EVERYBODY’S LIFE WAS TOUCHED BY COAL with artist Bob Olley

 

17629889_1929753347296234_3654908554234914630_n

Between 2009 and 2016 I made over 20 films. ‘Vanished’ was a documentary about the lost industry of coal, shipyards and railways made in 2012. Also featured was the lost village of Marsden, once situated on the cliff top near Souter Lighthouse and Whitburn pit. (pic above courtesy of Marsden Banner Group). This extract is taken from an interview featured in the film with former miner now Artist, Bob Olley….

Well I worked at Whitburn Colliery from 1957 till the colliery closed in ’68. Whitburn was a wet pit mostly and I was working in the east yard seam 3 miles out under the North Sea. It took us three quarters of an hour to get in and three quarters of an hour to get out. I think it’s because it’s such an adverse industry, danger, and whatever else, a sense of humour developed.

When the colliery closed it was the push I needed to get out. When I first went into the artistic side of my life the stuff I did was very dour, mostly pen and ink work. Then I moved away from coal mining for about 15 years then suddenly I got this urge to go back to the subject and this was the type of thing I was doing (points to picture next to him).

0_Mining-Art-Gallery-Bishop-Auckland

Up to about 15 years ago I would say most people in the North East their lives was influenced by the coal industry. The amount of people that were involved with the transportation of coal, the winning of the coal, the processing of the coal, everybody’s life was touched by coal.

Gary Alikivi   January 2020.

SMOULT THE BOLT

In 2006 the idea was to make a number of short documentaries in South Shields featuring residents of the town and their hobbies, interests or passion. The first was Colin Smoult, this was his story and a link to the 4 minute film is at the end. 

South Shields has always been a rock town and even when music has faded and past like the indie culture of the late ‘80s, the big dance boom of the ‘90s then you’ve still got the rock scene. We might be gettin’ older, greyer, fatter but I think a lot of people in this town will always have a place in their heart for rock music. We’ve always had people from this town that’s been so fanatical for the bands that they have followed. I’ve grown up with many of them from my late teens onwards and some of them remain just as passionate about their music now as they did over 25 years ago.

My name’s Colin Smoult I’m 42 years old and I live in a town where I was born, South Shields. A small seaside town 10 miles east of Newcastle. My occupation is a shopkeeper, it’s essentially what people used to refer to as a head shop. I sell things like pipes and bongs which 20 years ago might have been seen as very risqué. But this day and age it’s all fairly acceptable. It’s only a tiny shop with a minimum amount of trade but I’m me own boss and if it pays the bills I’m quite happy. That allows me plenty of time to pursue my other hobbies and interests – my main one is local live music.

I’ve been the singer and guitarist in a band called Shovelmouth for the past 11 years now and we play various gigs in pubs scattered right across the region. The songs are all rock cover versions but the pub rock scene is huge in the North East of England. On a Friday and Saturday night there are probably 100 pubs and more putting on live entertainment featuring full on rock bands.

South Shields alone has half a dozen pubs that put on live music and the largest of these is called The Office. Not only does my band get to play there but I am responsible for booking the acts every weekend. The acts are normally small local bands playing a variety of covers but now and then we put on special events that feature tribute bands, some of these are from out the area.

I’m a rocker at heart but I find there is a lot of people who love this kind of music so I book the bands that people want to see the most. I’m pretty passionate about live music and only book the very best from the talent that we have.

Some people may see it as a bit sad and may view it as a bunch of middle aged folkies trying to re-live their youth but nostalgia is a big booming industry and if people want to see songs from their youth played live in their local pub – then who am I to deny them. Whether I’m the bloke singing the songs or the man who books the bands I’m content to know I’m doing my bit to allow people to have a good time after a long week at work.

I’m also involved with a website called Riffs which pushes and promotes local bands, and apart from news pages and gig guides I also post up my own reviews of the many bands that I get to see here. So I suppose my hobby is full time because as well as being directly involved every weekend, during the week I am always writing things up and arranging things for the venue and my own band.

