into sharp focus in a period that would be Amy’s defining moment in her creative life. She captured the town’s suffering through one of it’s most traumatic episodes: the Second World War.

When the bombs dropped, she captured the scars with her camera.

Amy’s father had died in 1936 and her mother died during the war, plus the town she loved was falling apart from the German air raids. Her life was crumbling around her. These were her darkest days.  

But Amy was determined that these events would not destroy her, having a purpose and remaining active helped strengthen her. She gained recognition for her work and became the town’s official photographer during the war.

After receiving permission from the Ministry of Information and the Chief Press Censor, Amy produced a series of booklets of the Air Raid Damage.

An intelligent, determined and very courageous woman, at nearly 50 years old, she was climbing into demolished houses and onto bomb sites to capture the photographs.

To accompany the photographs, she documented as much information as possible about the areas and streets which were hit by bombs. She also recorded in great detail the time of the air raids and if there were any casualties or deaths.

‘On January 11th 1940 shortly after 10.00 hours South Shields felt the first impact of warfare by the Luftwaffe. The Air Ministry announced: Enemy air craft crossed the coast near Newcastle today. No bombs were dropped. Fighter patrols were sent up and Anti-aircraft guns opened fire’.

The pictures are haunting and as time passes they take on a new meaning for a wider audience. It is as if she was aware of the effect and importance they would have in years to come.

In her dark room she printed every photograph herself of the devastation caused by air raids on the town. With the traumatic events revolving around her, Amy would go to the darkroom where she could feel warmth and security in her own home as images she had taken that day were revealed by the mix of the chemicals.

She would watch the magic happen in front of her eyes.

Even the Flagg family home didn’t escape from the German bombs.

‘At zero 45 hours on the 16th April four bombs fell in the grounds of residential property in Westoe. The first on the edge of a field at Seacroft failed to explode and was dealt with by the bomb disposal unit at a later date. The second and third fell in the gardens of Fairfield and Eastgarth respectively.

The last one on the lawn ten yards from Chapel House. No casualties were reported but considerable damage was done to a large number of houses in the neighbourhood, including over forty roofs of houses in Horsley Hill road which were penetrated by lumps of clay thrown up by the explosions’.

These incredible photographs are considered to be her most valued and precious legacy. In her very extensive diary notes of October 2nd 1941

‘At daylight on Friday morning the Market Place looked like the ruins of Ypres; nothing could be seen but broken buildings; the square was littered with debris and a tangle of fire hose; all the remaining windows in St Hilda’s Church were shattered, the roof dislodged and the old stone walls pitted and scarred with shrapnel.

The Old Town Hall suffered heavy interior harm and none of the business premises were left intact. All the overhead wires were down and it was not until the afternoon of October 9th that buses were able to pass along King Street’.

Experiencing the two world wars, a changing landscape to her town, and both parents recently deceased, creatively and emotionally events of this magnitude would have tested the resilience of most people.

But she picked herself up and threw herself into a frenzied period of her life.

Recording information from parish records, researching family tree’s from notable people in the town, collecting various reports and photographs from the local paper that she would then cut out and paste in scrap books.

She was continually surprising librarians by asking to see little known documents, and then by hand she would record facts then type them up at home.

Amy was tireless in her thirst for knowledge about the town she loved, and with a lot of buildings disappearing during the war she thought it important to record as much information as she could.

Sadly this lead her to the last piece of work which was published by South Tyneside Library Service in 1979. It took Amy eight painstaking years of research to produce the book ‘Notes on the History of Shipbuilding in South Shields 1746-1946’.

‘Shadwell Street and Pilot Street. It is very fitting that these two streets should be the first section in these notes; the eastern extremity of the old township of South Shields was the birthplace and for long the nursery of shipbuilding in our town.

John Readheads story is that of an extremely successful industrialist in South Shields, from being a practical blacksmith, he built up one of the most prosperous shipbuilding firms on Tyneside. He made his way from wood and iron tugboats to large steamers for every part of the world.

John Readhead died on the 9th March 1894 at his home Southgarth, in Westoe Village; he had been in failing health for some time but had visited the West Docks almost daily until the last few weeks’.

