THE RISE & FALL OF BOBBY THOMPSON

When it’s finally time to leave the stage all entertainers would love to go out at the top and Sunderland born comedian Bobby Thompson was no exception.

At his peak performing in North East clubs, punters were packed in like sardines and in 1985 Bobby was interviewed on BBC TV’s Wogan Show.

But is there a reminder of his achievements anywhere in the North East, and what happened to Bobby? There is a story that he had a statue given to him by The Little Waster pub in Wallsend after it closed down.

One night Bobby was broken into, cash, jewellery, and gold records were bagged, but after opening a cupboard and seeing his statue the burglars fled empty handed after realising who the house belonged to.

The life of Bobby, aka The Little Waster, features in A Private Audience by Dave Nicolson. The book is packed with interviews from fellow performers, managers and family members, with a foreword by comedian Ken Dodd…

‘To have an audience in uproar, to help them forget their everyday problems and worries, if only for an evening, is an experience to treasure’.

Former manager Brian Shelley remembers…

At the height of popularity his fee in the clubs was between £300-£500 a night. He did theatres for £1,000 for an eighteen minute slot. He was riding the crest of a wave. Bobby had it all going for him in 1978 with his record out’.

Some people interviewed on this site have mentioned seeing Bobby’s act or working with him. Back in October 2019, David Wood, boss of Wallsend’s Impulse studio, told me a story with a surprising ending.

I knew his manager Brian Shelley, he said Bobby is doing really well around the clubs do you fancy recording him ? I thought yeah we’ll give it a go.

We recorded him in Rhyope Club and Newcastle Mayfair around 1978. It was around an hours recording we put out and got Vaux breweries to sponsor it. Ironically Bobby didn’t drink then and there he was on a promo poster with a pint of beer.

Soon as we put the record out it took off, straight to number one in the local charts. Every shop was selling bucket loads, they couldn’t get enough off it. It was phenomenal.

With the profit from Bobby’s album the studio came on in leaps and bounds. We started the Neat heavy metal record label as an alternative to what we were doing.

We released a couple of singles then the Tygers of Pan Tang, Raven and Fist came along and suddenly we’ve got what became a New Wave of British Heavy Metal. Venom added to that and before we knew it we’ve built up a library of heavy metal singles. So yeah we’ve got to thank Bobby for Neat records.

Actor & musician Pete Peverly

In September 2019 I talked to actor and musician Pete Peverly who performs as Bobby in a tribute show. If he had a posh accent would he have appeared a lot more on TV and topped the bill on UK tours ?

His accent wasn‘t just Geordie it was Pitmatic, that’s very strong, and yes it was a barrier but one of the reasons why he didn’t make it outside the region was because I think he didn’t want to, he had everything up here.

He might have had more ambition in the early part of his career when he was doing Wot Cheor Geordie for the BBC. Maybe he thought about pushing it further but certainly not during the ‘70s.

All the other regional comics and entertainers who made it nationally were all-rounders, actors, comedians, song and dance men, Bobby wasn’t. He was a pit comedian from the Durham coalfields talking specifically to that community.

Actor, writer & theatre producer Leah Bell

One performer who worked with Bobby was actor, writer and theatre producer Leah Bell. I talked to Leah back in July 2021 and asked her what was he like to work with?

I worked with Bobby Thompson a lot, he was a nice man. His act was of its time, the poverty, the war – very funny.

We done a panto in Newcastle Theatre Royal with David Jason (Only Fools and Horses). David didn’t know Bobby Thompson at all, Bobby never rehearsed with us, there was no interaction.

So Bobby done his cabaret piece at the start of act two, and afterwards backstage would shuffle around saying hello to people.

David used to say to me ‘What a shame for that old fella, fancy having to work at his age, I’ve just given him some money for a cup of tea’. I said ‘What ! He gets dropped off in a limousine (laughs)’. 

One night David said ‘He’s never in the finale, it’s nice of the theatre to let him go early, he must be tired’. Really, Bobby was doubling up and playing the late spot at Newcastle Mayfair.

Bobby had great delivery, clear, distinctive and not draggy. It can sound like he’s just talking along but it’s not, it’s very precise. He was a one off.

Comedian, Bobby Pattinson

Another North East comedian, Bobby Pattinson, is interviewed in the book.

‘Over the years I gave him bookings at my club. I never saw him as a rival, but regarded him as a friend even though people told me he didn’t have a good word for me’.

‘Most North East comics were content to go on stage in any order, Bobby always wanted to be last, he interpreted that as top of the bill. But he wasn’t as successful as I hoped when I booked him in December 1981 and had to cancel sixteen shows’.

In his detailed introduction, author Dave Nicolson tells us…

‘Bobby had success and money through the golden years, but he also had loneliness. The last few years were embarrassing for him, empty tables and chairs told him the harsh truth. Even the examiner at his bankruptcy hearing in 1986 was kind and considerate’.

‘Having lost the company of an audience his feeling of loneliness and isolation intensified. Spending late nights at Newcastle’s Casino Royale and the roulette wheel provided his nightly stage’.

Sadly, Bobby died on Saturday 16th April 1988 in Preston Hospital, North Shields. Family and friends attended his funeral with a fellow comedian adding a one liner that summed up Bobby Thompson…

’He’s late because he’s found out there’s another funeral after this and he wants to go on last!’

Alikivi   May 2023

Research: Bobby Thompson, A Private Audience by Dave Nicholson.

Printed & published by TUPS books 1994.

Links to full interviews:

‘Take a Bow’ with Leah Bell 21st July 2021.