I like to keep in touch with lots of groups out there and there’s quite a lot of time spent gob shyting with people on the internet as well. Don’t get us wrong I get a big buzz out of being on stage and entertaining people, but if you’ve got any band up there on stage with a superb crowd watching them, for me the atmosphere in the room is just as enjoyable.

The standard of musicianship on the local circuit is extremely high and is way beyond what people would term as pub bands in other parts of the country. The old club scene has become a lot more pop orientated in the last 20 years and a lot of the rock players that used to play that circuit have now moved into the pubs instead. So the end result is that we have some amazing musicians kicking around and most of the bands that you get to see are free admission too.

So for a lot of people aged in their ‘30s, ‘40s, ‘50s watching a live band on a Saturday night is a very cheap way to have a fantastic night out. If I’m not playing with my own band then I’m here at The Office watching them instead. Either way for me every weekend is dominated by my love for live music. I got tons of pride in what I do. But for me there’s only one true satisfaction and that’s putting a smile on people’s faces.

If I can be involved in any way with live music that others gain a lot of pleasure from I get immense satisfaction from doing that. I suppose as I get older I won’t be able to bounce around on stage in the same way, then eventually there will come a time when I’ll have to retire from live performances, but I’ll always stay involved with the local band scene even if I have to be brought in on a wheelchair.

I’ve jokingly said that when I die I want my ashes scattered under the stage of The Office. But honestly it’s as good a place as any and that way I’ll always be close to what I love.

 

Gary Alikivi  January 2020.

BLACK CANDLE – new album by UK darkwave band Psykobilly

Psykobilly is a solo project by Bill Newton, ex-guitarist and songwriter from early 80’s North East new wave band Silent Scream who featured in November 2019 blog……The debut album, Black Candle, has taken a year to write, record, produce and master. I’m pretty pleased with how the album has turned out Newton continued….The album’s overall sound has been described as ‘darkwave’, although there is a mix of pop, rock, ballads and synth-driven songs. Listeners have already made comparisons with Nick Cave, The Cure, Scott Walker and Morrissey…Obviously, I’m honoured and pretty amazed to even be mentioned in the same breath as such legends and heroes of mine.

Who were the other musicians that you worked with on the album ? I am fortunate to have talented friends. Four of the songs were recorded with Steve ‘Smiley’ Barnard (The Alarm, Archive) at his Sunshine Corner Recording Studios in Hampshire. He drums, plays bass, sings and produces. We had Pete Kirby on keyboards and piano and James Walsh who sings on two songs. The other 60% of the album is essentially me at home with my MacBook and Logic Pro X recording software, my Auden Chester acoustic and Yamaha SG2000 guitars.

Is there a story behind the album ‘Black Candle’ ? The album’s title is metaphorical although essentially refers to the dark but illuminating nature of the songs. They’re all personal, I always ask people to look beyond some of the technical shortcomings and focus on the honesty and passion in the music and lyrics.

Are you looking to play the album live ? It’s unlikely you’ll see me perform live as the songs are pretty complex arrangements. They can all be stripped back and played acoustically but to get near the sound of the album I’d need two or three guitars, piano, keyboards, strings, backing vocals and maybe a choir of angels! Give a listen to the last track on the album, Remains.

One of the sweetest things that has happened was when a friend of mine played the song Remains at one of his gigs, a very emotional lady approached him and asked if she could use the song at her mum’s funeral as she felt a personal connection with it.

Are there any plans in the pipeline for Psykobilly ? It’s just so hard to make any break through these days. It’s pretty rare that small, independent artists get any mainstream recognition, and there is very little financial reward. My first single Leave It All Behind has been streamed 1500 times around the world in the four months since it was released and the official video has been watched over 2000 times on YouTube but I’ve only made £5 from this ! I’m not complaining though and prefer artistic praise over money anyway.

Ideally, I would like to write for other people. I’m not in any way arrogant about any ability I might have, and would describe myself as humble and self-deprecating. However, I do think that the songs are strong enough to be performed by more established and talented artists who could reach a wider audience. I can always live in hope that a small label might offer to release my music or that Miley Cyrus comes calling!