Amy also noted the huge effort by Readheads during the First World War. Amongst the constant procession of merchant vessels which needed repairing after being torpedoed or mined, they supplied 20 cargo vessels, 3 armoured patrol boats and one vessel which was converted into an oil tanker for the Admiralty.

Amy noted in the book that nothing better illustrates the importance of Readheads than the genuine rejoicing when local newspaper the Shields Gazette announces in large headlines ‘ANOTHER ORDER FOR READHEADS’.

In her later years it was reported that Amy put as much work into her garden as she did of her house. She spent countless hours planting unusual flowers and plants.

Family, friends and neighbours were constant visitors to it, and she delighted in showing them the statues and conservatories. Even turning the crater caused by a world war two bomb into an ornamental garden.

Amy lived in Chapel House until 1962 when she gave the house and grounds to South Shields Corporation to enable the expansion of the Marine College. This was a heart breaking decision as she lived there most of her life.

‘I have not the slightest idea about the value of the house, but I shall not leave yet. I intend to spend one more summer here’.

But it was something that would of pleased her father as he devoted his life to education in the town. The Marine and Technical College being the successor to the Marine School where he worked for most of his life.

Amy stayed in the village for another three years until her death from stomach cancer on the 22nd February 1965. Her body was cremated and the ashes buried in the family grave in Harton Cemetery.

Amy requested a quiet affair but her popularity meant her funeral was attended by over 200 people including the Mayor of South Shields, her close friend and Librarian Miss Rosemary Farrell and a contingent of medical staff and nurses from the Ingham Infirmary.

In a last generous gesture Amy left a substantial amount of money in her will to Ingham hospital. A small remembrance in the town is Flagg Court, and the local photographic society where she was a member hold a yearly competition where the winner receives the Flagg Cup.

Amy’s extensive papers, research and photographs were all placed with the local library and are still held there to this day. Amy Flagg will be remembered as one of the town’s most important photographers and local historians.

To watch the 12min film check the You Tube channel at https://www.youtube.com/watch?v=gB1a3Y-yFhM

 Gary Alikivi  2019.

WESTOE ROSE – making the documentary about South Shields Historian & Photographer Amy Flagg

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Amy Flagg is fondly remembered as the lady in a hat and trench coat, who quietly went about photographing buildings and recording history of the town she loved. But who was Amy ?

By the Second World War both her parents had died, plus the town she loved was falling apart from the German air raids. Her life was crumbling around her. When the bombs dropped, she captured the scars with her camera.

This is a story of courage and determination of a very unique woman who captured some of the most devastating images of South Shields in the 20th century.

Just some of the script from my documentary about South Shields photographer and local historian Amy Flagg. I came across her photo’s a few years ago when I was part of a group who volunteered to digitize the photographic collection held in South Tyneside Library.

They were excellent photographs especially her record of the Second World War bomb damage in South Shields. A brave woman.

In my research I found that Amy had a darkroom so was able to print her own photograph’s. I know the magic that can happen there as I had my own set up during the early ’90s. My darkroom was in a cupboard under the stairs where I’d print the black and white images.

Before I had the home set up, I went on a short course in photography and darkroom techniques at a local community centre. If I was investing time and money, I wanted to know my way around a darkroom first.

I’d go out with a roll of film and shoot some photo’s, develop them into a roll of negatives then put them into the enlarger and exposed the photographic paper to the light shining through the negative. Then put the paper through the tray of chemicals.

The image started to come through – it was like magic. I knew I had to do more of this, and I did.

In June 2016 the time was right to make a short documentary about the life of Amy Flagg. Using archive information, Amys local history diary entries (pic above) and photographs from South Shields Library I put a script together.

North East playwrite Tom Kelly provided the narration, local journalist and writer, Janis Blower, added the voice of Amy. We  recorded the voice overs at The Customs Space studio in South Shields.

As with many documentaries I’ve made, North East musician John Clavering captured the mood with some great music.

On March 8th, 2017 ‘Westoe Rose’ was screened at The Word in South Shields on International Woman’s Day.

Watch the documentary ‘Westoe Rose’ and to check out some of my other films go to You Tube and subscribe to my channel.

Gary Alikivi    June 2018.