TAKE A BOW – writer, actress & theatre producer, Leah Bell | ALIKIVI : NORTH EAST UK (garyalikivi.com)

‘Centre Stage’ with Pete Peverly 16th September 2019.

CENTRE STAGE in conversation with North East entertainer Pete Peverly | ALIKIVI : NORTH EAST UK (garyalikivi.com)

‘The Fixer’ with David Wood 13th October 2019.

THE GREAT NORTH EAST METAL RAID – Satan, Raven, Tygers of Pan Tang & Mythra

Don’t know if you’ve noticed but lately Tyneside’s metal bands are warming up ready to hoy the whole kit and caboodle into the pot, taking everything with them and leaving nowt and no one behind. Are you ready for the Great North East Metal Raid?

They first plugged in around the 1970s and never in a million years did they think they would still be dancing with the devil 50 years later. So a quick update on where they are now and what they are doing is in order.

Firing off instant messages and communicating directly to followers on social media is used to full effect by the Tyneside Metal Raiders with a message from Raven loud and clear…‘The album has to be all killer no filler, no messin’ around with 19 minute epics, its smash yer face in with an ice pick. The title sums up everything we do. We wanted to tear it up, which is what Raven are all about’.

The forthcoming album from the Godfathers of Thrash, ‘All Hell’s Breaking Loose’ is released on 30th June 2023. Contact for sales, tours, photos & info: Raven | Official Raven Lunatics Website

After releasing three singles ‘Back for Good, Fire on the Horizon’ and the epic, ‘Edge of the World’, Tygers of Pan Tang officially release their ten track album ‘Bloodlines’ on 5th May 2023.

‘A week after its release we’ll be celebrating Bloodlines at the Nordic Noise Festival on 12th May in Copenhagen with our record company who are of course, based in … Copenhagen. They have promised us that the drinks are on them’.

Contact for sales, tours, photos & info: Tygers Of Pan Tang – The Official Site

After six albums and countless UK & European tours, battle hardened Satan reached out to the United States again this year.

‘After kicking off the Hell’s Decibels tour at the legendary Whiskey a Go-Go on the Sunset Strip in April, Satan had a blast touring the USA with Night Demon and Haunt. You guys were a pleasure to work with, brothers forever and a piece of my heart will be with you until the end of time’.

Satan frontman, Brian Ross

Contact for sales, tours, photos & info:

Mythra are one of the original New Wave of British Heavy Metal bands. They recorded their legendary ‘Death & Destiny EP’ in 1979.

‘The new album ‘Temples of Madness’ is out now and has been available in Brazil and USA for a week or so. We’ve started to sell them through our on line shop and business is pretty brisk’.

Contact for sales, tours, photos & info: Home | Mythra (bigcartel.com)

Alikivi  April 2023.

FAMILY & FRIENDS – in conversation with former Southbound songwriter & guitarist George Lamb

Southbound were active around the North East in the 1970s. The Sunderland band were regulars on the workingman’s club circuit, supported New Wave of British Heavy Metal bands Raven and Tygers of Pan Tang at Newcastle Mayfair, and had a residency at the Gosforth Hotel in Newcastle.

Southbound have already featured on this site, interviews with Mick Kelly and the late Alan Burke have proved to be popular. To discover more of the Southbound story and find out what he is up to now, I met up with George at The Littlehaven Hotel in South Shields.

Growing up it was a very musical house. Although I knew that my Dad’s voice was classically trained, I never found out till late that he went to lessons for ten years. My mother used to sing and my brothers and sisters were also into music. We had a guitar and piano in the house, I took a few piano lessons and changed to guitar when I was 11 year old.

I served my time as a sheet metal worker in Jarrow and worked for another year, but it was too much with the amount of work Southbound were getting on the North East circuit.

Southbound had three sets, one all original material, then another playing Eagles, America West Coast stuff, and then more poppy stuff to get paid in the clubs. We were out regularly every week, in fact a few times we played nine gigs in one week!

The Ivan Birchall agency had us in the clubs till 10.30pm, get your gear off stage then double up and go do a night club, then a Sunday afternoon gig.

But our stomping ground was The Gosforth Hotel where we took over the residency from Sting’s band, Last Exit. Sting went to London and joined The Police, we were fortunate to get the residency.

He came to one of our shows around the Roxanne days, he had the dyed hair, the leather jacket, he’d be stood at the bar and we had a few words with him – nice fella. Playing the Hotel was good for us, it would get packed, the queue to get in would sometimes be out onto the street.

There were a few line ups of Southbound but when we were becoming popular there was myself and Alan Burke on guitars and we wrote the songs. Mick Kelly on drums, bassist was Dave Giles and Mal Troughton used to sing with the band. There is a photo of us standing against a van, this was taken around 1975 or 76.

I’m racking my brains here but Mick Kelly was great for all the names and dates, a real memory man for the venues we played. (Interview with Mick on this site – All Right Now 13th March 2019)

When punk came in 1976 the record companies saw us as old hat, they all wanted punk bands. But we still packed venues out and had a good following.

We played Newcastle Mayfair with Tygers of Pan Tang, we played with Raven and headlined there in our own right. Obviously, played the Sunderland Mecca a few times, some good gigs at Newcastle Guildhall and the Bedrock festival.

Bob Smeaton, who is a very successful film maker now and a great lad, used to be singer in Newcastle band White Heat and when they weren’t gigging he often used to jump in the van with us and help out with the gear.