Black Candle is available now on Bandcamp, Spotify, iTunes and all other major digital platforms.

https://psykobilly.bandcamp.com/album/black-candle

https://open.spotify.com/album/1I0IJmxNhIllIhjAnDBwoq?si=ndh570p8QNuYpknA07yuNQ

https://music.apple.com/gb/album/black-candle/1494508478

Gary Alikivi  January 2020.

FAMILY PORTRAIT – Downey photography studios in South Shields & London

As I was sorting out some books this picture card fell out of one of them. It’s something I picked up at Shields Market a few year ago. I’m not sure who the sitter is but the photo was taken by the Downey brothers, William and Daniel, who along with older brother James, had studios in the North East then moved to London. Commercial photography was in it’s infancy when the brothers were taking pictures of royalty and personalities like Oscar Wilde.

Looking back to photographers in South Shields if it was a competition I couldn’t call it, they have different qualities. There was James Cleet with his housing clearance pictures during the 1930’s, and reported to be a bit of a showman in his mac and bowler hat, especially at Tyneside ship launches he would signify when he was finished by making a large sweep of his bowler hat and take a deep bow in front of the crowds. Amy Flagg’s unforgettable Second World War images of a scarred town after the German bombs hit, then in her own darkroom printing photographs of devastating images of a town she loved, important pictures that still have a huge impact today.

Records show the Downey brothers worked out of a studio in London, but before that were based in South Shields. William Downey was born in King Street, South Shields in 1829, with help from his older brother James and together with brother Daniel, they set up a photographic business in the Market Square in 1860. The studio became successful resulting in branches opening across the North East in Blyth, Morpeth and old Eldon Square in Newcastle.

In 1862 Queen Victoria commissioned William Downey to take a series of photographs illustrating the Hartley Colliery disaster, near Blyth. Soon after William and his brother Daniel moved to London where they accepted commissions from dignitaries and aristocracy including the UK royal family, the Emperor of Russia and King of Norway. The brothers also took pictures of show business personalities from their studio at 57 & 61 Ebury Street in Belgravia, while older brother James, as well as his grocery business, kept a studio open in South Shields.

Big brother James was a huge help to William and Daniel. He was a grocer and importer of German yeast, with premises in West Holborn in 1865. 10 year later he had two shops trading as a grocer and confectioner out of 17 & 19 Eldon Street. By 1881 he had one shop for his grocery business and opened the other as a photography studio. There is a record of a Frederick Downey at 19 Eldon Street, I suspect that he was James’ son who carried on the family photography business.

Meanwhile in London, Daniel and William continued their work of royal sittings and portraits. Sadly, Daniel passed away in Bethnal Green in 1881 while William died in Kensington in 1915. His son, William Edward, kept on the family business, as did his son, Arthur.

A lasting record of their work is an impressive set of 5 books called ‘The Cabinet Gallery’ printed by Cassell & Company of London, Paris and Melbourne in 1890. The volumes include 36 photographs each, plus a summary of the subject. Kings, Queens, Professors and actors all sat for a Downey portrait, the attention to detail made them stand out among other photographers and ensured customers would return. Their stamp is on the back of some pages.

Throughout the early 1900’s there is records for a Downey photography studio at 17 & 19 Eldon Street, but unfortunately by 1912 the trail goes cold. What happened to the Downeys in London and South Shields? Is there more to their story? If you have any information to add get in touch.

Source: Census records, Burgess Rolls, Wards Directories, Wikipedia, The Word South Shields.

Gary Alikivi  December 2019

 

THE MAN IN THE SHADOWS – James Cleet, South Shields Photographer 1876 -1959

In a previous post I talked about coming across photographs by James Cleet around 10 years ago, particularly the housing clearances in South Shields during the 1930’s. After looking at the images in South Shields Library for a number of weeks I was curious who he was and what he looked like. I had only seen his shadow in some pictures that he had taken – the outline of his cloak hunched over a tripod and camera. Then one day while researching through old newspapers I came across a story about him and there he was, looking straight at me, a camera in hand covering half his face – he had a look of the artist Salvadore Dali.

