HEBBURN OR HELL – Venom Inc. drummer Antony Bray decides…

Out of the North East of England came a band who exploded onto the heavy metal scene and created their own genre of music. Black Metal. In the early 1980’s they scorched a path for American thrash bands Anthrax, Slayer and Metallica.
Over the past thirty years Venom have released a series of studio, compilation and live albums. This year Venom Inc. signed a record deal with Nuclear Blast and release a new album in August. But what is the story behind Venom ?

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In an open and honest interview, drummer Antony Bray looks back….Venom had it’s own momentum we were trying to do everything wrong, be blasphemous, be over the top, HMV wouldn’t display our third album in the window things like that. We were trying to get banned, wanting to be in the worst top ten records all that, we were trying – but it kept working’.

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What is the situation with Venom Inc now and how did the band get back together? ’A guy called Oliver Weinsheimer who promotes the Keep it True festival in Germany, came over to Brofest in Newcastle and saw Tony Dolan on stage with his old band Atomkraft. Guitarist Jeff Dunn was also there and he got on stage and played a couple of songs. Well I was stood at the bar there and Oliver came over and said would you fancy doing six songs at Keep it True in 2015. I said yeah if the rest of the band are ok about it, a lot of water has gone under the bridge since then. So that’s how it happened. We got together to do a one off festival in Germany, just rattle off some old songs we thought it’ll be good fun.

After the gig the phones lit up, people saying will you do it again, will you come to Japan, places like that, we got requests from different countries. There was a lot of interest. We got together, sat around the table saying do we realy want to do this ? We talked it through, just forgot our old problems and yes, we agreed to go ahead and do it.
After that there was a month in America some time in Europe, Australians want us over there. We went back to America twice, been to Asia, done a South America tour, it’s been a very busy time. Actually were doing more gigs than the original Venom did in the 80’s’.

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Compared to Venom’s earlier output, production of the new single ‘Dein Fleisch’ has a very slick and polished sound, is that what the band were going for ? ’Jeff had a lot to do with that, his Empire of Evil stuff is quite slick, he spent a lot of time on it with pro tools. Jeff said the record company are happy with it and that’s cool. We had the opportunity to crash through some demos but it went very modern and slick. We don’t live in the same country never mind city haha so it suited us to work this way. I done the drums at Blast Studio in Newcastle, Jeff sent over some guitar licks from Portugal, Tony lives in London’.

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‘There’s different ways of recording and I like the new Mythra album to be honest. It’s like getting back to how we done it in the early days you know, getting in the room kicking it around and see what we can do because thats what Venom were about. With raw metal bands like us, if we are all in the room we can change it up and effect it.
Last month we were in California and we played one of the tracks off the new album. We played the song as it is on the record but Tony said can we pick this up ? Yeh I said, it needs a bit of drive I was hoping you would say that. We were sitting on a hotel roof in Rio being interviewed when Jeff said I have worked out what makes the Venom sound and he turned and pointed at me, well I was stunned it was great to hear that. I know I’ve been a hammer and nail’s drummer but that’s what Venom have only ever wanted’.

Where did it all start for you Antony ? ’Used to go and see loads of bands at the Newcastle Mayfair and City Hall. The first band I seen was when my brother took me to see Deep Purple, then I went to see bands like The Runaways, Rainbow and Rush. We’d queue up all night to get tickets. When I left school I worked at the electronics engineering company Reyrolles, in my hometown of Hebburn, that’s where I met Eric Cook. We started on the same day. Little did I know that later he would become our manager.
I started playing drums around ’77 and my first drum kit was called Viking, it was built by Mick Lewis in Jarrow. He showed me how to make them and I made all my toms there. Then I was in a band called Oberon with Eric Cook on guitar. As everyone was buying motorcyles with their first wages from Reyrolles, Eric bought a Stratocaster’.

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After a few line up changes Venom settled on the unholy trinity of Conrad Lant on bass, Jeff Dunn on guitar and Tony on drums. ‘We used to rehease in a church hall on Wesgate Road in Newcastle where all the motorbike shops are. Really Venom were punks with long hair. We saw the instruments as a means to an end. Conrad was really proud of his lyrics and put them across the best way. But as instrumentalists it was always about making the biggest noise and craziest fashion. Sometimes we used to get a crowd of 30-40 people come in to see us rehearse. Our neighbours in the North East, heavy rock band Fist came in one time, their drummer Harry Hill heard us and said what is that, I can’t hear myself think haha’.

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‘Drummers have a different style of playing depending on what bands you’ve heard. Before we started there was no Slayer or Metallica. We were in front of all that, we had heard Motorhead, and knew we had to be louder and harder than them. Venom weren’t known as a big touring band, yes we did some festivals, there was plenty in Europe. But when we started out we played a gig at a heavy metal disco at the Quay club in Hebburn. Eric Cook ran the disco and he arranged to put Venom on. We bought our stage effects from Sound & Lights store in Newcastle where former Satan and Blind Fury vocalist Louie Taylor was working. (Louie features in earlier blog Rock the Knight February 2017).  He ended up doing some pyro for us, we were big on that haha. Louie was all about the safety aspect and I was all about let’s chuck some more powder in and see what happens. Well that gig we fused the building, lights went off right through the whole club, the bingo mafia downstairs went mad haha’.