Tom Noble, who manages Tygers of Pan Tang now, used to work on the Bedrock BBC North East radio programme during the 70s and 80s, he worked alongside Graeme Thomson. They managed a band I was in with Phil Caffrey called The Lions Share and then Caffrey. We got a publishing deal on the back of that band.

Graeme’s brother Steve, was engineer at Impulse Studio in those days and he recorded four songs on a Southbound demo. Actually, he released them on Cherry Red label not long ago. We also recorded at Linx studio in Newcastle.

In hindsight if we had more of our heads screwed on and business focused it might have been different, but we were just having a good time spending most of our money on brown ale and curries after gigs in the restaurants on Ocean Road in South Shields.

George and his musical brother Alan Burke at Newcastle Mayfair.

Looking back to those times we just took it in our stride and loved being with our mate’s playing music. You know Southbound never really fell out, we might have had an argument here or there but no, we were all good mates having a lad’s night out and getting paid for it.

After Southbound I teamed up with Phil Caffrey in a song writing partnership, we had a publishing deal with Axis music which was a subsidiary of EMI. We used to write songs and go down to London and record them. We were signed and managed by a guy called Nigel Thomas.

Nigel also managed the Heavy Metal band Saxon, Joe Cocker and Kiki Dee who recorded one of our songs and put it out as a single. This went on one of Kiki’s albums, Angel Eyes, with the likes of Dave Stewart and Daryl Hall, it was just nice to get our names to something like that. Nigel also managed Keith Emerson and Lynsey De Paul so we did some work with them.

It was late 80s when Saxon were recording a new album at Hook End Manor Studio in Berkshire, which had been Dave Gilmour’s house. It was a residential studio with horse stables in the grounds, a great facility, we were down there about a week. The Saxon lads were great.

Def Leppard had a huge album at the time (Hysteria, released 1987) with big sounds and plenty vocals on. The Saxon album (Destiny, released 1988) was nearly finished they just wanted to experiment with block harmonies using four male voices.

Through our manager Nigel Thomas, Phil Caffrey and I got the job, we got paid the session fee. There was another guy managed by Nigel called Steve Mann, who now plays with the Michael Schenker group.

We were waiting in the studio for the fourth male vocalist when in walked an old Sunderland friend of mine – Dave Taggart. I said ‘what you doing here?’ he said ‘what you doing here?’! I couldn’t believe it. Just a massive coincidence.

(Formerly in Danceclass, Dave now plays in the Belinda Carlisle band. An interview with Dave features on this site – Music Still Matters, 15th April 2018).

Dave told me that Stephan Galphas produced the album by Sunderland band Well, Well, Well and he had recorded some backing vocals on it. Stephan’s next project was producing the Saxon album and he asked him to come down and put some backing vocals on Destiny.

Don’t know how successful the album was but I heard the single Ride Like the Wind on national radio a few times.

Actually, we asked Dave to join Southbound at one time but he was playing with Tony McAnaney. Later I did record some backing vocals on the Jimmy Nail album they were working on, Crocodile Shoes.

What am I doing now? Well during lockdown I invested in a home recording set up, I’ve always worked with a porta studio facility writing and recording songs, but this was an upgrade to a digital studio. So late in life I learnt how to record properly and put down a lot of songs.

I originally had 50 then whittled that down to 12, I was doing  drums, guitar, vocals, all recorded solo, a one man band. I hadn’t thought about releasing them.

Then I lost two musical brothers, Alan Burke, original guitarist in Southbound and Richard Archibald, who also played in a late Southbound line up. He also played in the Big Picture, a band from Sunderland amongst others.

This made me think profoundly differently. Why not release these songs on an album and why not ask friends of mine if they want to get involved? So I did, and was absolutely blown away when they all said yes. The album is called Family and Friends because that’s who’s on it!

Family & Friends album inner sleeve.

It includes North East musicians Dave Ditchburn, Phil Caffrey, Don Airey, George Shovlin, Archie Brown, Terry Slesser, Emma Wilson and more, plus my brothers and sisters. I got some great performances.

The album got some great reviews and was in the blues charts at number two – Buddy Guy pipped me to the post!

At first I thought the logistics of playing it live would be too difficult, but after a longer think I went ahead and touch wood, after getting all our diaries synched up I’ve booked The Fire Station in Sunderland on the 10th June 2023. I’m really looking forward to it.

The Fire Station auditorium is a fabulous place. I had the tour looking on stage, checking the sound system and back stage – it’s a great place.

As a house band I’ve got ex Showbiz Kids guitarist Pat McMahon, Paul Wilson on keys, ex Circus and Lucas Tyson bassist John Taylor on bass, Jim Bullock on harmonica and not one but two drummers, Ian Hamilton and Barry Race.

Everyone on the album apart from Don Airey can make it – he’s touring with Deep Purple that night. Don’s a lovely bloke he still keeps in touch with his Sunderland roots.

Looking back at the Southbound days, we weren’t striving to make it we were just enjoying the journey, making it wasn’t the main focus. We were young kids playing in our bedrooms, wrote a few songs then took it to the next stage and it was great fun. We were just dead lucky.

I never thought in a million years that here I am 66 year old and still doing it …I still feel that I’m dead lucky!

Click here to buy tickets for The Fire Station on 10th June 2023

To buy Family & Friends CD contact the official website at: georgelambmusic.co.uk

The album is available to stream on Spotify, I-Tunes, Apple Music & Amazon music.

Alikivi   April 2023

ROCK UPON TYNE: in conversation with musician, manager & promoter Mal Wylie

Gateshead born Mal has been working the entertainment biz for nearly six decades and still has a great passion and enthusiasm for music.