 

On his death at the age of 82, local newspaper The Shields Gazette reported… ‘Mr Jimmy Cleet, a photographer for 68 years has died at his home in Wardle Avenue, South Shields. From the day he moved into the world of cameras as a 13 year old plate boy photography was his bread and butter, his hobby and his greatest interest in life.  He never cared much for flashlights, which he thought ruined details in portraits, and until he retired last year he still used a camera which he had bought 30 years previously in preference to a modern one. But if his equipment was a little old his finished photographs were never below the standard of excellent’.

They were, and had an instantly recognizable look among all other photographers I researched. The Gazette added… ‘James Henry Cleet, the first South Shields man to be elected a Fellow of the Royal Photographic Society (1933), served a seven year apprenticeship in commercial photography and studied art at the old South Shields High School. As a young man he went to Fleet Street and worked as press photographer for The Daily Mirror and soon established a lasting reputation that he would get pictures whatever the difficulties. On one of his first assignments he was given 20 minutes to produce a picture of Lady Londonderry as she left Charing Cross Station. No one could get near her, but he solved this problem by carrying some of her luggage to the train’.

When researching his family history I found that in the late 1800’s James’ Grandfather was a Master Mariner, the family owned several ships and they lived in Heugh Street on the banks of the Tyne. But unfortunately a downturn in business led to his father becoming a shipwright and the family moved to Bath Street. On the 26th December 1908 James married Eva Aspery, they had a son James, but sadly he died at 4 year old. An event that would have had a deep effect on the couple.

The newspaper report carried on his story…Later he concentrated on his love of old marine photography and went to sea in all weathers to get his pictures. He had a deep affection for the Tyne, tug boatmen were always ready to help him. A small man wearing a bowler hat, he was a familiar figure in every Tyneside shipyard. When he took pictures at a launch he would photograph the ship then the launching party, then with a magnificent sweep of his bowler hat and a deep bow he would signify he had finished’.

For one month a year from 1930-38 James recorded what was called the ‘slums’ of South Shields, mainly around the Holborn and riverside area of the town. The photographs were commissioned by South Shields Public Health Department and displayed in a book published by SIDE Photographic Gallery in 1979. This features in a previous blog (24th December 2019).

Sadly, James Cleet died on 2nd June 1959, the Gazette article ended by saying His photographs of South Shields form a remarkable record of the town, and like many photographers he objected to having pictures taken of himself’.

Source: The Shields Gazette, Census records, Wards Directories.

Gary Alikivi  January 2020.

AMY FLAGG: HOLBORN & THE MILL DAM VALLEY

Following on from a previous post featuring Historian & Photographer Amy C. Flagg and her book ‘The History of Shipbuilding’, further information has come from South Tyneside Libraries….‘The book was printed in 1979 about the same time when Hodgson and the Boswell Whitaker trilogy of books were printed. A figure of 200 copies each of these books were printed’. (G.B. Hodgson – The Borough of South Shields and Boswell Whitaker –The Preservation of Life from Shipwreck Volumes 1-3).

A tributary of the Tyne called the River Branin cut into South Shields over 200 years ago and created the Mill Dam Valley. An Ordnance Survey map of 1895 has the valley clearly marked. Before that time, it possibly would have extended in an easterly direction towards the North Sea making the Lawe an island. In his book ‘The Borough of South Shields’ Hodgson states that ‘in 1748 the churchyard to the south of St Hilda’s was described as sloping down to the edge of the Mill Dam Creek or the river Branin, a fine sheet of water, up which the tide flowed as far as the modern St Catherine Street. The creek when filled with water at high tide formed a picturesque lake.