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‘We were putting all the money back into Venom, buying the pyro, all the stage effects. We got our drumriser built for us in the shipyards, the whole scissor lift, it was just one big thing it never came apart. It was huge, they couldn’t get it out of the doors haha. Around this time Conrad was tape operator at NEAT doing a few days here and there and he bugged the owner Dave Woods about getting spare time in the studio for the band. He kept asking him can my band come in on the weekend ? Woodsy got so sick of him bugging him he just said ok, just do it, but pay for the tape. So we recorded a three track EP and we thought it might get a little review somewhere. I was still working at Reyrolles then and one morning I wandered in and someone had a copy of the Sounds. Couldn’t believe it, there’s a two page spread about our EP, f’ing hell look at this. When Woodsy saw it he thought, I hate the band, think they are bloody awfull – but kerching!’

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‘This all happened in one big wave, we played our first proper gig in Belgium, it got massive reviews. Next we went to New York and Metallica opened up for us. We did two nights in Staten Island but our gear got impounded, we were supposed to play the Aardschock festival in Holland with King Diamond and Raven. We trudged over there with no gear but we did take with us the Bloodlust video that we shot at the Peoples Theatre in Wallsend. It cost £3,000, the first sales of our album Welcome to Hell paid for that. We told the promoter what had happened and he watched the video and loved it. He said ‘This is the idea, we’ll show it on the screens and you can get up and tell the crowd you are sorry you can’t play because of what’s happened with your gear, and then you’ll sign some stuff afterwards’. We said yeah no problem. As Raven were setting their gear up on stage we walked out and told the crowd what had happened but we will play next year, big cheers. We played the video and the crowd went apeshit. Dave Woods was backstage saying I don’t get it, I just don’t get it’.

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‘I was in the NEAT offices one day as I was doing photo’s for bands like Avenger, and logo’s for Atomkraft. Just hanging around the scene and happy to be be there. A guy called Michael Rod came up he was from the TV programme Tomorrows World or something. He had a film company and was partners with Dave Wood in D.W. Enterprises who had NEAT records and Impulse Recording Studio. Woodsy pulled me to one side and said do you want to do this video with a few bands on, it’s called ‘Metal City’? Funny because Woodsy didn’t like heavy metal apart from Raven. We had a laugh putting it together but not sure why Saracen were on because they weren’t heavy metal like the other bands Avenger and Warfare. A couple of Venom live track’s were on from Hammersmith Odeon plus a video for Nightmare. Yeah it was good fun’.

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’We brought Metallica over here and they opened up for us, they were heavily influenced by the North East NWOBHM. I remember we were topping a bill in Europe, I was on the gantry at the side of the stage. I was looking down and listening to the band who were on before us. I turned to the person next to me and said ’They’ll be headliners soon’. This was around 1984. The band were Metallica

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After one more studio album ‘Possessed’ was released in 1985, Venom were heading for changes…’Jeff left the band, so me and Conrad got Newcastle musician Jim Clare in and an American lad called Mike Hickey. Venom only recorded one album then as I had a falling out with Conrad’.

1987’s studio album ‘Calm Before the Storm’ was released plus a live album. Conrad went on to front his new band Cronos… ‘I went along with Eric Cook to see Brian Johnson’s ex-wife Carol, we bought Lynx Recording Studio off her and as we were on a hiatus from Venom we were just putting other bands through the studio. We had Kieth Nicholl engineering for us after ex-Angelic Upstart Mond Cowie left.
One day a call came in and it was Music for Nations, they wanted to meet up. So I went down to a meeting in London and talked to the label. They said they would be very interested if Venom got back together. Travelling back on the train to the North East I thought this could work. So I rang Tony Dolan who was a long time fan of the band and he said I’ll take your arm off to be in Venom. We got Jeff Dunn back and we made the album Prime Evil in 1990. We stuck together a few years and recorded three albums in that time. Because it was a really good label, there was proper advertising, the lot, it was a big step up for us’.

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Fast forward to 2017, what are the future plans for Venom Inc ? ‘We’re working our balls off. In the past two years we’ve done 300 gigs. Now we’re promoting the album it’ll get heavier. We have another five festivals in this summer, then five weeks in America starting September. We’ve got UK dates in November and then full European tour through Christmas and New Year. We’ve got good set up’s in America, Australia and Europe keeping us working. Our set is an hour and a half and a lot will be off the new album but we’ll always do Black Metal, Countess Bathory, Die Hard and a few others. People at gigs shouting for some other old songs so we are re-learning some of them, yeh really looking forward to the tour’.

For more information about the new album ‘AVE’ released by Nuclear Blast and the latest tour dates check official website http://www.venom-inc.com

Interview by Gary Alikivi June 2017.
JUST FOR THE RECORD.

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