From being a teenager watching bands in the famous Newcastle venue Club a’Gogo, to becoming a seasoned performer on the North East working men’s club circuit, and today, promoting bands and events in Skegness.

I thought he’d have a few stories to tell – he did – so we spent a couple of hours chewing the fat in The Centurion bar in Newcastle Central Station.

First time I heard loud music was in the YMCA in Gateshead, bands like The Sect were playing. It was the ‘60s with the mods and rockers, that was the sounds that influenced me. We were brought up on the best music, we were privileged to be born then.

Club a’Gogo pics courtesy Evening Chronicle.

Going to the Club a’Gogo was the best time of yer life. I saw everybody there – Long John Baldry, the Stones, Eric Burdon, and I was there when Hendrix played.

I’d seen loads of guitar players by then but you knew you were watching someone special. Nobody knew he was gonna be a world legend when he walked on stage.

The Gogo was fantastic, the DJ was Bryan Ferry who went onto Roxy Music fame. Zoot Money was massive when he played, but the biggest pull was Geno Washington & the Ram Jam band, never sold records but always rammed.

I remember when The Animals went to number one with House of the Rising Sun in 1964. They came back from London to the Central Station, got off the train and came to the Gogo. I remember like it was yesterday.

Jacko

I’ve been involved in music since I was 15. I joined a band called Jacko and got to know all the North East groups working the clubs, the Brass Alleys, the Becketts, John Miles, and my pal Brian Johnson in Geordie.

When I finished with Jacko, I went with a band called Chevy who had Andy Taylor on guitar – later he joined Duran Duran. There was Davey Black from Goldie he lived just over the road.

In fact, Andy had just come back from playing in Germany when he asked me to join on vocals ‘Do ya fancy going on the road with us?’

Andy was a great player, a rock player, so Duran Duran weren’t exactly his style but he told me ‘It’s £50 a week and they have a recording contract’. ‘Good on yer lad’ I said.

Andy rang me up one night ‘We’re playing Newcastle City Hall tonight supporting Hazel O’Connor on the Broken Glass tour do ya fancy comin’ along?’… ‘Wey aye!’

Through the Geordie days I kept in touch with Brian and when he got the gig with AC/DC I went on the Black in Back tour with him.

How it all started was one night when I was singing in Chevy and playing Peterlee Social Club, guitarist Andy Taylor said ‘we’re going to Newcastle Mayfair to see AC/DC tonight’.

This line up was with Bon Scott on the Highway to Hell tour. Well I was blown away by them and told Brian Johnson ‘Ya gotta see this band’.

He was in Geordie Mark 2 at the time who were doing the clubs and using the same PA as us. One night Chevy were doing Lobley Hill Social Club when Brian came to see us and he got up on stage and done Whole Lotta Rosie – next week he was in AC/DC!

He went off to the Bahamas, recorded the album then straight onto the Back in Black tour where I travelled with the band on the UK leg. I remember being in Birmingham and Robert Plant came backstage, it was great, a real honour to meet your hero.

I remember going to Donnington festival, then the States as the band went into Jimi Hendrix’ studio in New York to record vocals for the album For Those About to Rock.

The lads in the band were great, no big stars, they were playing 60,000 stadiums, absolutely massive over there. I was in a bar with Malcolm Young in New York, he told me ‘We knew when Brian walked in, he was the man for the job, we knew he was the kid we wanted’.

Brian didn’t think he was in the band after the audition. But Malcolm phoned ‘You need to come back we’re doing an album’. Brian replied ‘Am I in the band then’! Brian was tailor made for that job.

Sergeant: left to right – Robb Weir (later replaced by Steve Lamb) Anthony Curran, Tony Liddle & Brian Dick.

I managed a rock band called Sergeant and got them on a national tour supporting Accept. What happened was I knew Colin Rowell from music TV show The Tube filmed in Newcastle. He had singer Tony Liddle on one week ‘Can you do anything with these Mal?’

So, I went with Brian Johnson to see the band play at the Gosforth Assembly Rooms. I liked what I saw so rang John Jackson, an agent I knew in London, and he gave them that UK support tour.

We also put them in Linx Studio in Newcastle, another Brian Johnson connection as he owned the studio. We recorded them and I thought they were tremendous. Tony Liddle was great I thought boy can this kid sing.

Tony was the new breed of rock singer in the North East, you had great frontmen Davey Ditchburn, Terry Slesser, John Miles, all them that had come through, but Tony was a bit younger.

He was also a good songwriter, obviously there is Lindisfarne as your big songwriters from the North East. I remember seeing them and they were new, fresh a different style, Alan Hull was an amazing talent.

Anyway, we took the demo tape to London and the first person to listen to it was Peter Mensch, Def Leppard manager.

We were in his house and asked him ‘What do ya think of these’? Bearing in mind he had just signed Metallica. ‘They’re alright Mal, hang on to the singer’. In the end RCA were looking at giving them a singles deal.

But one day Tony walked in and told us he’s leaving the band. ‘I’m joining The Strangeways’. A Scottish band who already had a deal with plenty money behind them. That broke Sergeant up.

We gave it our best shot, they had supported Nazareth in Scotland, been on a UK tour with Accept including a sold-out show at Hammersmith Odeon and we put them in front of record companies.

When I came back from America with AC/DC, video jukebox’s had just kicked off so I went into that business. I got the franchise for a company selling a video jukebox to pubs.