Miss Flagg describes the Mill Dam Valley in her Shipbuilding book….’When the Chemical Works occupied most of the space near the Mill Dam Valley, then a large sheet of water at high tide, the shipbuilders were all clustered together nearer the sea because the ‘Narrows’ – the throat of the river, which led to the Harbour was shoaly and difficult to navigate’. She talks about walking along the riverside…‘Leaving Low Street, crossing the Market Place and over the Mill Dam bridge to the ‘High End’. Holborn, the main street, was of a much later date than the old, almost medieval Sheeles’. (I’ve come across a few different spellings of the town – Shiels, Schiels and todays Shields).

Further reading reveals…‘Filling in of the millpond or valley by Newcastle Corporation in 1816’. I think Miss Flagg was referring to the River Branin as she added ‘After the valley was filled in, the remains of the creek were used for a mooring place – it is given as Mill Dam Dock on one map. After an unsavoury history it was filled in and only a very small ‘gut’ of the river remained’. What was the ‘unsavoury history’ ? The book reveals more about the industrial map of ‘Sheeles’.

Miss Flagg includes a section about The Holborn Landing and two shipbuilders, William Wright and John Clay. Her research found William Wright had five sons, all of whom were Master Mariners. She adds that one son, William, left the sea and was manager for many years at both High Docks and West Docks. Another son, Leonard, married a baker’s daughter and founded the well-known Wright’s Biscuit Factory, the bakery being somewhere near Holborn Landing. A document stated that ‘During the Franco-Prussian war the biscuit firm worked day and night for over twelve months making 48 tons of biscuits from 400 sacks of flour every week for the French government’.

Her research on John Clay revealed in 1847 he constructed the first iron ships built in South Shields on premises where Wrights Bakery originally stood. Clay was labelled ‘King of Shields’ as he was listed as having his finger in many pies: the son of a grocer in Nile Street, a brewer, farmer, publican and banker who ‘went down with the bank’ in 1857. Although doubt was cast on his career as a shipbuilder, Amy concludes ‘the whole question is a mystery and must be left at that’.

There are copies of ‘The History of Shipbuilding by Amy C. Flagg’ available to read in the Local and Family History section at The Word, South Shields.

Gary Alikivi   December 2019.

HARD UP in HOLBORN – South Shields photographer James Henry Cleet 1876-1959.

During the 1930’s James Cleet was commissioned by South Shields Public Health Department to make a photographic record of ‘slum housing’ in the town. Side Photographic Gallery in Newcastle produced a booklet in 1979 of some of the photo’s. Not sure if the term ‘slum’ was first used by Side Gallery or Public Health Department ?

But first time I came across James Cleet when I was doing some family and history research in the Local History section of South Tyneside Library. It gave me the idea to make a documentary in 2010 called ‘The Hills of Holborn’, featuring the area once known as the industrial heartland of Shields, Cleet’s work and the digitization project. The Local History section had been awarded funding to digitize thousands of photographs they had in their archive and load them onto a new website. Volunteers were needed for this process and as I was self employed I could give a couple of hours a week to a worthwhile cause.

Spending time looking through photographs, some from the early 1900’s, of people, places and events around South Tyneside was a great way to spend a couple of hours. It wasn’t long till I dropped in more frequently. Photographs by Emmett, Flagg and Cleet were an excellent record of the times. Some images had familiar street names of area’s where my ancestors lived, mainly Tyne Dock, Holborn and Jarrow. Finding a family of photographers called Downey who had a studio in Eldon Street next to where my great grandmother lived was an added bonus.

There was a small team of volunteers who recorded details of the images, scanned the photo’s, and uploaded them onto the website, this process features in the documentary. Street names, buildings, shops and people were researched, as much information as possible was added. On the back of the pictures was nearly always a date or name of the photographer. But unfortunately, some photographs were left blank and didn’t have any recognizable signs, but were still uploaded.

After a few sessions I could recognize the styles of certain photographers and two of them stood out. Amy Flagg added extensive details to a lot of her work, and covered some powerful subjects like the Second World War – climbing over bombed houses to get the shot won’t have been easy. Some of her images became instantly recognisable, in her darkroom she stamped a date in Roman numerals on the bottom of the photo.