I worked with a guy for years called Percy Sheeran, whose family have the fairground in South Shields, he was doing the fruit machines and I was doing the music. A great team.

Then we started Arcadia Leisure selling PA’s and sound equipment from the Team Valley in Gateshead. After that closed down Percy’s brother Walter opened bars, leisure centres and arcades in Skegness, he asked me to come down, ‘Nah I like the Toon too much’ I said. But I’m still with him to this day!

The music scene is good down there, I’m booking bands all the time, I’m putting on festivals in the summer. We’ve got some local bands from Lincoln playing, Butlins is next door with rock festivals and alternative nights – always rammed.

I’ve got four or five bands from the North travelling down this year, so I still keep in touch with North East musicians. Lorraine Crosby has been down a few times. We’ve been friends around 30 years since she was in Foxy, Lorraine’s a great kid, she done the Meatloaf single as well.

Soon I’ve got an event lined up for the scooter boys – a mod rally at the end of April. There are loads happening.

I enjoy reading your blogs but a guy who doesn’t get a mention is Greg Burman. During the ‘60s the Greg Burman Soul band played at the Gogo, he also built amps for all the bands coming through like Lindisfarne, and made stuff for Thin Lizzy and Status Quo.

He was based in Newcastle’s Handyside Arcade which sadly isn’t there now. I dealt with him in the ‘70s, a lovely fella, what a gentleman. It’ll be a great story if you can talk to him.

Alikivi   February 2023.

ALL FOR ONE at 40 with Chief Heedbangers, Raven

All for One released in 1983.

One of the most influential New Wave Of British Heavy Metal bands are heading out on a UK tour this March, but first, earlier this year there was the small matter of Raven being inducted into the Metal Hall of Fame alongside Twisted Sister and Foreigner vocalist and solo artist Lou Gramm.

Held at The Canyon Club in California on 26 January, this was the sixth annual gala, previous inductees include Dio, Lemmy and Judas Priest.

The award is for musicians and bands who have made an invaluable contribution to rock and metal and to keep inspiring fans throughout the world. I asked bassist and Chief Raven John Gallagher, how did it come about?

Bribery and corruption (laughs). It was nice to be recognized and was a really great event where we played a three song set – almost broke a sweat! 

Did you ever think you would be in this position, a tour celebrating 40 years of an album ?

Of course not! That kind of long view, you just don’t have that when you start. It just kinda crept up on us over the years. It’s quite a milestone and we are very proud of it. That and good old Geordie stubbornness!

In the set are you playing the full track listing on All for One and have you played all the songs live before?

Yes indeed! There’s actually two songs from the album we’ve never played live before, so that’s going to be fun for sure and another two that Mikes never played. 

Have you noticed any new faces at your concerts?

Oh definitely, there’s quite often three generations of fans at our shows – which is really great.

For a full list of tour dates & tickets, album releases, video, merch & more check the official website : 

Raven | Official Raven Lunatics Website

Alikivi   March 2023

EDGE OF THE WORLD – new single from Tygers of Pan Tang

Tygers of Pan Tang 2023 L-R Huw, Craig, Francesco, Jack & Robb. pic. Steve Christie

In September 2020 the review of Raven’s latest album Metal City declared that ‘on this evidence Raven consolidate their title of Chief Headbangers’ and signed off with ‘any contenders?’  

Last week one of the original North East New Wave of British Heavy Metal bands, Tygers of Pan Tang, hoyed their hat in the ring.

Their new single Edge of the World released on the Mighty Music label was as the kids say ‘dropped’ last Thursday and after the first time on hearing, the Tygers have sharpened their swords and hoyed the kitchen sink at the production. It’s epic.

Starting with a hint of Eastern promise the guitars will put lightning back in yer tired bones, and with that chorus we have the next superhero soundtrack. Someone put a call in to Hollywood blockbusting film maker Christopher Nolan (Batman/The Dark Knight/Man of Steel).

There’s no idle shilly-shallying here with layer upon layer of glossy finesse, ultra-tight drumming from Craig Ellis, bassist Huw Holdings accomplished maiden recording, plus a searing twin lead break from guitarists Robb Weir and Francesco Marras, while vocalist Jack Meille faces down the beast.

Edge of the World doesn’t lead you to the dead zone with no follow up record as the Tygers are about to launch their new album and on this evidence alone, wrestle the crown from Raven.

Alikivi  January 2023.

Watch the video here:  Tygers of Pan Tang – The Official Site

Tech details:

Produced by the Tygers of Pan Tang and mixed by Tue Madsen out of Antfarm Studios, Denmark.

Francesco Marras guitars recorded at Screaming Shadows Studio between Dülken, Germany and Sassari, Italy.

Jack Meille vocals recorded at Plastic Sun Studio, Florence, Italy by Guido Melis.

Robb Weir guitars recorded at Swamp Freaks Recording Studio, 

Durham, UK by Dave Hills.

Craig Ellis drums recorded at Tyger Towers Studio, Yorkshire, UK.  

THE ENGINE ROOM with Huw Holding new Tygers of Pan Tang bassist

The ep ‘A New Heartbeat’ is released this week is it a follow on in style from the last album ?
The songs are classic Tygers and obviously new guitarist Franco has added a different dimension, but the Tygers are not looking to do a Jazz fusion reggae album – its Metal!

New Tygers line-up left to right Huw Holding (bass) Jaco Meille (vocals) Robb Weir (guitar) Craig Ellis (drums) Francesco Marras (guitar)

Did you listen to the Tygers when you were young and have you a favourite album ?

I loved the first three, production on ‘The Cage’ (1982) was a bit to “modern” for me with synth drums etc – but the songs were great. The last four albums have been incredible and that’s the reason I wanted to be part of the Tygers.

Unlike other bands of that era they aren’t living in the past, the newer albums are as good as, or arguably even better than their 80’s stuff.

I lived in Durham since I was 3 or 4 and the Tygers have a strong connection with Durham, their first gig was at the Coach and 8 in Durham.

I saw them at Dunelm House when I was maybe 11, my sister was a big Tygers fan so that was passed onto me. I can also remember watching them on music TV shows E.C.T and the Whistle Test.

The street where I lived was full of teenage rock fans and at weekends used to have camp fires on the field next to me and play rock metal stuff – mainly Motorhead, Hawkwind and Sabbath.

We also had Guardian Studio’s in Pity Me village where me and my fledgling musician mates used to get music lessons at the time when the Tygers were doing the Spellbound demos at the studio, although I never met them.

I still see Terry Gavaghan (former owner/producer) and chat to him about his recollections of the Tygers, Terry loved working with the Tygers and got on well with Robb.

Huw learnt his trade playing in the North East with a number of bands before joining metal outfits Avenger and Blitzkreig.

I was asked to join Avenger in 2006 then a few year ago Brian Ross (vocals) got in touch and asked if I was interested in playing on a Blitzkrieg album as bassist Bill Baxter had left and they were about to sign a record contract.

I agreed because at the time Avenger were not busy and it was my perception that Gary Young (drums) was doing a lot of work with his Death Metal project Repulsive Visions.

But Gary decided that my agreement with Blitzkrieg would limit Avenger’s opportunities so I was replaced. I have to say this was a business decision and there was no personal fall out, I’m still friends with all the Avenger boys.

In retrospect I’ve mixed feelings about my decision to join Blitzkrieg, but equally if I hadn’t joined I wouldn’t be with the Tygers now, and I wouldn’t have become good friends with Ken Johnson (guitar, Abaddon) he was ex-Blitzkrieg and principle song writer for the last 20 years, also Matthew Graham who is a great drummer and a fabulous chap, despite looking like a cheap tart.

After bassist Gav Grey left the Tygers last year to pursue other musical interests – then got the gig with NWOBHM band Tank – Huw stepped up to the plate.

I joined the band in August 2021, but on quite a few occasions before that I met the Tygers when I performed on the same bill at festivals when I was with Avenger or Blitzkrieg.

After submitting a demo I was invited for an audition on 31st July. I can remember the date because it was the day after my birthday, so instead of having a night out I stayed in to make sure I knew the tracks well.


For the demo I had to play along to Damn You from the last album ‘Ritual’ and Slave to Freedom from ‘Wildcat’ their debut.

At the audition we done a few songs, the two tracks from the demo plus Love Don’t Stay from ‘Crazy Nights’ and Take It from ‘Spellbound’, we also played Gangland which I already knew from my younger years.

How’s it going recording the new album ?
The new album is going great. It’s been quite hard work because I had to learn the full 20 song set list while also working out bass lines for the songs.

The new songs had already been written before I joined so my contribution has only been to add to them. The band have been happy to include my favourites into the set list which was great.

The EP released this week ‘A New Heartbeat’.

As for the recording process I had to adapt to modern technology cos of Covid restrictions and play along to the demos using my home recording gear then email to the band members who say what they like or don’t like.

Once I got through quality control I then recorded the bass directly over the drums with a guide guitar from Franco. This is then sent to the studio who can ‘Re Amp’ my bass and Robb does his stuff.

Have you any live dates scheduled this year ?
We had to reschedule dates that we had to cancel in late 2021 and early 2022, at the same time we need to keep time available for recording – yes we have a busy time ahead.

New EP ‘ A New Heartbeat’ is out now and to find out latest news and tour dates go to official website https://www.tygersofpantang.com/

Interview by Alikivi  February 2022

A NEW HEARTBEAT with Tygers of Pan Tang guitarist Robb Weir

In the early 1980s the North East New Wave of British Heavy Metal included the big five of Raven, Fist, Venom, Satan and Tygers of Pan Tang. After a load of gigs played, records made and over 40 year experience in the music biz you’d think Tygers guitarist Robb Weir had seen it all.

The last three live shows the Tygers played were back in March 2020 when we went to Holland, Belgium and in Germany with Saxon. When we returned back to the UK a national lock down was imposed and that meant no more live appearances for a few months, or so we thought.

Here we are in February 2022 nearly two years on and our live shows are still being postponed, what is really going on? If you know please tell me as I have run out of patience!

The new Tygers line-up left to right Huw Holding (bass) Jaco Meille (vocals) Robb Weir (guitar) Craig Ellis (drums) Francesco Marras (guitar)

How did you handle the lockdown ?

I write music all the time so when we were confined to our ‘living spaces’ I took the opportunity to demo some of the ideas I had with thoughts of the next album in mind.

Along with all this lock down caper we changed our guitar player and welcomed the amazing fretboard talents of Mr Francesco Marras into the Ambush – if you didn’t already know an ‘Ambush’ is the name for a gathering or group of tigers in the wild!

What was the recording process ?

I demoed about twenty songs and sent them to Francesco to get his input and fresh ideas on them. Francesco re-recorded them in his studio and with his musical additions took them to the next level. The only problem we had was deciding which ones were going to make the final cut onto the new album as they were all contenders.

At the same time we also decided to record an EP to give everyone a taste of what’s to come, also to showcase Francesco’s ability to play a lovely melodic guitar solo, so two new tracks were written.