There were a load of photographs that were taken in Holborn by James Cleet, his style and composition was of a very high quality with clean, sharp images. Most of the images are taken on overcast, grey rainy days – is that a coincidence ? I doubt it. The lighting give the pictures a uniform look and add to the bleak, grim atmosphere of the housing clearance. In research I found he had regular work at ship launches, plus The Shields Gazette and Daily Mirror. While Flagg’s technique was more hand held, Cleet used a tripod in most if not all of his shot’s. Both were passionate about their work.

Around that time an old guy used to come to the local history section and tell me a few stories about Tyne Dock and Holborn as his family lived in those area’s. Next time he brought in a booklet which he gave to me, it featured a collection of the housing clearance photographs I’d been looking at.

The booklet also included reports by the South Shields Medical Officer for Health talking about ‘rat repression’ and ‘eradication of bed bugs’. They reported….’The women had a very hard life. They polished their steps and the pavement was scrubbed. The backyard was washed regular. There was a question of pride. They had to keep them clean or they’d be overrun with vermin. No getting away with it. It had to be kept down’. The report also included complaints from residents…’A’ve seen some hard up times. Families of nine in one room. I knew a family, the father and mother had to gan ootside to do their business. Yes they used to do their courtin’ ootside. The mother used to stand at the telegraph pole on Johnsons Hill and have her love with the husband and then gan yem to bed. You couldn’t do nowt with all the family livin’ in one room’.

In a previous post I wrote about the important historical archive that Amy Flagg had left to the town: her Second World War photo’s plus the book ‘The History of Shipbuilding in South Shields’, the James Cleet housing clearance booklet is just as important a document of South Shields.

To check out the South Tyneside photographs featuring Amy Flagg and James Cleet go to :   https://www.southtynesidehistory.co.uk/

Gary Alikivi   December 2019.

JARROVIANS – Vince Rae’s photographic record of Jarrow in 1978.

For 30 years Vince Rae ran the Bede Gallery in Jarrow which featured paintings, sculpture and photographs reflecting the town’s history. Included was material relating to the 1936 Jarrow March and the execution of William Jobling, the last man to be gibbeted in the North.

I knew of Vince Rae’s work as I’d read a couple of books that he had published about old Jarrow and came across his photography through the 1990’s. But first talked to him around 2001 when I was running a Community Video Project in South Shields. He was organising an exhibition about the Jarrow Crusade and was looking for a video projector. We didn’t have one, but I went along to the Viking shopping centre in Jarrow to see the exhibition.

Then in 2008 I called him up explaining that I was making a documentary in Jarrow called ‘Little Ireland’. The film was going to look at the Irish immigration into Jarrow and could I use some of his photographs. He agreed straight away ‘Yeah no bother son just send me a copy when it’s done’.

But if we go back to around 2002 I was filming in Jarrow and in a newsagents I saw a book called ‘Jarrovians’. Inside were some amazing black & white documentary photographs of people and places around Jarrow, all taken by Vince during 1978. I handed my tenner over.

Packed with images of drinkers and barmaids from pubs like the Royal Oak, Prince of Wales, Tunnel Tavern and the Viking Bar. There’s gadgies suppin’ pints and playing domino’s, kid’s on the streets setting up bonfires, homeless men in Simpsons Hostal, women’s darts team in The Western pub. Dogs, horses and Joblings gibbet – all life is here in it’s working class glory.

With few exceptions, the overall feel of the collection of photographs is people simply enjoying themselves, being out of the house and among friends sharing their time together. Most people are happy to get their photograph taken but looking at some of the images Vince might not of asked first.

The Jarrovians was first published in 2001 by Vince and Willa Rae at The Bede Gallery, Jarrow.

Gary Alikivi  December 2019.

HISTORY LIVES – Amy C. Flagg: South Shields Historian & Photographer 1893 – 1965.

Currently in South Shields Museum there is a small exhibition featuring houses and residents of Westoe Village. One of the residents was local historian and photographer, Amy C. Flagg. Amy was born in Chapel House, on the site of a former medieval chapel, the house dates back to 1808. In previous blogs (July 19th 2018 & July 11th 2019) I’ve looked at her life and included a link to a 16min film I made about her local history and photographic work, an important historical archive for the town.