We also asked Francesco which was his favourite track from Wildcat our first LP in 1980. He said ‘Killers’ was always one of his favourites and I had a bit of a passion to re-vamp ‘Fireclown’. 

We set about recording these four tracks remotely in our own studios, I recorded my parts in Gav Gray’s studio as mine is out of the ark. The finished tracks were sent to Marco Angioni, at Angioni Studios in Copenhagen, Denmark to be mixed and then across to Harry Hess in Canada to be mastered.

Is there a release date for the record ?

‘A New Heartbeat,’ is officially released World Wide on February 25th with an accompanying video but can be purchased pre-release online now from the Tygers web shop (link below) also our record company’s web shop Target Records.

What’s next for the Tygers ?

Gav Gray (bass) decided he wanted to visit ‘pastures new’ after we finished the new recordings so we have now welcomed a new bass player into the Tygers family, Huw Holding.

I’m very excited about the new Tygers material as I feel it’s the strongest yet, but we’ll let you be the judge of that….best Tyger wishes to you all!

Tygers Of Pan Tang – The Official Site 

Interview by Gary Alikivi January 2022

250,000 MILESTONE MESSAGES #1

To celebrate the quarter of a million milestone the next couple of posts include messages from contributors to the blog.

Mond Cowie (ex-Angelic Upstarts) ‘Well done on the milestone Gary, great achievement, it was a pleasure being involved. I love reading the posts, it brings back so many great memories of gigs, bands, friends and pigs heads! What a blast we all had eh…long may it continue.’

Lou Taylor (Satan, Blind Fury, Heaven or Hell) ‘Extremely proud and honoured to have been asked to contribute to the Alikivi Culture and Music Blog, it’s so amazing that we have someone with enthusiasm, dedication and commitment to the scene – long live the Alikivi Blog !’

John Gallagher (Raven) ‘Congrats on hitting that 1/4 million mark.. and telling so many cool stories of our NE music scene!!!’

Emma Wilson (Singer/Songwriter) ‘When I released my first EP Gary offered to do a piece for the North East culture blog. Since then he has approached me at every milestone of my career – often even before I have decided to start my promotion he messages me “Get your info over to me”.

He helps promote me and often gives me a cherished page on his magnificent blog enabling my music to reach a huge audience. As an independent artist the exposure I get from Gary’s blog is invaluable. Thank you Gary you always get the exclusive x’

Tom Hill (Geordie) ‘Gary you put some great stuff on the blog and I always enjoy reading it…keep it coming mate’.

Dave Ditchburn (Brass Alley, Geordie, Talisman) ‘I’ve never been one for interviews, mainly because I have a terrible memory and sometimes get mixed up with dates and people. When Gary asked me to do the honours I was a little bit dubious but he has a great technique and makes you feel right at home.

As usual since then I have remembered and forgotten again a hundred things that could have been part of the story. I think Gary does a fine job and long may he be able to keep it going. I very much enjoy reading his interviews’.

Lorraine Crosby (Singer/Presenter) ‘So thrilled to have been part of this amazing blog. Thanks so much for a great interview Gary x’.

Ed Waugh (Writer & Theatre producer) ‘What you’ve done is an incredible job of recording North East cultural and social life in your tremendous blog. It’s a fantastic feat achieving 250,000 hits but I’m sure the millionth hit will not be too far away.

I look forward to reading every interview, not least because I lived through most of what you write about and it gives a fascinating perspective of what other people were doing at the same time. Not only that, you’ve recorded history for future generations – what a magnificent legacy! Keep up the great work’.

Ray Spencer MBE (Director, The Customs House) ‘Alikivi is a rare and beautiful thing. Not seeking praise for its self but always a celebration on the subject. Gently incisive interviews cut to the heart of the subjects beliefs and motivation without them even being aware they had sat in the psychiatrists chair’.

Steve Dawson (Geordie) ‘Gary is a staple of North East cultural awareness. Working tirelessly to keep the region’s heritage of music, art and local celebrities of all genres alive and kicking in living memory. Long may he continue.’

Jan Graveson (singer & actor) ‘The North East runs in my veins. I’m a proud miner’s daughter and absolutely love where I am from and the people. It’s incredible really that while as a teenager most of us were in bands, performing, singing, playing music. It wasn’t until I moved away from my beloved North East that I realised not everywhere is like that.

I learnt over the years that it’s all about the ‘soul’ of the people and the inherent talents passed through families, the strong communities and passion that creates such love. Thank you Gary for being so devoted in showing the world what we, of the North East are all capable of !’ 

Dave Taggart (Belinda Carlisle, Danceclass) ‘Well done Gary. The North East culture blog is going from strength to strength. Keep it going and spread the gospel to the ‘yoof ‘ out there that there was and still is a thriving music scene in the North East’.

Jim Sculley (former Musician, Promoter & Manager) ‘Wow ! That’s some achievement Gary. But I’m not surprised to be honest. I’ve read almost every interview and most other things that you’ve written and never felt the urge to stop reading or to question or doubt what you’ve written.

Everything feels right, obviously written from the heart and absolutely smacks of the truth. You’ve laid out in words what you know to be the North East’s fabulous past, culture and heritage. Whether it be music, the arts, everyday life or it’s wonderful characters albeit sometimes wacky, but always funny, likeable and very musically talented.

You’ve done a fine job these last five years Gary and our area owes you a huge debt of gratitude for keeping us in the spotlight. I hope fervently that this is just the beginning and there’s a lot more to come. This is not bluster buddy – it’s from my heart.’