She documented the air raid damage on Shields during the Second World War and printed the photographs in her darkroom in the attic of Chapel House. These photographs and detailed records were just one part of the important historical archive that she left.

Another part of her legacy was a book printed in 1979 by South Tyneside Council Library Service which featured her detailed notes on The History of Shipbuilding in South Shields 1746-1946. The book includes a comprehensive list of ships, shipyard owners and important people of the town like Fairles, Temple, Wallis and the Readheads.

Amy put together a section about the shipbuilder John Readhead and Sons…‘In 1894 at his home, Southgarth in Westoe Village, he had been in failing health for some time but had visited the West Docks almost daily until the last few weeks’. During the Second World War she noted… ‘The West Docks may not have suffered  as many attacks from the air as some parts of the town but there is no doubt that in terms of material damage, they were hard hit in April 1941 when major fires were started by incendiaries, and several bombs fell in Readheads yard’. Further research by Amy revealed that …’A ‘Satan’, one of the largest bombs dropped in England to date, fell on Newton & Nicholsons premises near the West Docks but failed to explode: many other bombs of sizeable calibre also fell in the river nearby’.

Her notes revealed what she called a ‘family’ feeling in the Readheads shipbuilding firm…’Not only between directors and employees, but department with department, staff with staff. Generation after generation has been proud and anxious to ‘get in’ sons or nephews to the various trades’. Amy realised the importance that Readheads played to South Shields especially during both world wars and recessions.

The book includes sections on place names like Pilot Street, Mill Dam, West Holborn and Coble Landing. At the bottom of The Lawe next to the river Tyne was Shadwell Street and Pilot Street which feature in the opening section of the book…’It is very fitting that these two streets should be the first section in these notes: the eastern extremity of the old township of South Shields was the birthplace and for long the nursery of shipbuilding in our town’.

Copies occasionally appear on EBay, and the book is available for reference only in the Local History section at The Word, South Shields. Check for details.

Gary Alikivi   December 2019.

 

SANTAS BIGGER BAG O’SWAG

If yer lookin’ for a Christmas present to buy why not take a butchers at these goodies that have appeared on the blog this year. 2019 has seen nearly 100 musicians interviewed and also featured authors and artists….

79318119_437132350300093_5999559298030501888_n

On ‘Live & Acoustic’, Blues Siren Emma Wilson sings 4 favourites from her live set plus her original blues break up song ‘Wish Her Well’. With guitar accompaniment from Al Harrington, Emma’s raw and dynamic vocals shine through ‘I used to sing sweeter soul style but learned and developed a big voice. It was get big or get off’. The 5 track EP reached no.12 in the Independent Blues Broadcasters charts and received rave reviews from Blues Matters magazine and several American Blues stations.

For a hard copy on CD email Emma at  emmawilsonbluesband@gmail.com or contact the official website : www.emmawilson.net or via Facebook.

bloody well everything icon bandcamp

Gary Miller from folk rockers The Whisky Priests….‘Leaving school in the mid-80’s, being in a band meant having a voice and a sense of hope and purpose during the dark era of Thatcherism. So, The Whisky Priests kind of evolved out of that and initially became a vehicle for expressing all my frustrations and passion at that time’. Get yer copy of Whisky Priests – ‘Bloody Well Everything’ 12-disc CD Box Set contact: https://whiskypriests.bandcamp.com/merch/chistmas-2019-offer-bloody-well-everything-limited-edition-box-set-only-300-numbered-copies-free-tour-t-shirt

THOMPSON

The Steve Thompson band recorded an album earlier this year…’The Long Fade really is my life’s work. After 50 years of being a backroom boy writing songs for other people I finally recorded them in my own name with a fantastic group of musicians and singers. Making the album was a fantastic adventure with lots of laughs with old friends’. You can download and stream links at http://www.thelongfade.xyx

Gary Alikivi December 2019.