Phil Sutcliffe (Sounds/Mojo music journalist & author) ‘North East culture reaches out around the world in the endless circle of seeking and finding inspiration and using it and sending it back out again with a different accent. Lit the fire under me when I lived in Newcastle during the ‘70s. Keeps on rolling around and around (until the seas run dry?) Congrats and keep on keeping on!’

Sheila Graber (Animator) ‘Gary is a very experienced and well respected documentary maker so he fully understands the process involve in making any art form –  this makes him a great Blogger.

He asks all the right questions and summarises answers into a readable and interesting form. He has been a pleasure to work with over many years – here’s to the next 250,000 viewers’.

Davy Little (Axis, Pauline Gillan Band, Lies of Smiles) ‘Congratulations on a wonderfully informative blog. Nearly 5 years, 250,000 views, a wonderful depiction of the lives/culture/music/art of the North East.

Artists, Photographers, Animators, Sculptors, Writers, Poets, Musicians, Playwrights, Broadcasters, Journalists, Authors, Actors, Entertainers, Stage crew, Tech Crew, Managers, Promoters, Film Makers, Record Company execs, the full gamut of the North East’s incredibly creative community can be found here, stories that will evoke the full range of human emotion.

From the Animals to the Tygers of Pan Tang, from the Dark Arts of the Stasi to Postcards from Spain. An incredible body of work’.

Richard Laws (ex-Tygers of Pan Tang) ‘Congratulations Alikivi for reaching the landmark of a quarter of a million readers and shining a spotlight on North East music and culture. An outstanding achievement’.

Big thanks to all you lovely people…keep spreading the love !

CHEWING THE FAT WITH THE HEAVY MOB: Nalbandian, Gallagher, Pepperd & Leatherby

Shockwave podcast from top left Bob Nalbandian, on his right Garry Pepperd, below him Jarvis Leatherby & John Gallagher.

I asked Bob Nalbandian, host of the Shockwave Skullsessions podcast, who have you featured on previous shows ?

I’ve had tons of guests from classic rock and metal, icons like Bill Ward (Black Sabbath) Bob Daisley (Ozzy) Rob Halford (Judas Priest), Scott Gorham (Thin Lizzy) to record industry vets like Monte Conner and Brian Slagel to new metal artists’.

‘Generally the feedback is very good. We have a loyal fan base of avid metal fans that particularly love classic ‘70s and ‘80s hard rock and metal’.

Bob remembers being a 16 year old American kid reading Kerrang and the ‘Armed n Ready’ section which highlighted emerging bands, Raven, Venom, Diamond Head and Def Leppard, and being introduced to a new punky metal sound labelled the New Wave of British Heavy Metal.

So for the new episode he has lined up a Heavy Metal special with two of the big players from the NWOBHM.

Raven’s Chief Headbanger, John Gallagher said ‘It was 1979 and in the music papers you start seeing stories about Iron Maiden, Sansom, Neal Kaye and New Wave of British Heavy Metal and think what’s all this about’.

‘Most of the bands had been plugging away forever because we loved the music. We were just playing the music we liked and all of a sudden we got swept up in it’.

Jaguars Garry Pepperd addedThere was very few rock and metal bands from our part of England. The only people who didn’t have a job in Bristol were us musicians who didn’t want one’.

Nalbandian also invited Night Demon’s Jarvis Leatherby to the table.

‘I’m a bit younger than you guys and I was introduced to NWOBHM by listening to the NWOBHM ’79 Revisited album. It done it for me because I heard everybody in one shot’.

‘It had on ‘Back Street Woman’ by Jaguar and ‘Don’t Need Your Money’ by Raven. Coming from a thrash metal kid who listened to the Big Four of Anthrax, Metallica, Slayer, Megadeath, it was great to hear how melodic these bands were’.

The heavy mob chew the fat about early days of NWOBHM, Sounds newspaper, Kerrang, the Marquee and being studio virgins.

‘In 1979 when Jaguar started we done a demo and sent it off to a Battle of the Bands competition and got through. We played three songs but were beaten by a funk band from Swindon’.

‘Then we linked up to the Heavy Metal label and done ‘Stormchild’, a track for the ‘Heavy Metal Heroes’ compilation album’ remembers Pepperd.

Gallagher added ‘Famously we played a show in Newcastle with Tygers of Pan Tang and their manager Tom Noble loved the show and came up to us and said do you want to make a single with Neat ? Err, no (laughs).

They talk about touring and how they persisted in dragging their bands over the music biz obstacles to still be a force today.

Leatherby said ‘Raven took us on our first ever tour and we played more than 60 dates on the shows around the world and on festivals, so we’re forever connected. I was able to fill in as guest vocalist for Jaguar so I got to pinch myself for how much we’ve done together’.

Pepperd added ‘We played anywhere in those days but like most places now they are long gone. We were going to support Spider at Bristol Colston Hall but in the afternoon the lighting rig collapsed so we never got to play’.

Gallagher chipped in ‘We once done a show with the Tygers at the Guildhall in Newcastle and in the dressing room there was some girls brushing someone’s hair and we thought who’s she, she looks hot. They turned round and it was Jess Cox’ (Tygers vocalist)

For more stories watch the full show at :

SS #120 | New Wave of British Heavy Metal Special: w/John Gallagher, Gary Peppard & Jarvis Leatherby – YouTube

You can check out all the Shockwaves Skullsessions podcasts at ShockwavesSkullsessions.com

Alikivi July 2021.